Click on any phrase to play the video from that point.
[♫music][[Adobe®TV] [Presents]
[Russell Preston Brown] [in...]
[The Russell Brown Show]
Welcome to the Russell Brown Show.
In this tutorial, where I'm going to be using
Adobe Photoshop Touch,
I'm going to talk about the basics
of working with the Warp feature.
Now it may seem simple, but I've got some
tips and techniques to improve your projects.
Okay--let's start with this incredibly
good looking character right here.
Let's go right over to the More menu
and find Warp--right here.
So I'm going to Warp an image
without making a selection, just to go over the basics.
As you can see, a grid forms.
But what are all these control points?
Let's go through them
If you click on a corner point, for example,
and drag it in, you can Warp
the proportions in a perspective
fashion like this.
But you can see that I can pull in and I'm
seeing a transparency behind it--Ah!
But if we grab this point, right here,
with the arrow on it
and I click and drag to the right,
I can then skew, it in this fashion,
to the right or by clicking
and moving it to the left,
I can do this sort of a Warp--just like that.
I'm hitting the Undo button here at the base
so I can go back in time
and see my progressive moves.
so that's what that control point's all about.
Now here are the really interesting ones.
Let's take a look at this one right here--
the one with the multidirectional arrows on it.
Watch as I move this.
Notice that this is the real Warping one.
So you can really get those standard
classic Warping effects
that you would only do to a photograph
of someone like this.
So you can Warp those in--but check out this feature:
When you have a square edge selection,
the sides stay where they are
so none of the transparency appears.
So keep that in mind--that's a really nice thing to remember.
When you make a squared edged selectionn it doesn't distort the edges.
Those are pinned near the edge.
Check out this other point, right in the middle.
This doesn't Warp the image.
This moves the center point, and lets you
move your item around, in this fashion.
It maintains the Warp,
but you're merely moving that center point.
So that's a basic overview of selecting
the corner points,
the multidirectional arrow for distortion
or the center point to reposition it.
I'm going to cancel from that
because now I want to go in on a project
and show you some things you can do
to really focus your Warping.
I have the Marquis tool here set for the circular
selection--right here.
I want to show you the difference between a circular selection
and a standard square selection--or rectangular selection.
Notice--here's a great tip and technique.
I've made that selection, and I do not have my
Plus or Minus or the Add
or Subtract From selection selected.
I can now click, right in the middle,
and I can move my selection around--just like this.
So I want to make a distortion of that area.
I can go back into my Warp tool
with the selection so it will only Warp that area.
But check it out--what I said earlier
about making a square selection
versus this elliptical selection.
Watch as I distort this, this time.
I'm going to distort this inward.
Ah-ha!
If you distort this, you pull the edges in
and you start to see transparency
because you had a non-rectangular
or square edge selection.
Keep that in mind; if you want to then
blend those edges, you may want
to make a square edge selection.
So you can see the disadvantages of that.
But if we go back in and Warp this, and we scale outward,
there's no problem with the edges at all--no masking or adjustments.
And that's the beauty of this--you want to be able to do things quickly and easily.
So, with the selection, let's go back out;
let's select our Marquis Selection tool
right here, and let's make a selection of--
for example--just the eye.
I'm going to zoom in here--again, just pinching right there.
I'm going to make a selection over the eye,
just like this--I want that big-eyed crazy look here.
I make the selection, I make a Warp,
and remember--if I use this Distortion tool,
I can move this to the right, just like that.
But we see that transparency,
so we're going to get out of that one.
So now we go in, right into our Multidirectional
arrow--there!
Notice, that I can scale this around;
I'm not revealing any of the transparency
as I Distort in or out.
So again, repeating that fact about
making a square edge selection, I click Done.
I then zoom back out
and we can see our finished results.
So there you go--a few
tips and techniques for working with the new
Warp feature here in Photoshop Touch.
Give it a try. [♫music]
[Executive Producer] [Bob Donlon] [Producer] [Karl Miller]
[Director] [Kush Amerasinghe] [Post-Production] [Erik Espera]
[Adobe®TV Productions] [tv.adobe.com]
