Stereoscopic 3D Editing with NVIDIA 3D Vision Pro and Adobe Premiere Pro

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Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

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Episode Title	Runtime	CC	Products Covered	My Library
Multitrack Mixing Automation in Adobe Audition CS5... Multitrack Mixing Automation in Adobe Audition CS5.5 In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track. Runtime: 00:11:03 Added: September 15, 2011 Views: 13,874	00:11:03
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Work Natively with PSD files in Premiere Pro Work Natively with PSD files in Premiere Pro In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets! Runtime: 00:08:48 Added: September 01, 2011 Views: 7,999	00:08:48
Basic Secondary Color Correction/Grading in Premie... Basic Secondary Color Correction/Grading in Premiere Pro CS5.5 In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time thanks to the amazing, 64-bit Mercury Playback Engine. Runtime: 00:13:10 Added: August 25, 2011 Views: 11,520	00:13:10
Repair AGC (automatic gain control) Clipping Artif... Repair AGC (automatic gain control) Clipping Artifacts from DSLR in Adobe Audition CS5.5 In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to detect, analyze and repair digitally clipped samples and distortions caused by AGC on your DSLR and other video cameras and audio-capture devices. Adobe Audition CS5.5's incredible tools for audio analysis and repair continue the application's legacy of fast, transparent, high-quality restoration. Runtime: 00:13:24 Added: August 18, 2011 Views: 9,481	00:13:24
Quick-Start DSLR Editing Workflow for Final Cut Us... Quick-Start DSLR Editing Workflow for Final Cut Users/Switchers (updated for CS5.5!) In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly. Runtime: 00:19:53 Added: August 11, 2011 Views: 12,051	00:19:53
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Closed Captions in Premiere Pro CS5.5 Closed Captions in Premiere Pro CS5.5 In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast. Runtime: 00:04:34 Added: July 28, 2011 Views: 5,801	00:04:34
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Hardware for Video Hardware for Video In this episode of Short and Suite, Karl Soule talks about how the new HP Workstations powered by Intel Xeon processors make great hardware solutions for running Adobe Production Premium. Runtime: 00:05:20 Added: July 14, 2011 Views: 8,943	00:05:20
Using the Trim Monitor in Adobe Premiere Pro CS5.5 Using the Trim Monitor in Adobe Premiere Pro CS5.5 The Trim Monitor maybe an often-overlooked tool in Premiere Pro that can be used to precisely tweak an edit. Karl Soule shows you how to use this feature to fine-tune the in and out points of clips on a timeline at a cut with ease. Runtime: 00:04:11 Added: July 05, 2011 Views: 7,219	00:04:11
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Color Finesse Workflow: Using a Control Surface Color Finesse Workflow: Using a Control Surface Join Karl Soule as he demonstrates how to use an external control surface to manipulate the controls of Color Finesse inside of Adobe After Effects. Runtime: 00:08:27 Added: June 23, 2011 Views: 2,743	00:08:27
Premiere Pro CS5.5 Resources for Professional Edit... Premiere Pro CS5.5 Resources for Professional Editors Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. Please check the comment section for a list of links used in this video Runtime: 00:09:13 Added: June 27, 2011 Views: 29,994	00:09:13
Color Finesse Workflow: Secondary Grading Color Finesse Workflow: Secondary Grading In this episode of Short and Suite, Technical Evangelist Karl Soule demonstrates how to use Color Finesse along with Adobe After Effects' built in masking tools to perform secondary color corrections. Runtime: 00:08:14 Added: June 16, 2011 Views: 4,523	00:08:14
Adobe Story Overview with Karl Soule Adobe Story Overview with Karl Soule Short and Suite’s Karl Soule briefly discusses the changes in Adobe Story and how it’s become a very powerful collaboration script writing tool. Runtime: 00:05:16 Added: May 02, 2011 Views: 4,463	00:05:16
Stereoscopic 3D Editing with NVIDIA 3D Vision Pro... Stereoscopic 3D Editing with NVIDIA 3D Vision Pro and Adobe Premiere Pro Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D. Runtime: 00:17:13 Added: April 07, 2011 Views: 6,617	00:17:13
Color Finesse Workflow: Primary Grading (Part 2) Color Finesse Workflow: Primary Grading (Part 2) Have you ever tried to match color from shots captured on different cameras, or from footage shot on the same camera, but under different lighting conditions? In this episode of Short and Suite, Karl Soule continues to explore Color Finesse workflows inside Adobe After Effects CS5. He shows you how to use the bundled Color Finesse plug-in to neutralize white balance in your shots in order to create a common starting point for creative color grading. Runtime: 00:05:38 Added: February 16, 2011 Views: 7,011	00:05:38
Color Finesse Workflow: Primary Grading (Part 1) Color Finesse Workflow: Primary Grading (Part 1) In this second installment of a series of Short and Suite episodes focused on Color Finesse - the After Effects plug-in for color correcting which comes with Adobe Creative Suite CS5 Production Premium - Karl Soule dives deeper into the steps involved in performing a primary color correction to change the mood and look of some video footage he was editing in Premiere Pro earlier. Runtime: 00:07:52 Added: February 09, 2011 Views: 13,707	00:07:52
Color Finesse Workflow: Workflow from Premiere Pro Color Finesse Workflow: Workflow from Premiere Pro In this episode of Short and Suite, Karl Soule demonstrates how to easily move your Premiere Pro timeline to After Effects for color correction using Synthetic Aperture's Color Finesse 3 plug-in. You'll learn basic techniques to enhance and color correct your footage using this powerful tool. Runtime: 00:09:25 Added: February 02, 2011 Views: 11,963	00:09:25
Performing an Extended Edit in Premiere Pro Performing an Extended Edit in Premiere Pro In this episode of Short and Suite, Karl Soule demonstrates how to customize the keyboard to quickly extend the duration of a clip in a timeline by using the 'Roll Next Edit to CTI' and 'Roll Previous Edit to CTI' commands. Runtime: 00:04:42 Added: January 26, 2011 Views: 3,852	00:04:42
Using the 3-way CoCo as a Secondary Color Correcto... Using the 3-way CoCo as a Secondary Color Corrector This Adobe Premiere Pro CS5 tutorial unlocks the secrets of using the 3-way Color Corrector for secondary color effects. Secondaries only affect one part of an image, leaving the other values alone. Learn how to just affect skin tone in an image, boost saturation for a green field of grass, and much more. Runtime: 00:08:57 Added: October 21, 2010 Views: 11,206	00:08:57
Setting up the 3 Wheels of the 3-Way Color Correct... Setting up the 3 Wheels of the 3-Way Color Corrector In this Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better. Runtime: 00:04:36 Added: October 14, 2010 Views: 4,304	00:04:36
Basic Use of the 3-Way Color Corrector Basic Use of the 3-Way Color Corrector In Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better. Runtime: 00:05:29 Added: October 06, 2010 Views: 13,929	00:05:29
How Content-Aware Fill can help with Video How Content-Aware Fill can help with Video Content-Aware fill in Photoshop is a powerful tool for generating clean plates in Premiere Pro. Karl Soule’ provides some examples. Runtime: 00:07:56 Added: September 30, 2010 Views: 6,991	00:07:56
Mapping Audio Channels in Premiere Pro Mapping Audio Channels in Premiere Pro For editors dealing with footage using split-mono tracks (voice on one track, ambient sound on another) this quick tutorial on audio channel mapping is a must-see. Runtime: 00:05:19 Added: September 24, 2010 Views: 11,613	00:05:19
Making Text Masks in After Effects Making Text Masks in After Effects After Effects makes it simple to use text as an outline for a different layer. Karl Soule’ explains how. Runtime: 00:05:23 Added: September 17, 2010 Views: 19,574	00:05:23
Drag to New Sequence Function in Premiere Pro Drag to New Sequence Function in Premiere Pro Ever had some footage, and weren’t sure which timeline preset to use? Now, there’s an easy trick to get started editing natively. Runtime: 00:02:17 Added: September 03, 2010 Views: 6,069	00:02:17
Creating a Watch Folder in AME CS5 Creating a Watch Folder in AME CS5 Need to convert or transcode a lot of content? Adobe Media Encoder can do it automatically. Karl Soule’ shows you how. Runtime: 00:04:12 Added: August 26, 2010 Views: 1,616	00:04:12
Using Audio Effects in Premiere Pro Using Audio Effects in Premiere Pro There are 2 different ways to add effects to audio in Premiere Pro. Karl Soule’ walks through both techniques, and when to use each technique. Runtime: 00:05:58 Added: August 19, 2010 Views: 7,538	00:05:58
Creating a Rough Cut with OnLocation Creating a Rough Cut with OnLocation In this episode of Short and Suite, Karl talks about OnLocation CS5's new ability to support tapeless workflows on set and shows you how to quickly create a rough cut edit using OnLocation and Premiere Pro CS5. Runtime: 00:04:27 Added: June 03, 2010 Views: 7,585	00:04:27
Creating Video Portfolios with Flash Catalyst Creating Video Portfolios with Flash Catalyst Join Karl Soule as he demonstrates Adobe Flash Catalyst, a new tool in CS5 Production Premium that allows you to create interactive designs for the web… without coding! Runtime: 00:14:07 Added: May 26, 2010 Views: 13,038	00:14:07
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GPU Acceleration and NVIDIA GPU Acceleration and NVIDIA In this Episode of Short and Suite, Karl Soule shows how Premiere Pro CS5’s new Mercury Playback Engine works with the Nvidia CUDA technology to greatly enhance the power of your workstation. Runtime: 00:09:57 Added: April 11, 2010 Views: 18,613	00:09:57
Premixing Live Audio Premixing Live Audio Join Jason Levine as he uses Adobe Audition to clean up live audio tracks taken directly from the board (Which normally sound dry) and mixes them to sound dynamic and full of life. Runtime: 00:15:26 Added: February 15, 2010 Views: 2,752	00:15:26
Finalizing the the Look and Sound of a Multicam Pr... Finalizing the the Look and Sound of a Multicam Project Join Jason Levine as he uses Adobe Premiere Pro and Magic Bullet to create the ‘look’ of his finalized video. He also shows you how to use Dynamic Link to modify a logo in After Effects. Runtime: 00:10:15 Added: March 19, 2010 Views: 5,125	00:10:15
Building Animated Lower Thirds in Photoshop Building Animated Lower Thirds in Photoshop In this episode of Short and Suite, Jason Levine teaches us how to animate Lower Thirds in Adobe Photoshop and then use that PSD in Premiere Pro and After Effects CS4. Runtime: 00:12:58 Added: March 04, 2010 Views: 18,362	00:12:58
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In My Heart and In Design (Part 2) In My Heart and In Design (Part 2) "In My Heart and InDesign" continues as Jason covers bringing Adobe Audition 3 stems into Soundbooth CS4 to make a final mix and Karl reviews making text animate to sounds in After Effects. Runtime: 00:30:08 Added: October 02, 2009 Views: 1,058	00:30:08
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Morning After Effects (part 2) Morning After Effects (part 2) Jason explains how to use Audition 3 to automate the mixdown process, while Karl discusses the use of the new CS4 MochaAE planar tracker. Runtime: 00:35:43 Added: September 21, 2008 Views: 20,068	00:35:43
Morning After Effects (part 1) Morning After Effects (part 1) Karl discusses using point trackers and expressions in After Effects CS4, and Jason talks about using MIDI tracks and VSTi in Audition 3. Runtime: 00:32:21 Added: September 20, 2008 Views: 22,788	00:32:21
Chroma Key You (Part 2) Chroma Key You (Part 2) Jason explains how to work with Analog Modeled effects to create stereo/mono mixes while Karl covers nested compositions and using plug-ins to achieve the "look" of the video. Runtime: 00:43:56 Added: June 03, 2008 Views: 47,607	00:43:56
Chroma Key You (Part 1) Chroma Key You (Part 1) Jason explains how to produce and comp vocal tracks with pitch correction, reverb, compression and submixing while Karl shows us how to set up a key using Keylight. Runtime: 00:40:34 Added: May 05, 2008 Views: 78,137	00:40:34
I'm Your Puppet I'm Your Tool (Part 2) I'm Your Puppet I'm Your Tool (Part 2) Karl delves into the advanced Puppet Tool and using nested comps to add video elements to a still, while Jason goes over Multiband Processing & Exporting the Mixdown. Runtime: 00:43:33 Added: August 03, 2008 Views: 35,925	00:43:33
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