Episode: OnLocation
Show: Short and Suite
Views: 3684
About This Show
Short and Suite
Join your hosts Karl Soule' and Jason Levine as they show you important insider tips and tricks in the exciting world of video and audio production.
More Episodes in this Show| Episode Title | Runtime | CC | Average Rating | My Library |
|---|---|---|---|---|
| Premiere Pro and After Effects; Together Again Premiere Pro and After Effects; Together Again In this episode, Jason Levine show you how Premiere Pro and After Effects work together in terms of creating, transferring and sharing files. | 00:09:06 | |||
| OnLocation OnLocation Learn how Adobe OnLocation can be used to adjust the settings on your camera before you shoot so that your post-production experience becomes even easier. Karl Soule walks you through the process. | 00:08:45 | |||
| What’s New in After Effects What’s New in After Effects In this After Effects tutorial, Karl Soule goes over some of the new features in Adobe After Effects CS4 including enhanced Search functionality and Nested Comps. | 00:11:12 | |||
| Dynamic Link Dynamic Link Learn all the ways Dynamic Link will improve your workflow across Adobe Creative Suite 4 production Premium applications. All this and Jason even invents a new word, “Renderless.” | 00:12:41 | |||
| Using Video in Photoshop CS4 Using Video in Photoshop CS4 Discover how Adobe Photoshop CS4 can be used to manipulate video in this Photoshop tutorial. Join Karl Soulé as he shows you the intricacies of Adjustment Layers, the Masks Panel, and more! | 00:10:16 | |||
| Volume Normalization in Soundbooth CS4 Volume Normalization in Soundbooth CS4 Learn the basics of normalizing, volume matching and equalizing your audio in Adobe Soundbooth CS4. Jason Levine tells you when each is applicable in this Soundbooth tutorial. | 00:10:18 | |||
| New Features in Premiere Pro CS4 New Features in Premiere Pro CS4 Learn about new productivity enhancements in Premiere Pro CS4. Karl Soule takes a look at blending modes, improved timecode, and new ways to use nested sequences in this Premiere Pro tutorial. | 00:10:39 | |||
| Encoding Video for DVD and Blu-Ray Encoding Video for DVD and Blu-Ray Jason Levine walks you through the process of encoding for DVDs and Blu-ray Discs in this Encore CS4 tutorial. You’ll be blown away by how easy it is. | 00:10:51 | |||
| Export Once, Output to Many Export Once, Output to Many In this Premiere Pro tutorial, Karl Soulé shows how the new Adobe Media Encoder CS4 lets you output multiple formats from Premiere Pro CS4 while rendering in the background. | 00:08:19 | |||
| Collaborating With Clients Collaborating With Clients In this Premiere Pro Tutorial, Jason Levine gives an in-depth look at how you can quickly efficiently collaborate with clients and team members with Clip Notes in Premiere Pro. | 00:10:16 | |||
| Photoshop Dream Girl (Part 2) Photoshop Dream Girl (Part 2) In pt 2 of Photoshop Dreamgirl, Karl continues to go over the new 3D features of CS4 Photoshop Extended and Jason shows how to stylize a 50's audio mix in Audition. | 00:30:43 | |||
| Photoshop Dream Girl (Part 1) Photoshop Dream Girl (Part 1) Karl shows how to map video onto a 3d object in Photoshop CS4 Extended, and Jason shows how to use Audition to create loops from live performances and Loopology content. | 00:27:32 | |||
| In My Heart and In Design (Part 2) In My Heart and In Design (Part 2) "In My Heart and InDesign" continues as Jason covers bringing Adobe Audition 3 stems into Soundbooth CS4 to make a final mix and Karl reviews making text animate to sounds in After Effects. | 00:30:08 | |||
| In My Heart and In Design (Part 1) In My Heart and In Design (Part 1) Karl shows how new effects in After Effects CS4 are used to create a cartoon look, while Jason creates the "down & dirty" sound used for guitar and drum tracks in Audition 3. | 00:30:07 | |||
| Morning After Effects (part 2) Morning After Effects (part 2) Jason explains how to use Audition 3 to automate the mixdown process, while Karl discusses the use of the new CS4 MochaAE planar tracker. | 00:35:43 | |||
| Morning After Effects (part 1) Morning After Effects (part 1) Karl discusses using point trackers and expressions in After Effects CS4, and Jason talks about using MIDI tracks and VSTi in Audition 3. | 00:32:21 | |||
| Chroma Key You (Part 2) Chroma Key You (Part 2) Jason explains how to work with Analog Modeled effects to create stereo/mono mixes while Karl covers nested compositions and using plug-ins to achieve the "look" of the video. | 00:43:56 | |||
| Chroma Key You (Part 1) Chroma Key You (Part 1) Jason explains how to produce and comp vocal tracks with pitch correction, reverb, compression and submixing while Karl shows us how to set up a key using Keylight. | 00:40:34 | |||
| I'm Your Puppet I'm Your Tool (Part 2) I'm Your Puppet I'm Your Tool (Part 2) Karl delves into the advanced Puppet Tool and using nested comps to add video elements to a still, while Jason goes over Multiband Processing & Exporting the Mixdown. | 00:43:33 | |||
| I'm Your Puppet I'm your Tool (part 1) I'm Your Puppet I'm your Tool (part 1) Carl covers the puppet pin tool and motion sketching in After Effects while Jason dazzles us with the Guitar Suite, submixing, and creating big drums. | 00:40:57 | |||
| I Used Photoshop Today (Part 2) I Used Photoshop Today (Part 2) Karl covers the basics of Rotobezier masking and using Lumakey effects to add a shadow in After Effects CS3 while Jason explains Stereo Processing for guitars and Mastering the Mix in Audition 3. | 00:43:08 | |||
| I Used Photoshop Today (Part 1) I Used Photoshop Today (Part 1) Karl covers how to use HD footage in an SD project while Jason cleans up a garage recording to turn it into a master. | 00:39:35 | |||
| Authoring a Flash Based DVD for the Web Authoring a Flash Based DVD for the Web Discover how to take your DVD creations and publish them to the web as a Flash based website. Jason Levine shows you how to do it in this Adobe Encore tutorial. | 00:09:50 |
About This Episode
Runtime: 00:08:45
Added : 10/27/2009
Learn how Adobe OnLocation can be used to adjust the settings on your camera before you shoot so that your post-production experience becomes even easier. Karl Soule walks you through the process.
