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"Z800"

Media Encoder 5.5 on the z800
Media Encoder 5.5 on the z800
Colin takes advantage of the HP Z800’s massive horsepower combined with the raw speed of the 64-bit Adobe Media Encoder 5.5 to show you how you can output different versions of your comps using a combination of After Effects, Dynamic Link and Media Encoder, while working on new composites, without missing a beat.
  • After Effects
  • Product Version: CC
  • Views: 5,312
  • Added: Apr 10, 2011
  • Runtime: 00:05:48
  • Tags: Premiere Pro, encoding, HD output, HP, Keylight, Premiere, Professional, RAM, Render Queue, VFX
Dude, Where's My Task?
Dude, Where's My Task?
Are you looking for the Tasks that you’re used to in Soundbooth when you start using Adobe Audition 5.5? Colin will show you a step by step walkthrough between to the two applications, pointing out where the same operations are in Audition. He’ll also point out that Audition is much more powerful at all the tasks you’re used to using in Soundbooth, including Noise Reduction, Time Stretching, Automatic Click Remover, DeHummer, Looping and more. The fact that he’s demonstrating all this on his “wicked fast” HP Z800 workstation makes Audition all the more powerful.
  • Audition
  • Soundbooth
  • Product Version: CC
  • Views: 3,686
  • Added: Apr 10, 2011
  • Runtime: 00:12:44
  • Tags: Premiere Pro, HP, Markers, Premiere, Professional, RAM, Tasks, Time Stretch, VFX, Z800
Premiere Pro to Audition
Premiere Pro to Audition
Colin’s back showing off how fantastic his Z800 workstation performs with the new Adobe 5.5 software. In this episode he shows you how to send a complete Premiere Pro sequence to a multitrack project in the new Adobe Audition 5.5. From there he shows how you can add effects to individual clips, or complete tracks with lots of built-in effects or support for VST and AU plug-ins. Once complete, this project can be send back to Premiere Pro CS5.5 or exported to OMF or Final Cut Pro XML.
  • Premiere Pro
  • Audition
  • Product Version: CC
  • Views: 15,694
  • Added: Apr 10, 2011
  • Runtime: 00:06:53
  • Tags: Premiere Pro, 5.1, AU, DAW, HP, Multitrack, No Stupid Questions with Colin Smith, Premiere, Professional, RAM
Nested Mercury Cuda
Nested Mercury Cuda
Premiere Pro CS5.5 improves the speed with which you can render nested sequences. You can literally nest sequences into sequences and you’ll get the benefits of the Mercury Playback Engine using both the CPU and the GPU or Graphics Processing Unit on an Nvidia card with CUDA. Throw the HP Z800 workstation into the mix and you see rendering speeds like you have never seen before.
  • Premiere Pro
  • Product Version: CC
  • Views: 4,783
  • Added: Apr 10, 2011
  • Runtime: 00:04:23
  • Tags: Mercury Playback Engine, Premiere Pro, Cuda, HP, Premiere, Professional, RAM, VFX, Z800, accelerated
Camera Lens Blur in AE CS5.5
Camera Lens Blur in AE CS5.5
This new effect gives you the ability to create the optical effect of a real camera lens blur. If you need to add depth to a scene, or obscure something in the frame, Camera Lens Blur will do that and make it look completely realistic. You also have complete control parameters like iris shape, blur maps, super whites, gain and threshold.
  • After Effects
  • Product Version: CC
  • Views: 15,030
  • Added: Apr 10, 2011
  • Runtime: 00:04:58
  • Tags: Premiere Pro, 32-bit color, HP, Premiere, Professional, RAM, VFX, Z800, accelerated, after effects
The Bandito Brothers and HP Z800 Workstations
The Bandito Brothers and HP Z800 Workstations
Learn how Jacob Rosenberg and the Bandito Brothers power their Adobe CS5 and Canon 5D Mark II commercial and feature film workflows with HP Z800 workstations and HP DreamColor displays.
  • Creative Suite Production Premium
  • Product Version: CC
  • Views: 4,405
  • Added: Dec 22, 2010
  • Runtime: 00:02:32
  • Tags: Premiere Pro, 10 bit, 30 bit, Act of Valor, Bandito Bros, Bandito Brothers, Canon 5D, Color Correction, DSLR, Digital SLR
The Bandito Brothers and HP DreamColor display
The Bandito Brothers and HP DreamColor display
Learn how the Bandito Brothers ensure color accuracy both on location and in the edit suite with their Adobe CS5 and Canon 5D Mark II feature film workflow.
  • Creative Suite Production Premium
  • Product Version: CC
  • Views: 2,708
  • Added: Dec 22, 2010
  • Runtime: 00:02:32
  • Tags: Premiere Pro, 10 bit, 30 bit, Act of Valor, Bandito Bros, Bandito Brothers, Canon 5D, Color Correction, DSLR, Digital SLR
Scubaman: Behind the Snorkel
Scubaman: Behind the Snorkel
Go behind the scenes on the ambitious new superhero film, Scubaman! See how the new HP Z800 workstation and Adobe CS5 Production Premium made the entire production possible.
  • Creative Suite Production Premium
  • Product Version: CC
  • Views: 18,783
  • Added: Apr 11, 2010
  • Runtime: 00:04:09
  • Tags: Premiere Pro, HP, PC, Premiere, Professional, RAM, VFX, Z800, accelerated, after effects
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