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"smith"

Conde Nast Uses DPS+AEM to Create iPhone Editions in a Fraction of the Time
Conde Nast Uses DPS+AEM to Create iPhone Editions in a Fraction of the Time
Watch this 2014 Adobe Marketing Summit presentation from Emily Smith, Director of Operations for the Editorial Development Group,Conde Nast, to learn how they are using DPS and Adobe Experience Manager to take Vanity Fair onto the iPhone while maintaining cost, workflow, file size and the DNA of a highly designed publication--plus consistently advancing their on sale date.
  • InDesign
  • Digital Publishing Suite
  • Product Version: CC
  • Views: 1,372
  • Added: Apr 18, 2014
  • Runtime: 00:11:46
  • Tags: device, digital magazines, iPad , AEM, Adobe Experience Manager, Conde Nast, Digital Publishing, Digital Publishing Suite, Emily Smith, InDesign
Everything You Ever Wanted to Know About Audio in Premiere Pro CC
Everything You Ever Wanted to Know About Audio in Premiere Pro CC
In this episode, Colin will dig deep into all aspects of working with audio in Premiere Pro including the best way to import audio and choose the right track format. You’ll also learn to setup sequences that take advantage of the powerful features in Premiere Pro like Adaptive audio tracks. So if your workflow is all Premiere Pro, or if you’re coming from Final Cut Pro, and if you need multichannel QuickTime or OMF compatibility, then Colin has you covered.
  • Premiere Pro
  • Product Version: CC
  • Views: 7,219
  • Added: Feb 27, 2014
  • Runtime: 00:49:29
  • Tags: Premiere Pro, audio, Colin Smith, automation, FinalCut Pro, OMF, Pro Tools, adaptive, multichannel
Preparing Dailies Using Prelude and Media Encoder
Preparing Dailies Using Prelude and Media Encoder
If you’re preparing and transcoding files from native formats for viewing dailies, the new "Effects Tab" in Adobe Media Encoder can increase productivity by applying LUTs and Looks and Overlays. Combine this with ingesting and adding metadata in Prelude and acceleration with an NVIDIA GPU and you’ll be amazed at how fast this all happens.
  • Premiere Pro
  • Product Version: CC
  • Views: 3,814
  • Added: Feb 11, 2014
  • Runtime: 00:09:58
  • Tags: Timecode, Dailies, NVIDIA, Overlays, Transcoding, Watched Folders
Seamless Stabilization On A Single Clip
Seamless Stabilization On A Single Clip
Sometimes you want to stabilize only part of a video clip and this tutorial will show you how to “steal” the auto scale properties from the Warp Stabilizer and apply it to another part of a clip to create two clips that blend seamlessly. This will work in both Premiere Pro or After Effects.
  • After Effects
  • Premiere Pro
  • Product Version: CC
  • Views: 5,269
  • Added: Feb 11, 2014
  • Runtime: 00:05:59
  • Tags: Warp Stabilizer, Crane, Jib, Simone Smith, Video Stabilization, Warp Stabilizer VFX
What Is The Reference Monitor For in Premiere Pro?
What Is The Reference Monitor For in Premiere Pro?
The Reference Monitor in Premiere Pro is perfect for comparing frames from different parts of a sequence. It’s also perfect to show any of the built-in scopes for precision color correction. Find out how you can begin using this powerful tool to be more productive and get accurate color.
  • Premiere Pro
  • Product Version: CC
  • Views: 3,942
  • Added: Feb 11, 2014
  • Runtime: 00:05:08
  • Tags: Compare Frames, RGB Parade, Reference Monitor, Scopes, Vectorscope, Waveform, YCbCr
How to bend a question to an answer
How to bend a question to an answer
In this episode Colin shows you how to use the tools in Audition to change the pitch of dialog to make a question sound like a statement.
  • Audition
  • Product Version: CC
  • Views: 5,569
  • Added: Jun 24, 2013
  • Runtime: 00:07:18
  • Tags: audio editing, Audition, interview audio, manual tuning, pitch correction
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