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"Short and Suite"

How to Convert Audio Files to Different Bit Rates
How to Convert Audio Files to Different Bit Rates
In this episode, Jason will focus on the 'Convert Sample Type' dialogue. From here you're able to convert your audio files to any of the common sample rate/bit rate/channel configurations. This is where you also have additional options for using Audition's incredibly transparent Dither algorithm and noise shaping options.
  • Audition
  • Product Version: CC
  • Views: 3,025
  • Added: Jan 16, 2013
  • Runtime: 00:14:24
  • Tags: 5.1, Adobe Audition, Jason Levine, convert, mono, CS6, Stereo, beatlejase, bit rate, dither
Mixdown Option for Stereo and Multichannel in Audition CS6
Mixdown Option for Stereo and Multichannel in Audition CS6
In this episode, Jason covers the various mix down options when exporting from the Multitrack View, and shows how you can simultaneously export Stereo, Mono, 5.1 (where applicable) and track stems for all individual tracks and busses in one single operation.
  • Audition
  • Product Version: CC
  • Views: 3,782
  • Added: Jan 09, 2013
  • Runtime: 00:13:40
  • Tags: Adobe Audition, Jason Levine, Multitrack, mono, stems, CS6, Stereo, bounce, mixdown, multichannel
Working with 3rd Party Plug Ins in Audition CS6
Working with 3rd Party Plug Ins in Audition CS6
In this episode, Jason shows you how to scan for and enable 3rd party audio plugins in Adobe Audition CS6. This also showcases Audition's smooth performance when using third-party plugins in both the Waveform (editing) View and Multitrack View.
  • Audition
  • Product Version: CC
  • Views: 5,607
  • Added: Jan 02, 2013
  • Runtime: 00:10:20
  • Tags: adobe, AU, Jason Levine, VST, audition, editing, AudioUnits, CS6, VST3, beatlejase
Sidechaining in Audition CS6
Sidechaining in Audition CS6
In this episode, Jason will show you how to set-up a side chain compressor in Adobe Audition CS6, to automatically duck music beneath a voice-over. This is a very common workflow across all different styles of video (commercials, interviews) and is very easy to setup and even build presets for later usage.
  • Audition
  • Product Version: CC
  • Views: 16,722
  • Added: Dec 26, 2012
  • Runtime: 00:09:53
  • Tags: Premiere Pro, adobe, Jason Levine, audition, editing, video, CS6, beatlejase, compressor, ducking
Using Markers and Creating Rough Cuts in Prelude CS6
Using Markers and Creating Rough Cuts in Prelude CS6
In this episode, Jason will show you how to begin logging & tagging your footage with different types of markers. Once the footage is sub-clipped and marked, the rough cut is put together with the option to send your rough cut (directly) to Premiere Pro or Final Cut Pro via XML.
  • Prelude
  • Product Version: CC
  • Views: 2,688
  • Added: Dec 19, 2012
  • Runtime: 00:11:24
  • Tags: Premiere Pro, adobe, DSLR, Final Cut Pro, Jason Levine, Markers, rough cut, CS6, D800, Prelude
How to Ingest & Edit What You Want in Adobe Prelude CS6
How to Ingest & Edit What You Want in Adobe Prelude CS6
In this episode, Jason walks you thru the ingest process within Adobe Prelude CS6; from reviewing and selecting media, to performing partial ingest and transcoding into ProRes, DNxHD, MXF-0P1a, and many other popular formats. The footage on display was shot with a Nikon D800, so this reflects a typical DSLR ingest/log/rough cut workflow.
  • Prelude
  • Product Version: CC
  • Views: 7,204
  • Added: Dec 12, 2012
  • Runtime: 00:12:05
  • Tags: Premiere Pro, adobe, DSLR, Jason Levine, edit, rough cut, CS6, D800, Prelude, beatlejase
Multitrack Mixing Automation in Adobe Audition CS5.5
Multitrack Mixing Automation in Adobe Audition CS5.5
In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.
  • Audition
  • Creative Suite Production Premium
  • Product Version: CC
  • Views: 41,053
  • Added: Sep 15, 2011
  • Runtime: 00:11:03
  • Tags: Adobe Audition, Jason Levine, Multitrack, Mixing
Dual-System Sound Synchronization without Timecode in Premiere Pro CS5.5
Dual-System Sound Synchronization without Timecode in Premiere Pro CS5.5
In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).
  • Premiere Pro
  • Creative Suite Production Premium
  • Product Version: CC
  • Views: 20,615
  • Added: Sep 08, 2011
  • Runtime: 00:08:31
  • Tags: Jason Levine, adobe premiere pro cs5.5, sound, Dual-System
Work Natively with PSD files in Premiere Pro
Work Natively with PSD files in Premiere Pro
In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!
  • Views: 12,141
  • Added: Sep 01, 2011
  • Runtime: 00:08:48
  • Tags: Jason Levine, adobe premiere pro cs5.5, work, Natively, PSD
Basic Secondary Color Correction/Grading in Premiere Pro CS5.5
Basic Secondary Color Correction/Grading in Premiere Pro CS5.5
In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time thanks to the amazing, 64-bit Mercury Playback Engine.
  • Premiere Pro
  • Creative Suite Production Premium
  • Product Version: CC
  • Views: 27,534
  • Added: Aug 25, 2011
  • Runtime: 00:13:10
  • Tags: Color Correction, Jason Levine, Secondary, adobe premiere pro cs5.5, Basic
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