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Preparing media and batch processing with Prelude
Cut your ingest time significantly by using Prelude to get your media into your editing system. Prelude automates this important stage in post-production, letting you ingest individual media files or parts of media files, create multiple copies on different drives, batch-transcode, batch-rename and batch-assign metadata to whole groups of clips. You can even automatically verify that the files have arrived safely.
Organize your media and create a rough assembly with Prelude
Save time by organizing your project in Prelude, before you open Premiere Pro. You'll learn how much faster it is to use Prelude to organize clips into multiple bins, create subclips stored inside the media metadata, add comments, and even build a simple assembly to hit the ground running when you start your edit.
HP Desktop and Mobile Z Workstations Enhance 4K Editing Workflows
Dave Tech Table illustrates how Adobe 7.1 Premier Pro CC taps into the power of the new HP ZBook 17 Mobile Workstation and HP Z820 Workstation to enhance 4K workflows. Learn about the new HP ZBook Mobile Workstation, powered by Intel® Core i7 processors, NVIDIA Quadro 3D Graphics, Thunderbolt technology and optional DreamColor displays. In this video, by Adobe’s Dave Helmly introduces you to the real-time workflows in Adobe’s Premier Pro while editing 4K Devin Super Tramp footage remotely on the new HP ZBook Mobile Workstation and on the HP ultimate Z820 Workstation.
Share Clips and Rough Cuts between Prelude and Premiere Pro
One of the most elegant features of Prelude is its ability to integrate directly into Adobe Premiere Pro. This lesson shows you how to instantly share clips, subclips, and Rough Cuts with Adobe Premiere Pro.
DSLR Editing Workflow in Adobe Premiere Pro CC, Part 3: Multicamera DSLR Workflow with Automatic Audio Sync
In this updated video for Adobe Premiere Pro CC (Part 3 of 3), Principal Worldwide Evangelist Jason Levine highlights the enhanced multicam workflow with DSLR footage, including the ability to synchronize your media automatically via Audio Sync. He'll also show how Adobe Premiere Pro CC natively and seamlessly works with multiple frame rates and frame sizes — even mixed sample rate audio files — and quickly and accurately syncs media so you can start cutting and crafting your multicamera DSLR story.
DSLR Editing Workflow in Adobe Premiere Pro CC, Part 2: From the Camera to Adobe Prelude CC; Ingest, Tagging, Transcoding, and Rough Cutting
In this updated video for Adobe Premiere Pro CC and Prelude CC (Part 2 of 3), Principal Worldwide Evangelist Jason Levine shows how to leverage Prelude (the "Lightroom for DSLR video") as the most efficient way to start your DSLR editing workflow. He showcases a best-practices workflow for selecting your media, ingesting, doing partial ingest, creating custom metadata fields, renaming files, transferring and transcoding your footage to editing standards like DNxHD, sub clipping, logging, and creating the basic rough cut that you'll send directly to Adobe Premiere Pro.
Adobe Prelude CC Overview
Show: Adobe at NAB 2013
Speed up your video ingest and logging tasks with flexible new ways to enter metadata in Prelude. Preview clips and create rough cuts that open directly in Adobe Premiere Pro CC to keep your production vision intact and accelerate the editing process.