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"Premiere"

White Balance in Premiere
White Balance in Premiere
Show: SternFX
Use Cyroce Color Neutralizer effect (included with After Effects) to white balance and remove color cast inside Premiere Pro. Join us at Premiere Pro World Conference 11-13 July, 2014 San-Jose, CA. Footage used in this tutorial are courtesy of https://www.unlimitedstockmedia.com/
  • Premiere Pro
  • Product Version: CC
  • Views: 4,107
  • Added: Apr 26, 2014
  • Runtime: 00:10:45
  • Tags: Premiere Pro, FMC, Premiere Pro World, SternFX
Adobe Premiere Pro CC: What's New
Adobe Premiere Pro CC: What's New
Adobe's Jason Levine provides an overview on the latest features in Adobe Premiere Pro CC.
  • After Effects
  • Premiere Pro
  • Creative Cloud
  • SpeedGrade
  • Product Version: CC
  • Views: 4,674
  • Added: Apr 18, 2014
  • Runtime: 00:23:14
  • Tags: Jason Levine, Adobe After Effects CC, Adobe Creative Cloud, Adobe Premiere Pro CC, Adobe SpeedGrade CC, CC, Creative Cloud
How NBC’s Saturday Night Live Uses Premiere Pro CC, After Effects CC and SpeedGrade CC to Meet Their Tight Production Deadlines
How NBC’s Saturday Night Live Uses Premiere Pro CC, After Effects CC and SpeedGrade CC to Meet Their Tight Production Deadlines
Alex Buono, DP for SNL, discusses how his team uses the Adobe Creative Cloud toolset to meet the considerable demands of producing the shorts for Saturday Night Live. Switching from Final Cut Pro to Premiere Pro has helped save valuable time thanks to Dynamic Link and broad native camera format support.
  • After Effects
  • Premiere Pro
  • Creative Cloud
  • SpeedGrade
  • Product Version: CC
  • Views: 3,574
  • Added: Apr 10, 2014
  • Runtime: 00:04:31
  • Tags: Adobe After Effects CC, Adobe Creative Cloud, Adobe Premiere Pro CC, Alex Buono, CC, Creative Cloud, Saturday Night Live
G-Men Media Establishing New Production Paradigms with Adobe Anywhere, Creative Cloud for Teams, Including Premiere Pro CC and Prelude CC.
G-Men Media Establishing New Production Paradigms with Adobe Anywhere, Creative Cloud for Teams, Including Premiere Pro CC and Prelude CC.
Clay Glendenning of G-Men Media discusses how Creative Cloud streamlines their 4K post-production pipeline. Premiere Pro easily handles tons of camera formats, Prelude helps their productions run ahead of schedule and Adobe Anywhere helps collaboration.
  • Photoshop
  • After Effects
  • InDesign
  • Illustrator
  • Premiere Pro
  • Story
  • Prelude
  • Creative Cloud
  • Anywhere
  • Product Version: CC
  • Views: 3,329
  • Added: Apr 10, 2014
  • Runtime: 00:05:57
  • Tags: Adobe After Effects CC, Adobe Anywhere, Adobe Creative Cloud, Adobe Prelude CC, Adobe Premiere Pro CC, Adobe SpeedGrade CC, Clay Glenndenning, G-Men Media
New Premiere Pro/After Effects Integration: The Strategy
New Premiere Pro/After Effects Integration: The Strategy
Adobe's Steve Forde and Al Mooney discuss the evolution of After Effects CC and Premiere Pro CC and the continued deep integration between the two products.
  • After Effects
  • Premiere Pro
  • Creative Cloud
  • Product Version: CC
  • Views: 3,347
  • Added: Apr 09, 2014
  • Runtime: 00:08:12
  • Tags: Steve Forde, Adobe After Effects CC, Adobe Creative Cloud, Adobe Premiere Pro CC, Al Mooney, CC, Creative Cloud
What's New in Premiere Pro CC - NAB 2014
What's New in Premiere Pro CC - NAB 2014
Join Premiere Pro product manager Al Mooney for a sneak peek to see the new features coming soon to Premiere Pro. With Live Text templates, users can modify text in After Effects compositions without leaving Premiere Pro. Powerful new Masking and Tracking in Premiere Pro make it easy to add feathered masks that follow a subject through a shot. That makes it a breeze to add an effect to a moving object, or to blur out faces or logos for the duration of a shot. Both features include support for Dynamic Link so clips with Live Text templates or Masking and Tracking data can be opened in After Effects for additional fine-tuning or additional animation. With the new Master Clip effect feature, changes that are applied to a Master Clip ripple down to every part of that clip in a sequence—so there’s no need to copy and paste effects to each clip individually. The Premiere Pro update also offers a faster editing workflow with improved handling of large projects and accelerated sorting and searching in the Project panel, as well as enhanced graphics performance, with support for a wider range of GPUs, including GPU debayering for RED media.
  • After Effects
  • Premiere Pro
  • Creative Cloud
  • Product Version: CC
  • Views: 50,767
  • Added: Apr 02, 2014
  • Runtime: 00:02:03
  • Tags: Premiere Pro, editing, sneak peek, After Effects, Creative Cloud, Live Text templates, Masking and tracking, Master Clip effect, NAB, NLE
Everything You Ever Wanted to Know About Audio in Premiere Pro CC
Everything You Ever Wanted to Know About Audio in Premiere Pro CC
In this episode, Colin will dig deep into all aspects of working with audio in Premiere Pro including the best way to import audio and choose the right track format. You’ll also learn to setup sequences that take advantage of the powerful features in Premiere Pro like Adaptive audio tracks. So if your workflow is all Premiere Pro, or if you’re coming from Final Cut Pro, and if you need multichannel QuickTime or OMF compatibility, then Colin has you covered.
  • Premiere Pro
  • Product Version: CC
  • Views: 6,695
  • Added: Feb 27, 2014
  • Runtime: 00:49:29
  • Tags: Premiere Pro, audio, Colin Smith, automation, FinalCut Pro, OMF, Pro Tools, adaptive, multichannel
Adobe Premiere Pro: Teaching the Next Generation of Career Film Editors-1
Adobe Premiere Pro: Teaching the Next Generation of Career Film Editors-1
Learn why Julian Semilian, School of Filmmaking Faculty member at University of North Carolina's School of Arts, believes future career film editors should use Adobe Premiere Pro and why he recommended his core editing class switch to Adobe Premiere Pro.
  • Premiere Pro
  • Product Version: CC
  • Views: 1,212
  • Added: Jan 18, 2014
  • Runtime: 00:15:02
  • Tags: Premiere Pro, Adobe Premiere Pro, Julian Semilian, School of Filmmaking, University of North Carolina
Adobe & Hallmark Channel: Efficient production workflows powered by Adobe Premiere Pro-1
Adobe & Hallmark Channel: Efficient production workflows powered by Adobe Premiere Pro-1
The Hallmark Channel aims to create emotional connections with viewers through family-friendly programming and engaging original movies. In this session, Vice President of Media Operations, Mark Stolnitz, explains how the production team uses Adobe Premiere Pro and other Adobe tools in an efficient workflow that yields high results.
  • After Effects
  • Premiere Pro
  • Product Version: CC
  • Views: 475
  • Added: Jan 18, 2014
  • Runtime: 00:15:50
  • Tags: Premiere Pro, Hallmark, Hallmark Channel, Mark Stolnitz; Adobe Premiere Pro
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