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"Matte"

Sundance 2014: The Cardboard Puppetry of Me + Her
Sundance 2014: The Cardboard Puppetry of Me + Her
Writer/director Joseph Oxford and cinematographer Bradley Stonesifer discuss "Me + Her" a short performed entirely with puppets made of corrugated card board. The two describe the workflow and tools used to make the film.
  • Photoshop
  • After Effects
  • Illustrator
  • Lightroom
  • Creative Cloud
  • Product Version: CC
  • Views: 4,130
  • Added: Jan 27, 2014
  • Runtime: 00:04:34
  • Tags: Premiere Pro, Adobe Illustrator, compositing, filmmaking, After Effects, Creative Cloud, Lightroom, Photoshop, live action, matte painting
Adobe After Effects CC: Refine Edge Tool
Adobe After Effects CC: Refine Edge Tool
It's the end of hard matte lines. Keep the details when separating complicated foreground elements like frizzy hair or motion-blurred edges from complex backgrounds. This means you can create natural-looking composites without keying specially shot footage.
  • After Effects
  • Product Version: CC
  • Views: 5,999
  • Added: May 06, 2013
  • Runtime: 00:01:24
  • Tags: Adobe Media Encoder, Adobe Premiere Pro, Adobe Story, After Effects, Audio, Audition, Broadcast, Colorgrading, Editing, Filmmaking
Adobe After Effects CC: How to Use the Refine Edge Tool
Adobe After Effects CC: How to Use the Refine Edge Tool
Learn how to use the new Refine Edge and Refine Matte tools — similar to those found in Adobe Photoshop CC— in Adobe After Effects CC.
  • After Effects
  • Product Version: CC
  • Views: 6,798
  • Added: May 06, 2013
  • Runtime: 00:02:24
  • Tags: Adobe Media Encoder, Adobe Premiere Pro, Adobe Story, After Effects, Audio, Audition, Broadcast, Colorgrading, Editing, Filmmaking
Propagating refined edges
Propagating refined edges
The new Refine Edge tool uses the underlying Roto Brush segmentation boundary to determine what region to refine from frame to frame. Chris Meyer shows you how to make corrective strokes and touch up the alpha using the Paint tool.
  • After Effects
  • Product Version: CC
  • Views: 8,160
  • Added: May 06, 2013
  • Runtime: 00:06:39
  • Tags: After Effects, Chris Meyer, Crish Design, Matte, Paint, Refine Edge, Roto Brush, alpha, cc, hair
Using the Roto Brush
Using the Roto Brush
With the addition of the Refine Edge tool in After Effects CC, the underlying Roto Brush effect has seen a few changes in parameter names and ranges. Chris Meyer explains.
  • After Effects
  • Product Version: CC
  • Views: 17,267
  • Added: May 06, 2013
  • Runtime: 00:03:11
  • Tags: After Effects, Chris Meyer, Crish Design, Feather, Matte, Motion Blur, Roto Brush, alpha, cc, chatter
Fine-tuning with Refine Edge Matte options
Fine-tuning with Refine Edge Matte options
Roto Brush & Refine Edge contains a number of parameters that help you fine-tune the results of applying the Refine Edge tool. This movie goes through each of the parameters, demonstrating how to improve your results.
  • After Effects
  • Product Version: CC
  • Views: 8,019
  • Added: May 06, 2013
  • Runtime: 00:06:24
  • Tags: After Effects, Chris Meyer, Crish Design, Feather, Matte, Motion Blur, Refine Edge, Roto Brush, alpha, cc
Introduction to the Refine Edge tool
Introduction to the Refine Edge tool
This movie demonstrates the new Refine Edge Tool workflow, which is applied after the Roto Brush tool. Chris Meyer explains the x-ray view that shows the alpha channel Refine Edge will create, as well as how to erase an edge refinement.
  • After Effects
  • Product Version: CC
  • Views: 17,783
  • Added: May 06, 2013
  • Runtime: 00:06:52
  • Tags: After Effects, Chris Meyer, Crish Design, Matte, Refine Edge, Roto Brush, alpha, cc, hair, key
Color keying
Color keying
When someone has had the foresight to film a subject in front of a solid-color background, compositing work gets a lot easier. This video shows you how to use the Keylight effect to key out (make transparent) a solid-color background and use a garbage matte to isolate the area to be keyed.
  • After Effects
  • Product Version: CC
  • Views: 9,884
  • Added: Feb 03, 2013
  • Runtime: 00:12:29
  • Tags: adobe, Todd Kopriva, after effects, compositing, keying, CS6, background color, color keying
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