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"Kyle Alvarez"

Moving from Final Cut Pro to Adobe Creative Cloud for the Making of Sundance Film
Moving from Final Cut Pro to Adobe Creative Cloud for the Making of Sundance Film "C.O.G"
See how filmmaker Kyle Alvarez created the first film adaptation of David Sedaris’ short story “C.O.G.,” which premiered in US Dramatic Competition at the 2013 Sundance Film Festival. Alvarez wrote the screenplay, as well as directed and edited the film. This presentation will cover Kyle's switch from Final Cut Pro to Adobe Premiere Pro and use of other Adobe Creative Cloud products.
  • Photoshop
  • After Effects
  • Premiere Pro
  • Audition
  • Story
  • Creative Cloud
  • Product Version: CC
  • Views: 1,917
  • Added: Jan 18, 2014
  • Runtime: 00:18:41
  • Tags: Premiere Pro, Bridge, Encore, Adobe Audition CC, Adobe Bridge CC, Adobe Creative Cloud, Adobe Encore CC, Adobe Illustrator CC, Adobe Photoshop CC, Adobe Premiere Pro CC
Creative Cloud for filmmakers
Creative Cloud for filmmakers
Top filmmakers such as Kyle Alvarez, Jim Mickle, Haz Dulull, and Danny Yourd share why they choose to use Adobe Creative Cloud when creating their films.
  • Photoshop
  • After Effects
  • Premiere Pro
  • Creative Cloud
  • SpeedGrade
  • Audition
  • Story
  • Prelude
  • Product Version: CC
  • Views: 3,343
  • Added: Jan 13, 2014
  • Runtime: 00:02:11
  • Tags: editing, video, C.O.G, Project Kronos, Creative Cloud, Haz, Haz Dulull, Jim Mickle, Kyle Alvarez, Sundance
Sundance 2013: Kyle Patrick Alvarez - C.O.G.
Sundance 2013: Kyle Patrick Alvarez - C.O.G.
Writer/director/editor, Kyle Patrick Alvarez, talks about his latest movie and how he used the tools in Adobe Creative Cloud to make it.
  • After Effects
  • Premiere Pro
  • Creative Cloud
  • Photoshop
  • InDesign
  • Illustrator
  • Audition
  • Bridge
  • Encore
  • Acrobat XI
  • Product Version: CC
  • Views: 3,436
  • Added: Jan 26, 2013
  • Runtime: 00:05:25
  • Tags: adobe, 2013, C.O.G., COG, David Sedaris, Film Festival, Interview, Kyle Alvarez, Kyle Patrick Alvarez, Sedaris
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