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"beatlejase"

How to Convert Audio Files to Different Bit Rates
How to Convert Audio Files to Different Bit Rates
In this episode, Jason will focus on the 'Convert Sample Type' dialogue. From here you're able to convert your audio files to any of the common sample rate/bit rate/channel configurations. This is where you also have additional options for using Audition's incredibly transparent Dither algorithm and noise shaping options.
  • Audition
  • Product Version: CC
  • Views: 3,728
  • Added: Jan 16, 2013
  • Runtime: 00:14:24
  • Tags: 5.1, Adobe Audition, Jason Levine, convert, mono, CS6, Stereo, beatlejase, bit rate, dither
Working with 3rd Party Plug Ins in Audition CS6
Working with 3rd Party Plug Ins in Audition CS6
In this episode, Jason shows you how to scan for and enable 3rd party audio plugins in Adobe Audition CS6. This also showcases Audition's smooth performance when using third-party plugins in both the Waveform (editing) View and Multitrack View.
  • Audition
  • Product Version: CC
  • Views: 6,863
  • Added: Jan 02, 2013
  • Runtime: 00:10:20
  • Tags: adobe, AU, Jason Levine, VST, audition, editing, AudioUnits, CS6, VST3, beatlejase
Sidechaining in Audition CS6
Sidechaining in Audition CS6
In this episode, Jason will show you how to set-up a side chain compressor in Adobe Audition CS6, to automatically duck music beneath a voice-over. This is a very common workflow across all different styles of video (commercials, interviews) and is very easy to setup and even build presets for later usage.
  • Audition
  • Product Version: CC
  • Views: 18,540
  • Added: Dec 26, 2012
  • Runtime: 00:09:53
  • Tags: Premiere Pro, adobe, Jason Levine, audition, editing, video, CS6, beatlejase, compressor, ducking
Using Markers and Creating Rough Cuts in Prelude CS6
Using Markers and Creating Rough Cuts in Prelude CS6
In this episode, Jason will show you how to begin logging & tagging your footage with different types of markers. Once the footage is sub-clipped and marked, the rough cut is put together with the option to send your rough cut (directly) to Premiere Pro or Final Cut Pro via XML.
  • Prelude
  • Product Version: CC
  • Views: 2,994
  • Added: Dec 19, 2012
  • Runtime: 00:11:24
  • Tags: Premiere Pro, adobe, DSLR, Final Cut Pro, Jason Levine, Markers, rough cut, CS6, D800, Prelude
How to Ingest & Edit What You Want in Adobe Prelude CS6
How to Ingest & Edit What You Want in Adobe Prelude CS6
In this episode, Jason walks you thru the ingest process within Adobe Prelude CS6; from reviewing and selecting media, to performing partial ingest and transcoding into ProRes, DNxHD, MXF-0P1a, and many other popular formats. The footage on display was shot with a Nikon D800, so this reflects a typical DSLR ingest/log/rough cut workflow.
  • Prelude
  • Product Version: CC
  • Views: 8,957
  • Added: Dec 12, 2012
  • Runtime: 00:12:05
  • Tags: Premiere Pro, adobe, DSLR, Jason Levine, edit, rough cut, CS6, D800, Prelude, beatlejase
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