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"10-bit"

Editing in Rich 10-Bit Color
Editing in Rich 10-Bit Color
Work in 10-bit color with Premiere Pro CS5 and Quadro solutions. In this brief video, learn how to improve your workflow by viewing and editing content from a rich, 10-bit color platform.
  • Premiere Pro
  • Product Version: CC
  • Views: 10,107
  • Added: Dec 23, 2010
  • Runtime: 00:02:23
  • Tags: Premiere Pro, 10-Bit Color, Adobe Premiere Pro CS5, Premiere, Professional, Qaudro, RAM, VFX, accelerated, after effects
The Bandito Brothers and HP Z800 Workstations
The Bandito Brothers and HP Z800 Workstations
Learn how Jacob Rosenberg and the Bandito Brothers power their Adobe CS5 and Canon 5D Mark II commercial and feature film workflows with HP Z800 workstations and HP DreamColor displays.
  • Creative Suite Production Premium
  • Product Version: CC
  • Views: 4,370
  • Added: Dec 22, 2010
  • Runtime: 00:02:32
  • Tags: Premiere Pro, 10 bit, 30 bit, Act of Valor, Bandito Bros, Bandito Brothers, Canon 5D, Color Correction, DSLR, Digital SLR
The Bandito Brothers and HP DreamColor display
The Bandito Brothers and HP DreamColor display
Learn how the Bandito Brothers ensure color accuracy both on location and in the edit suite with their Adobe CS5 and Canon 5D Mark II feature film workflow.
  • Creative Suite Production Premium
  • Product Version: CC
  • Views: 2,681
  • Added: Dec 22, 2010
  • Runtime: 00:02:32
  • Tags: Premiere Pro, 10 bit, 30 bit, Act of Valor, Bandito Bros, Bandito Brothers, Canon 5D, Color Correction, DSLR, Digital SLR
Staying Native or Going Intermediate? Transcoding and Premiere Pro CS5
Staying Native or Going Intermediate? Transcoding and Premiere Pro CS5
In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.
  • Premiere Pro
  • Product Version: CC
  • Views: 11,399
  • Added: Jul 30, 2010
  • Runtime: 00:08:58
  • Tags: Premiere Pro, adobe, 10-bit, DSLR, Jason Levine, Media Encoder, cs5, editing, final cut, native
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