In this episode, Jason will focus on the 'Convert Sample Type' dialogue. From here you're able to convert your audio files to any of the common sample rate/bit rate/channel configurations. This is where you also have additional options for using Audition's incredibly transparent Dither algorithm and noise shaping options.

In this episode, Jason covers the various mix down options when exporting from the Multitrack View, and shows how you can simultaneously export Stereo, Mono, 5.1 (where applicable) and track stems for all individual tracks and busses in one single operation.

In this episode, Jason shows you how to scan for and enable 3rd party audio plugins in Adobe Audition CS6. This also showcases Audition's smooth performance when using third-party plugins in both the Waveform (editing) View and Multitrack View.

In this episode, Jason will show you how to set-up a side chain compressor in Adobe Audition CS6, to automatically duck music beneath a voice-over. This is a very common workflow across all different styles of video (commercials, interviews) and is very easy to setup and even build presets for later usage.

In this episode, Jason will show you how to begin logging & tagging your footage with different types of markers. Once the footage is sub-clipped and marked, the rough cut is put together with the option to send your rough cut (directly) to Premiere Pro or Final Cut Pro via XML.

In this episode, Jason walks you thru the ingest process within Adobe Prelude CS6; from reviewing and selecting media, to performing partial ingest and transcoding into ProRes, DNxHD, MXF-0P1a, and many other popular formats. The footage on display was shot with a Nikon D800, so this reflects a typical DSLR ingest/log/rough cut workflow.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to automate mixer functions using envelopes (incl. basic volume, pan, and individual effects parameters) while differentiating between clip-based and track-based automation. You'll also see Audition's capabilities for creating automated 5.1 mixes using the surround panner on each track.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time thanks to the amazing, 64-bit Mercury Playback Engine.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to detect, analyze and repair digitally clipped samples and distortions caused by AGC on your DSLR and other video cameras and audio-capture devices. Adobe Audition CS5.5's incredible tools for audio analysis and repair continue the application's legacy of fast, transparent, high-quality restoration.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly.

Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

In this episode of Short and Suite, Karl Soule walks you through a few of the great collaborative scriptwriting and preproduction features of Adobe Story.

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

In this episode of Short and Suite, Karl Soule talks about how the new HP Workstations powered by Intel Xeon processors make great hardware solutions for running Adobe Production Premium.

The Trim Monitor maybe an often-overlooked tool in Premiere Pro that can be used to precisely tweak an edit. Karl Soule shows you how to use this feature to fine-tune the in and out points of clips on a timeline at a cut with ease.

In this episode of Short and Suite, Karl Soule shares tips on how to optimize and increase the quality of your encodings in Encore for DVD and Bluray delivery.

Join Karl Soule as he demonstrates how to use an external control surface to manipulate the controls of Color Finesse inside of Adobe After Effects.

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

In this episode of Short and Suite, Technical Evangelist Karl Soule demonstrates how to use Color Finesse along with Adobe After Effects' built in masking tools to perform secondary color corrections.

Short and Suite’s Karl Soule briefly discusses the changes in Adobe Story and how it’s become a very powerful collaboration script writing tool.

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

Have you ever tried to match color from shots captured on different cameras, or from footage shot on the same camera, but under different lighting conditions? In this episode of Short and Suite, Karl Soule continues to explore Color Finesse workflows inside Adobe After Effects CS5. He shows you how to use the bundled Color Finesse plug-in to neutralize white balance in your shots in order to create a common starting point for creative color grading.

In this second installment of a series of Short and Suite episodes focused on Color Finesse - the After Effects plug-in for color correcting which comes with Adobe Creative Suite CS5 Production Premium - Karl Soule dives deeper into the steps involved in performing a primary color correction to change the mood and look of some video footage he was editing in Premiere Pro earlier.

In this episode of Short and Suite, Karl Soule demonstrates how to easily move your Premiere Pro timeline to After Effects for color correction using Synthetic Aperture's Color Finesse 3 plug-in. You'll learn basic techniques to enhance and color correct your footage using this powerful tool.

In this episode of Short and Suite, Karl Soule demonstrates how to customize the keyboard to quickly extend the duration of a clip in a timeline by using the 'Roll Next Edit to CTI' and 'Roll Previous Edit to CTI' commands.

This Adobe Premiere Pro CS5 tutorial unlocks the secrets of using the 3-way Color Corrector for secondary color effects. Secondaries only affect one part of an image, leaving the other values alone. Learn how to just affect skin tone in an image, boost saturation for a green field of grass, and much more.

In this Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.

In Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.

Content-Aware fill in Photoshop is a powerful tool for generating clean plates in Premiere Pro. Karl Soule’ provides some examples.

For editors dealing with footage using split-mono tracks (voice on one track, ambient sound on another) this quick tutorial on audio channel mapping is a must-see.

After Effects makes it simple to use text as an outline for a different layer. Karl Soule’ explains how.

Ever had some footage, and weren’t sure which timeline preset to use? Now, there’s an easy trick to get started editing natively.

Need to convert or transcode a lot of content? Adobe Media Encoder can do it automatically. Karl Soule’ shows you how.

There are 2 different ways to add effects to audio in Premiere Pro. Karl Soule’ walks through both techniques, and when to use each technique.

In this episode of Short and Suite, Karl talks about OnLocation CS5's new ability to support tapeless workflows on set and shows you how to quickly create a rough cut edit using OnLocation and Premiere Pro CS5.

Join Karl Soule as he demonstrates Adobe Flash Catalyst, a new tool in CS5 Production Premium that allows you to create interactive designs for the web… without coding!

In this episode of Short and Suite, Karl Soule demonstrates how Adobe Story, collaborative script writing software for creative professionals, can help you create your next script or screenplay.

In this episode of Short and Suite, Karl Soule shows new features in Premiere Pro CS5 that are designed to make working with high definition footage shot with a DSLR easy and efficient.

In this Episode of Short and Suite, Karl Soule shows how Premiere Pro CS5’s new Mercury Playback Engine works with the Nvidia CUDA technology to greatly enhance the power of your workstation.

Join Jason Levine as he uses Adobe Audition to clean up live audio tracks taken directly from the board (Which normally sound dry) and mixes them to sound dynamic and full of life.

Join Jason Levine as he uses Adobe Premiere Pro and Magic Bullet to create the ‘look’ of his finalized video. He also shows you how to use Dynamic Link to modify a logo in After Effects.

In this episode of Short and Suite, Jason Levine teaches us how to animate Lower Thirds in Adobe Photoshop and then use that PSD in Premiere Pro and After Effects CS4.

In this Adobe After Effects CS4 tutorial, you'll learn how to use Video Noise Reduction plug-ins to clean up any noise you might encounter in your footage. Jason Levine walks you through the entire process.

In this episode of Short and Suite, Jason Levine shows you how to create a multicam video using a variety of different cameras so that the frame rates, frame sizes and aspect ratios all match up perfectly.

In this episode of Short and Suite, Karl Soule shows us how to create custom buttons for menus in Adobe Encore using Adobe Photoshop CS4.

Join Karl Soule as he goes on location to show you how you can use Adobe OnLocation to record in the field, check your shots and add metadata.

In this episode, Jason Levine show you how Premiere Pro and After Effects work together in terms of creating, transferring and sharing files.

Learn how Adobe OnLocation can be used to adjust the settings on your camera before you shoot so that your post-production experience becomes even easier. Karl Soule walks you through the process.

In this After Effects tutorial, Karl Soule goes over some of the new features in Adobe After Effects CS4 including enhanced Search functionality and Nested Comps.

Learn all the ways Dynamic Link will improve your workflow across Adobe Creative Suite 4 production Premium applications. All this and Jason even invents a new word, “Renderless.”

Discover how Adobe Photoshop CS4 can be used to manipulate video in this Photoshop tutorial. Join Karl Soulé as he shows you the intricacies of Adjustment Layers, the Masks Panel, and more!

Learn the basics of normalizing, volume matching and equalizing your audio in Adobe Soundbooth CS4. Jason Levine tells you when each is applicable in this Soundbooth tutorial.

Learn about new productivity enhancements in Premiere Pro CS4. Karl Soule takes a look at blending modes, improved timecode, and new ways to use nested sequences in this Premiere Pro tutorial.

Jason Levine walks you through the process of encoding for DVDs and Blu-ray Discs in this Encore CS4 tutorial. You’ll be blown away by how easy it is.

In this Premiere Pro tutorial, Karl Soulé shows how the new Adobe Media Encoder CS4 lets you output multiple formats from Premiere Pro CS4 while rendering in the background.

In this Adobe Premiere Pro CS4 Tutorial, Jason Levine gives an in-depth look at how you can quickly efficiently collaborate with clients and team members with Clip Notes in Premiere Pro.

In pt 2 of Photoshop Dreamgirl, Karl continues to go over the new 3D features of CS4 Photoshop Extended and Jason shows how to stylize a 50's audio mix in Audition.

Karl shows how to map video onto a 3d object in Photoshop CS4 Extended, and Jason shows how to use Audition to create loops from live performances and Loopology content.

"In My Heart and InDesign" continues as Jason covers bringing Adobe Audition 3 stems into Soundbooth CS4 to make a final mix and Karl reviews making text animate to sounds in After Effects.

Karl shows how new effects in After Effects CS4 are used to create a cartoon look, while Jason creates the "down & dirty" sound used for guitar and drum tracks in Audition 3.

Jason explains how to use Audition 3 to automate the mixdown process, while Karl discusses the use of the new CS4 MochaAE planar tracker.

Karl discusses using point trackers and expressions in After Effects CS4, and Jason talks about using MIDI tracks and VSTi in Audition 3.

Jason explains how to work with Analog Modeled effects to create stereo/mono mixes while Karl covers nested compositions and using plug-ins to achieve the "look" of the video.

Jason explains how to produce and comp vocal tracks with pitch correction, reverb, compression and submixing while Karl shows us how to set up a key using Keylight.

Karl delves into the advanced Puppet Tool and using nested comps to add video elements to a still, while Jason goes over Multiband Processing & Exporting the Mixdown.

Carl covers the puppet pin tool and motion sketching in After Effects while Jason dazzles us with the Guitar Suite, submixing, and creating big drums.

Karl covers the basics of Rotobezier masking and using Lumakey effects to add a shadow in After Effects CS3 while Jason explains Stereo Processing for guitars and Mastering the Mix in Audition 3.

Karl covers how to use HD footage in an SD project while Jason cleans up a garage recording to turn it into a master.

Discover how to take your DVD creations and publish them to the web as a Flash based website. Jason Levine shows you how to do it in this Adobe Encore tutorial.