One of the best new features InDesign CS4 offers is the ability to rotate spreads. Find out what that means and how to do it properly with InDesign CS4 Visual QuickStart Guide author Sandee Cohen.

Live from the Macworld, 2009, InDesign CS4 Visual QuickStart Guide author Sandee Cohen shares brand new tips/shortcuts for integrating InDesign with Photoshop and Illustrator.

Live from Macworld, 2009, author Sandee Cohen shows you how to create a path from Photoshop into InDesign CS4 using Nested Line Styles.

There are many ways to restore old photos. Here I look at a different approach for bringing two pieces of a torn photo together. The end result looks great, and you'll see the tools that repair the photo a lot faster than if I used the traditional route.

This video shows a cool effect for backgrounds behind sports photos that can be used in everything from ads to little league and school photos. You'll see that a couple of quick gradients can add some drama and change the entire look and feel of an image.

I saw an ad for a reality TV show that included the outline of a person wearing a suit – with no one actually wearing the suit. This could have been done in a number of ways, but I'll show you how to fake it in Photoshop to achieve the same effect.

Color balancing one part of a photo often makes another part look worse. It can be difficult to perfect all parts of a photo. Luckily the Adjustment Brush, a new tool in Photoshop CS4 Camera Raw, lets us achieve good color in multiple parts of a photo.

When we think of blurring we usually think of the Gaussian Blur filter. But the blur photographers get from it tends to look fake. The Lens Blur filter provides a much more realistic blur and, with some setup time, can create some very realistic results.

Image Controls simplify the process of figuring out which adjustment sliders will affect certain areas of your photos. With CS4 you just open an image adjustment and click-and-drag on it and Photoshop makes all the corresponding adjustments.

Trying to get the color in your photos saturated enough, but not too much (and without degrading the skin tones), is a very common problem for photographers. The new Vibrance adjustment in CS4 makes this task much easier.

Camera Raw is great for global changes, but what happens when you make one part of the photo look good and another part starts to look bad? That's when you call in a technique called Double Processing.

If you've ever had to scale an image in Photoshop, you've probably noticed that Photoshop squishes or stretches it. Content Aware Scaling instead inserts (or removes) bands of pixels throughout the image and keeps the image resolution totally intact.

Many of the really nice black and white work actually has a little color tint in it. We're going to learn how to introduce some color tint into your b&w and actually control where it goes to give you a richer, fuller photo that really stands out.

The Clone Stamp tool got one of the best upgrades in CS4. The Clone Stamp brush now has a preview that let's you see exactly what you're about to paint with and exactly where to place the newly cloned area.

If you need to take a few pounds off of someone quickly, the Free Transform tool in Photoshop can do it. It's the fastest diet around.

Wide-angle lenses often introduce distortion into photos. Tall buildings look like they're leaning over, and, depending on how close you are to your subject, some things may look like they're bulging or curved. This tutorial will show how to fix that.

CS4 made some pretty slick changes to the Hue/Saturation dialog that take some of the guesswork out of using it. We'll take a look at 'em (and some neat shortcuts) in this video.