Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Oscar nominee credits nimble, real-time tools for helping to bring Martin Scorsese's ""Hugo"" to life.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

Learn about video editing with Adobe Premiere Pro. Import assets, find footage with Speech Search and Face Detection, composite and apply effects with the Mercury Playback Engine, and output through the Adobe Media Encoder.

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

Industry veterans Karl Soulé and Kevin Monahan discuss one of the main differences between Final Cut Pro and Adobe Premiere Pro CS5: how to setup a new project. Final Cut Pro editors will learn how to create and modify a new project, as well as learn how to avoid common 'gotchas'.

Learn how to import files with the Import command, the Media Browser, and Adobe Bridge. Also, learn the advantages of using the Media Browser for file-based assets.

Karl Soulé and Kevin Monahan discuss the editing similarities between Final Cut Pro and Adobe Premiere Pro CS5, and show a few basic techniques that will help Final Cut Pro editors start editing projects right away.

The Trim Monitor maybe an often-overlooked tool in Premiere Pro that can be used to precisely tweak an edit. Karl Soule shows you how to use this feature to fine-tune the in and out points of clips on a timeline at a cut with ease.

Industry veterans Karl Soulé and Kevin Monahan talk about keyboard shortcuts in Adobe Premiere Pro and how to customize the keyboard to make it more familiar for Final Cut Pro editors.

Industry veterans Karl Soulé and Kevin Monahan show Final Cut Pro users the flexibility and robustness built into the Adobe Premiere Pro CS5 Title Tool. Final Cut Pro users will learn how easy it is to create titles and reusable templates.

Learn how to create sharp, clean keys quickly by using the Ultra Key chroma keyer in Adobe Premiere Pro.

Tour Adobe Media Encoder CS5 and learn how to add files to the encoding queue, customize settings, and thin and edit XMP metadata. Learn how to use Adobe Media Encoder with After Effects and Premiere Pro.

Industry veterans Karl Soulé and Kevin Monahan show Final Cut Pro editors how to use the export function in Adobe Premiere Pro CS5. Editors will learn how to output virtually any format for web, broadcast and dvd/Blu-Ray. Karl also shows how to export OMF, AAF and Final Cut Pro XML for use in a collaborative editing environment.

Industry veterans Karl Soulé and Kevin Monahan discuss the powerful audio editing workflow and effects built into Adobe Premiere Pro CS5.

Learn how to use audio tracks and cross-fades to add ambient sound to cover breaks in audio.

Learn how to move a project from Final Cut Pro to Adobe Premiere Pro and back again.

In this video you will learn how to import a final Cut Pro project into Adobe Premiere Pro.

This video will teach you how easy it is to take footage from Avid Media Composer to Premiere Pro.

Create a real time Compositing experience in Premiere Pro using the Ultra Key and Track Matte Key effects. Overcome the limitations of the Track Matte effect using special advanced tricks. Watch the final movie here (Hebrew version only).

Learn how to create an animated DVD menu quickly, by using After Effects, Adobe Premiere Pro, and Encore.

Learn how to make the most of metadata and speech analysis. This tutorial shows how to start your project in Adobe Story, move it into OnLocation, import it into Adobe Premiere Pro, and then send it out to disc or the web via Encore.

Learn how to take advantage of GPU-accelerated effects. This tutorial shows how to identify accelerated effects, and to activate GPU support. It also lists the graphics cards that support GPU acceleration in Adobe Premiere Pro.

Learn how to set up your system to play back video, even layered HD video with effects, without rendering. This tutorial describes the best hardware and settings for getting the Mercury Playback Engine to deliver great performance and stability.

Learn how to export a sequence, or a part of a sequence, into any of a number of formats. This instruction includes the use of the Export Settings dialog box, and Adobe Media Encoder.

Learn how to create a title in the Titler, to change the font, to add a drop shadow, and to add the title to a sequence.

Learn to apply video and audio transitions to clips in a sequence.

Learn how to export a frame from a video clip and use it to create a freeze-frame effect.

Learn how to eliminate image distortion by identifying the pixel aspect ratio of your assets, and choosing sequence presets to match.

Learn the steps of the basic Adobe Premiere Pro workflow, from importing to editing to exporting.

Today's video production workflows benefit tremendously from applications that are designed to run natively on 64-bit operating systems. Learn what you can do to optimize your hardware for optimum performance.

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.

Learn how the new Merge Clips feature in Adobe Premiere Pro CS5.5 can save you hours of editing time by providing dual-system sound support that enables you to quickly match audio and video tracks recorded on separate devices and media. Plus, learn how new user-requested enhancements give you a efficient editing workflow.

Learn how the Mercury Playback Engine in Adobe Premiere Pro CS5.5 takes performance to the next level, so that you get even faster playback of mixed-format timelines and more GPU-accelerated effects and transitions.

Learn the new presets, intuitive context menus, and dramatically enhanced watch folder support in Adobe Media Encoder CS5.5 to make outputting your work for delivery everywhere a simple and intuitive process.

Easily sweeten your audio. Pass clips and multitrack mixes from Adobe Premiere Pro CS5.5 to Adobe Audition CS5.5 for editing or send Adobe Premiere Pro sequences with a reference video to Adobe Audition for complete multitrack creation.

In this Adobe Story episode, Jason Levine shows how to streamline your editing workflow when importing your Adobe Story script directly into Adobe Premiere Pro for easy clip editing.

Discover all the top new features in Adobe Creative Suite 5.5 Production Premium.

Watch as Dave Helmly guides you through the basics of Blu-ray authoring with Adobe Encore. Dave also gives helpful tips on media and burners and much more..

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

Learn how to use the Project panel and the Automate To Sequence command to quickly create a rough cut.

Writer/director Gareth Edwards realizes his vision of creating a feature film using off-the-shelf PCs and Adobe CS Production Premium on his new movie “Monsters.”

Director David Fincher uses Adobe Creative Suite Production Premium during post-production on his latest major studio release, “The Social Network”. Learn more about his innovative workflow.

Indie filmmaker brings 'Monsters' to life with Adobe video production tools.

Meet a new breed of filmmakers who are changing the rules for film production and distribution. Defying the big, bloated movie budgets of the past, today’s digital rebels are making their films fast and with surprisingly low budgets. But make no mistake, the caliber and quality of these films is right up there with the best of the best. In this video, you’ll meet a few trailblazers from this new generation of filmmakers and learn about the tools they’re using.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

Join Dave Helmly as he walks you through a quick demo of Adobe's Mercury Playback Engine & Apple's new MacBook Pro 17 w/ThunderBolt.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly.

See how Adobe CS5.5 Production Premium makes it easier than ever for you to use the right tool for the job. With easy project exchange between Final Cut Pro or Avid editing tools and Adobe Premiere Pro, you can easily integrate Adobe CS5.5 Production Premium into your current workflow.

Industry veterans Karl Soulé and Kevin Monahan discuss useful tips a Final Cut Pro editor should know when starting a project in Adobe Premiere Pro CS5.