HP Workstations are the hardware edit station of choice for the Bandito Brothers when in production on their Action Films. Hear Jacob Rosenberg and Scott Waugh discuss the technology advantages.

Russell Brown talks about how to get the most out of Photoshop by using the right tools. In this case, he’s using an HP Z210 Workstation powered by Intel Xeon processors and an HP EliteBook 8560w Mobile Workstation when he goes on the road.

In this episode of Short and Suite, Karl Soule talks about how the new HP Workstations powered by Intel Xeon processors make great hardware solutions for running Adobe Production Premium.

Join Colin Smith as he talks about how the new HP workstations powered by Intel Xeon processors can super charge Adobe Audition.

Colin takes advantage of the HP Z800’s massive horsepower combined with the raw speed of the 64-bit Adobe Media Encoder 5.5 to show you how you can output different versions of your comps using a combination of After Effects, Dynamic Link and Media Encoder, while working on new composites, without missing a beat.

Premiere Pro CS5.5 improves the speed with which you can render nested sequences. You can literally nest sequences into sequences and you’ll get the benefits of the Mercury Playback Engine using both the CPU and the GPU or Graphics Processing Unit on an Nvidia card with CUDA. Throw the HP Z800 workstation into the mix and you see rendering speeds like you have never seen before.

Colin’s back showing off how fantastic his Z800 workstation performs with the new Adobe 5.5 software. In this episode he shows you how to send a complete Premiere Pro sequence to a multitrack project in the new Adobe Audition 5.5. From there he shows how you can add effects to individual clips, or complete tracks with lots of built-in effects or support for VST and AU plug-ins. Once complete, this project can be send back to Premiere Pro CS5.5 or exported to OMF or Final Cut Pro XML.

Are you looking for the Tasks that you’re used to in Soundbooth when you start using Adobe Audition 5.5? Colin will show you a step by step walkthrough between to the two applications, pointing out where the same operations are in Audition. He’ll also point out that Audition is much more powerful at all the tasks you’re used to using in Soundbooth, including Noise Reduction, Time Stretching, Automatic Click Remover, DeHummer, Looping and more. The fact that he’s demonstrating all this on his “wicked fast” HP Z800 workstation makes Audition all the more powerful.

This new effect gives you the ability to create the optical effect of a real camera lens blur. If you need to add depth to a scene, or obscure something in the frame, Camera Lens Blur will do that and make it look completely realistic. You also have complete control parameters like iris shape, blur maps, super whites, gain and threshold.

Learn how Jacob Rosenberg and the Bandito Brothers power their Adobe CS5 and Canon 5D Mark II commercial and feature film workflows with HP Z800 workstations and HP DreamColor displays.

Learn how the Bandito Brothers ensure color accuracy both on location and in the edit suite with their Adobe CS5 and Canon 5D Mark II feature film workflow.

See how Rudy Sarzo, Heavy Metal Rocker-turned Video Editor, harnesses the power of Adobe CS5 Production Premium and HP Mobile Workstations to fuel his creativity.

Go behind the scenes on the ambitious new superhero film, Scubaman! See how the new HP Z800 workstation and Adobe CS5 Production Premium made the entire production possible.

Watch this fun HP video, developed by Goodby, Silverstein & Partners. Adobe After Effects and PhotoShop were utilized to create animated characters who interact with the real world.

Watch how photographer Sally Wiener Grotta has taken advantage of "invisible technology" in order to save money, time and better be able to follow her inspirations.