Listen in on an interview with David Simons, one of the original creators of After Effects, and Steve Forde, After Effect's product manager. They will take you on a trip down memory lane on the thoughts behind After Effects and what its impact has been on the industry.

After Effects has evolved throughout the past 20 years to make rotoscoping a less eye-bleeding task. Check out how After Effects has changed throughout the years and get a sneak peek at the evolution of rotoscoping.

Paul Graff, multi-award winning VFX supervisor, of Crazy Horse Effects talks about how After Effects inspired him to love pixels and blow up stuff.

Dylan Chudzynski, VFX supervisor, users After Effects to pull off the most advanced techniques in a cheaper, easier and faster way.

VFX Supervisor, Patrick Murphy, shares some of his defining moments when working in After Effects and how it opens up his creative possibilities.

Visual Effects Artist and Author Mark Christiansen talks about how his After Effects work at ILM opened a challenging career that is kinda fun.

Chris Edwards of The Third Floor talks about how After Effects helps him with the unique digital story-boarding process of pre-visualization.

Andrew Kramer of Video Copilot talks about how his use of After Effects helped him build a career on making tutorials and eventually get jobs in Hollywood.

Users have something to say to the After Effects team during their 20-year celebration.

As a visual effects artist, Jon Carr uses After Efects' innovative features to make difficult shots look their best.

Ash Beck has used After Effects for over 10 years and was inspired to creatively use AE when working on the The Amazing Spider-Man.

Filmmaker Stu Maschwitz has worked as a visual effects supervisor throughout his career and often pushes After Effects to its creative limits.