In this updated video for Adobe Premiere Pro CC and Prelude CC (Part 2 of 3), Principal Worldwide Evangelist Jason Levine shows how to leverage Prelude (the "Lightroom for DSLR video") as the most efficient way to start your DSLR editing workflow. He showcases a best-practices workflow for selecting your media, ingesting, doing partial ingest, creating custom metadata fields, renaming files, transferring and transcoding your footage to editing standards like DNxHD, sub clipping, logging, and creating the basic rough cut that you'll send directly to Adobe Premiere Pro.

Learn to organize your clips in Prelude before bringing them into Premiere Pro. Infinite Skills author Jeff Sengstack demonstrates Prelude’s clip naming and metadata features, and shows how easy it is to create subclips, build a rough-cut assembly, and send it to Premiere Pro as a sequence for immediate editing.

Speed up your video ingest and logging tasks with flexible new ways to enter metadata in Prelude. Preview clips and create rough cuts that open directly in Adobe Premiere Pro CC to keep your production vision intact and accelerate the editing process.

In this updated video for Adobe Premiere Pro CC (Part 3 of 3), Principal Worldwide Evangelist Jason Levine highlights the enhanced multicam workflow with DSLR footage, including the ability to synchronize your media automatically via Audio Sync. He'll also show how Adobe Premiere Pro CC natively and seamlessly works with multiple frame rates and frame sizes — even mixed sample rate audio files — and quickly and accurately syncs media so you can start cutting and crafting your multicamera DSLR story.

Adobe Prelude helps you review, ingest, log, select, and export video, similar to how Photoshop Lightroom is used with images. Join MAX Master Jason Levine for an introduction to Prelude that will help you get the most out of this powerful production tool.In this session, you'll learn how to:• Organize your media from a shoot• Leverage the power of metadata to log your footage• Speed up your editing process using the unique logging features in Prelude

See a rough cut overview of hierarchical master pages, one of the updates from the Feb 2013 Adobe Muse release.

See a rough cut overview of the latest new features and enhancements including hierarchical master pages, widget updates, new spelling checker, and more.

In this episode, Jason will show you how to begin logging & tagging your footage with different types of markers. Once the footage is sub-clipped and marked, the rough cut is put together with the option to send your rough cut (directly) to Premiere Pro or Final Cut Pro via XML.

In this episode, Jason walks you thru the ingest process within Adobe Prelude CS6; from reviewing and selecting media, to performing partial ingest and transcoding into ProRes, DNxHD, MXF-0P1a, and many other popular formats. The footage on display was shot with a Nikon D800, so this reflects a typical DSLR ingest/log/rough cut workflow.

As a part of the Adobe Youth Voices program, peer feedback plays a very important role in the media making process. Feedback can take place throughout the process beginning with the initial pitch and continuing through postproduction with a Rough Cut screening. Giving feedback can be a delicate thing and should be done in a respectful and supportive way; it’s important that you follow some simple guidelines when giving feedback to the artist. In this video you’ll learn about the importance of Critical Response.