Rich Harrington demonstrates Premiere Pro's expanded format support, including native support for Avid MXF media and Apple ProRes. Learn how easy it is to work with various camera formats such as ARRIRAW. Learn more from the full courses at Lynda.com.

In this episode, Jason will show you how to begin logging & tagging your footage with different types of markers. Once the footage is sub-clipped and marked, the rough cut is put together with the option to send your rough cut (directly) to Premiere Pro or Final Cut Pro via XML.

In this episode, Jason walks you thru the ingest process within Adobe Prelude CS6; from reviewing and selecting media, to performing partial ingest and transcoding into ProRes, DNxHD, MXF-0P1a, and many other popular formats. The footage on display was shot with a Nikon D800, so this reflects a typical DSLR ingest/log/rough cut workflow.

Learn how to integrate Production Premium into your existing Avid or Apple pipeline (incl. ProRes, DNX, AE ProImport).

See Apple's FCP and ProRes 422 codec workflow in Premiere Pro and After Effects, and Blu-ray authoring in Encore.