In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will highlight using updated 'merge clip' options to synchronize externally-recorded audio with your DSLR video clips (and other video formats, without timecode).

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

Author Rich Harrington demonstrates how to integrate still images into your Adobe Premiere Work Flow.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time thanks to the amazing, 64-bit Mercury Playback Engine.

In this video you will learn how to import a final Cut Pro project into Adobe Premiere Pro.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

Learn how to get remote approval for all your video projects. Share comments and changes with production staff anywhere. Generate timecode-accurate reviews that sync directly with Adobe Premiere Pro, improving collaborative workflow.

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

In this episode, our four presenters take you through the features of Photoshop, Dreamweaver, Premiere Pro, After Effects, Photoshop, Audition and Flash Professional.

In this episode, Jason Levine covers your favorite features from Premiere Pro, After Effects, Photoshop & Audition CS5.5 for video workflows with animations.

The Trim Monitor maybe an often-overlooked tool in Premiere Pro that can be used to precisely tweak an edit. Karl Soule shows you how to use this feature to fine-tune the in and out points of clips on a timeline at a cut with ease.

In this episode, our four presenters look at InDesign, Photoshop, Dreamweaver, Premiere Pro and Flash Professional.

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

In this episode you'll learn how Premiere Pro supports faster performance and fluid editing, even from a laptop, as well as increased support for multiple formats. Presented by Adobe expert Jason Levine and featuring the amazing Mercury Playback Engine.

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

Create a real time Compositing experience in Premiere Pro using the Ultra Key and Track Matte Key effects. Overcome the limitations of the Track Matte effect using special advanced tricks. Watch the final movie here (Hebrew version only).

Part two on how to hide someone’s face in a video, this time we’re using Adobe Premiere Pro CS5. If you need to obscure an element in a video, like a face or unlicensed product, this episode will demonstrate how it’s done using a track matte key and Premiere Pro’s built-in effects.

See how Adobe CS5.5 Production Premium makes it easier than ever for you to use the right tool for the job. With easy project exchange between Final Cut Pro or Avid editing tools and Adobe Premiere Pro, you can easily integrate Adobe CS5.5 Production Premium into your current workflow.

In this episode you'll learn how to conduct online project reviews in real time from within Adobe Premiere Pro.

David Dessel, owner of Metaphor Pictures, LLC, gives an end to end tour of RED editing, VFX, and color grading workflows powered by Adobe Premiere Pro and After Effects.

Join Adobe evangelist Jason Levine to find out how you can to edit faster with Adobe Premiere Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine—now on workstations and laptops. Work easily with dual-system sound support; enjoy enhanced project exchange with Apple Final Cut Pro and Avid software, as well as direct integration with Adobe Story; and efficiently export with reliable batch background encoding for delivery to smartphones, tablets, and PCs.

Join Adobe evangelist Jason Levine to learn how Adobe Premiere Pro CS5.5 powers efficient, convenient and flexible editing and post-production workflows when working with stereoscopic content.

Colin’s back showing off how fantastic his Z800 workstation performs with the new Adobe 5.5 software. In this episode he shows you how to send a complete Premiere Pro sequence to a multitrack project in the new Adobe Audition 5.5. From there he shows how you can add effects to individual clips, or complete tracks with lots of built-in effects or support for VST and AU plug-ins. Once complete, this project can be send back to Premiere Pro CS5.5 or exported to OMF or Final Cut Pro XML.

Premiere Pro CS5.5 improves the speed with which you can render nested sequences. You can literally nest sequences into sequences and you’ll get the benefits of the Mercury Playback Engine using both the CPU and the GPU or Graphics Processing Unit on an Nvidia card with CUDA. Throw the HP Z800 workstation into the mix and you see rendering speeds like you have never seen before.

Discover all the top new features in Adobe Creative Suite 5.5 Production Premium.

Easily sweeten your audio. Pass clips and multitrack mixes from Adobe Premiere Pro CS5.5 to Adobe Audition CS5.5 for editing or send Adobe Premiere Pro sequences with a reference video to Adobe Audition for complete multitrack creation.

In this Adobe Story episode, Jason Levine shows how to streamline your editing workflow when importing your Adobe Story script directly into Adobe Premiere Pro for easy clip editing.

Learn the new presets, intuitive context menus, and dramatically enhanced watch folder support in Adobe Media Encoder CS5.5 to make outputting your work for delivery everywhere a simple and intuitive process.

Learn how the new Merge Clips feature in Adobe Premiere Pro CS5.5 can save you hours of editing time by providing dual-system sound support that enables you to quickly match audio and video tracks recorded on separate devices and media. Plus, learn how new user-requested enhancements give you a efficient editing workflow.

Learn how the Mercury Playback Engine in Adobe Premiere Pro CS5.5 takes performance to the next level, so that you get even faster playback of mixed-format timelines and more GPU-accelerated effects and transitions.

In this CS Review tutorial, Terry White shows you how to create a online review directly from Adobe InDesign CS5.5, share it with others and gather comments back in real-time. CS Review is also integrated with Adobe Premiere Pro CS5.5, Photoshop CS5, and Illustrator CS5.

Learn how an entry-level workstation built with the brand new Intel Xeon E3 processor can give you unprecedented editing performance in Premiere Pro CS5.5 at an unbeatable price.

Premiere Pro CS5.5 and it's faster-than-ever Mercury Playback Engine, provides unprecedented productivity. Learn how a professional-grade workstation with Intel Xeon processors, combined with CS5.5, enables you to work faster and be more creative than ever.

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

See how Al Mooney, Product Manager for Adobe Premiere Pro, integrates script, written or edited in Adobe Story, with Premiere Pro for faster and smoother editing of clips.

In this second installment of a series of Short and Suite episodes focused on Color Finesse - the After Effects plug-in for color correcting which comes with Adobe Creative Suite CS5 Production Premium - Karl Soule dives deeper into the steps involved in performing a primary color correction to change the mood and look of some video footage he was editing in Premiere Pro earlier.

In this episode of Short and Suite, Karl Soule demonstrates how to easily move your Premiere Pro timeline to After Effects for color correction using Synthetic Aperture's Color Finesse 3 plug-in. You'll learn basic techniques to enhance and color correct your footage using this powerful tool.

In this episode of Short and Suite, Karl Soule demonstrates how to customize the keyboard to quickly extend the duration of a clip in a timeline by using the 'Roll Next Edit to CTI' and 'Roll Previous Edit to CTI' commands.

Work in 10-bit color with Premiere Pro CS5 and Quadro solutions. In this brief video, learn how to improve your workflow by viewing and editing content from a rich, 10-bit color platform.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

Photoshop is the most powerful image editing software in around so it stands to reason that it would be very useful in creating titles and graphics for a video production. Watch this inaugural episode of Premiere Pro Basics in Adobe Beginner Classes to get some of the essential skills necessary to become a productive editor.

Industry veterans Karl Soulé and Kevin Monahan show Final Cut Pro editors how to use the export function in Adobe Premiere Pro CS5. Editors will learn how to output virtually any format for web, broadcast and dvd/Blu-Ray. Karl also shows how to export OMF, AAF and Final Cut Pro XML for use in a collaborative editing environment.

Industry veterans Karl Soulé and Kevin Monahan show Final Cut Pro users the flexibility and robustness built into the Adobe Premiere Pro CS5 Title Tool. Final Cut Pro users will learn how easy it is to create titles and reusable templates.

Industry veterans Karl Soulé and Kevin Monahan discuss the powerful audio editing workflow and effects built into Adobe Premiere Pro CS5.

Industry veterans Karl Soulé and Kevin Monahan discuss useful tips a Final Cut Pro editor should know when starting a project in Adobe Premiere Pro CS5.

Industry veterans Karl Soulé and Kevin Monahan discuss one of the main differences between Final Cut Pro and Adobe Premiere Pro CS5: how to setup a new project. Final Cut Pro editors will learn how to create and modify a new project, as well as learn how to avoid common 'gotchas'.

Industry veterans Karl Soulé and Kevin Monahan talk about keyboard shortcuts in Adobe Premiere Pro and how to customize the keyboard to make it more familiar for Final Cut Pro editors.

Karl Soulé and Kevin Monahan discuss the editing similarities between Final Cut Pro and Adobe Premiere Pro CS5, and show a few basic techniques that will help Final Cut Pro editors start editing projects right away.

Get a glimpse behind the scenes of Creative Sweet TV. Using Premier Pro to do a really quick and really effective green screen key. Using native AVCHD footage and very basic fold out screen. The entire episode created with Premiere Pro CS5.

This Adobe Premiere Pro CS5 tutorial unlocks the secrets of using the 3-way Color Corrector for secondary color effects. Secondaries only affect one part of an image, leaving the other values alone. Learn how to just affect skin tone in an image, boost saturation for a green field of grass, and much more.

Acclaimed cinematographer, Shane Hurlbut, talks about how Adobe Premiere Pro CS5 and the Canon 5D Mark II was used on his film "Act of Valor".

Acclaimed cinematographer, Shane Hurlbut, talks about how and why he uses Adobe Premiere Pro CS5 for editing DSLR footage for his training course, HDSLR Bootcamp.

In this Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.

In Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.

Logging Clip Data & Capturing in Premiere Pro CS5.

In this short video, Jason Levine will show you how to use the new Ultra Keyer in Premiere Pro CS5 to pull quick keys from your footage, even with unevenly lit green screen. Once again, the 'key' here (ha ha) is the fact that Jason is running this process without rendering, leveraging the Mercury Playback Engine solely in software mode.

In this multi-part series, Jason Levine will cover the step-by-step process of working with DSLR video in Premiere Pro CS5, from the Camera to the Timeline to the Web and beyond. If you're a photographer looking to get into DSLR video, or maybe you're already shooting video but just don't know how to get started, Jason will cover all the basics, including tips for adding images, music, text, PSD files and more, all the way through exporting to popular sites like YouTube and Vimeo.

For editors dealing with footage using split-mono tracks (voice on one track, ambient sound on another) this quick tutorial on audio channel mapping is a must-see.

In Part 4 of this multi-part training series, Adobe Worldwide Evangelist Jason Levine discusses working with layered Photoshop (PSD) files for lower thirds, stylized text and simple animations, as well as using Premiere Pro's own Titler from within the application.

In Part 3 of this multi-part training series, Jason Levine will showcase some common methods for 'telling your story' with motion and sound. Drop music into your timeline, add markers and time images to specific audio events, as well as animation of position, scale, rotation, opacity and more. Here's how you can begin to (easily) bring your stills to life, alongside your DSLR video.

In Part 2 of this multi-part series, Jason Levine will cover the most common editing functions of Premiere Pro CS5, including the ability to set defaults for image and transition durations, adding transitions between clips & images (like cross-dissolves, dip-to-black and more), basic scaling/resizing, rippling, and cutting.

In this episode, Terry White presents at the 2010 Adobe Keynote in Las Vegas. Terry demonstrates how to integrate photos and video in Lightroom 3, Photoshop CS5 and how to create "digital storytelling" using Premiere Pro CS5.

In this episode, Terry White shows you how to take advantage of Premiere Pro CS5's new ability to use CS Review to do online client reviews of Video.

There are 2 different ways to add effects to audio in Premiere Pro. Karl Soule’ walks through both techniques, and when to use each technique.

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.

In this episode of Short and Suite, Karl talks about OnLocation CS5's new ability to support tapeless workflows on set and shows you how to quickly create a rough cut edit using OnLocation and Premiere Pro CS5.

In this episode of Short and Suite, Karl Soule shows new features in Premiere Pro CS5 that are designed to make working with high definition footage shot with a DSLR easy and efficient.

Learn how to find gaps, extend edits, import HDV footage with scene detection, export frames, and more in Adobe Premiere Pro.

Learn how to create sharp, clean keys quickly by using the Ultra Key chroma keyer in Adobe Premiere Pro.

Learn how to create an animated DVD menu quickly, by using After Effects, Adobe Premiere Pro, and Encore.

Learn how to move a project from Final Cut Pro to Adobe Premiere Pro and back again.

Learn how to export a sequence, or a part of a sequence, into any of a number of formats. This instruction includes the use of the Export Settings dialog box, and Adobe Media Encoder.

Learn how to create a title in the Titler, to change the font, to add a drop shadow, and to add the title to a sequence.

Learn to apply video and audio transitions to clips in a sequence.

Learn how to use the Project panel and the Automate To Sequence command to quickly create a rough cut.

Learn how to import files with the Import command, the Media Browser, and Adobe Bridge. Also, learn the advantages of using the Media Browser for file-based assets.

Learn about video editing with Adobe Premiere Pro. Import assets, find footage with Speech Search and Face Detection, composite and apply effects with the Mercury Playback Engine, and output through the Adobe Media Encoder.

Learn the steps of the basic Adobe Premiere Pro workflow, from importing to editing to exporting.

Breakthrough performance: See how the new Mercury Playback Engine and native tapeless support (including for R3D, DSLR footage, XDCAM, P2 and more) in Adobe Premiere Pro CS5 can take your post-production workflows into a whole new realm of productivity.

Key HD footage in real time with the new Ultra Chroma Keyer in Adobe Premiere Pro. Optimized for footage that includes uneven lighting, wrinkled backgrounds, and frizzy hair, Ultra preserves shadows and can achieve complex keys on smoke, liquids, and transparent objects. GPU acceleration dramatically increases rendering speeds, whether you’re keying DV or HD.

Learn how to work with the latest tapeless and DSLR formats in Adobe Premiere Pro CS5.

The vast majority of video professionals use Adobe Photoshop software to help them create and enhance visual effects and motion graphics, or to prepare still images and text for inclusion in video projects. With new Photoshop CS5 Extended, you can leverage cross‐platform 64‐bit support, the unrivaled Photoshop image‐editing toolset, and Adobe 3D Forge—the powerful Photoshop 3D engine that enables you to create and enhance 3D and motion‐based content. Plus, you can enjoy tighter integration with Adobe tools you use every day, including Adobe After Effects CS5, and Adobe Premiere Pro CS5. Realistically blend colors on canvas with the new Mixer Brush, and paint on 2D and 3D artwork more naturally using lifelike Bristle Tips. Remove an image element, and let Content‐Aware Fill intelligently replace the missing pixels.Use new Exposure Merge technology to create photorealistic or wildly surreal 32-bit HDR images with unprecedented speed, control, and accuracy. Take advantage of new Adobe Repoussé technology to easily create 3D artwork from any text layer, selection, or layer mask. And so much more.

In this Episode of Short and Suite, Karl Soule shows how Premiere Pro CS5’s new Mercury Playback Engine works with the Nvidia CUDA technology to greatly enhance the power of your workstation.

See how CS5 Production Premium makes it easier than ever for you to use the right tool for the job. With easy project exchange between Final Cut Pro or Avid editing tools and Adobe Premiere Pro, you can easily integrate CS5 Production Premium into your current workflow.

See firsthand the advantages of Adobe's native tapeless workflow. Jacob Rosenberg of Bandito Brothers will showcase the use of DSLR cameras and Adobe Premiere Pro CS5 in the making of a feature film about the Navy Seals.