In this tutorial you'll learn how to convert just a part of a PDF file rather than the entire file to Word using Acrobat X or XI Std. or Pro.

In this last video of this three-part series, learn the final steps in setting up Adobe Genesis.

In this updated video for Adobe Premiere Pro CC and Prelude CC (Part 2 of 3), Principal Worldwide Evangelist Jason Levine shows how to leverage Prelude (the "Lightroom for DSLR video") as the most efficient way to start your DSLR editing workflow. He showcases a best-practices workflow for selecting your media, ingesting, doing partial ingest, creating custom metadata fields, renaming files, transferring and transcoding your footage to editing standards like DNxHD, sub clipping, logging, and creating the basic rough cut that you'll send directly to Adobe Premiere Pro.

In this updated video for Adobe Premiere Pro CC (Part 1 of 3), Principal Worldwide Evangelist Jason Levine walks you through the basics of importing footage from your DSLR directly into Adobe Premiere Pro, selecting clips, setting In/Out points, and building a sequence. Work with multiple formats/frame rates/frame sizes, all simultaneously, and learn how the Adobe Mercury Playback Engine can be modified to optimize playback performance, no matter what kind of machine you're editing on.

In this updated video for Adobe Premiere Pro CC (Part 3 of 3), Principal Worldwide Evangelist Jason Levine highlights the enhanced multicam workflow with DSLR footage, including the ability to synchronize your media automatically via Audio Sync. He'll also show how Adobe Premiere Pro CC natively and seamlessly works with multiple frame rates and frame sizes — even mixed sample rate audio files — and quickly and accurately syncs media so you can start cutting and crafting your multicamera DSLR story.

In PART THREE we highlight other companies at the festival who are aligned with Adobe's intent to support filmmakers through effective, efficient technology.

We think you'll agree that "2013 is going to be a HUGE year for Adobe Premiere Pro, Creative Cloud, and all of the Adobe video tools!"

This year Adobe presented a panel in Sundance's New Frontier creative space: "From Script to Screen - How Technology is Empowering Filmmakers".

In PART TWO we connect with the panelists and learn how technological advances impact, inspire, & and influence their workflows.

About the panelists:
Tyler Nelson - Assistant Editor, House of Cards, Girl with the Dragon Tattoo, Social Network

Bill Yukich - editor, music videos (Shakira, Pitbull, Red Hot Chili Peppers) and commercials (Volvo, Coca-Cola, Proctor & Gamble)

Bayan Joonam - Head of Production, SoulPancake

Adobe had the distinct pleasure of continuing its partnership with Sundance Film Festival again this year. We set out to learn how Adobe Pro Video solutions are impacting independent filmmaking.

In PART ONE you'll hear from featured directors, producers and editors who utilized Adobe's Creative Cloud to streamline and enhance their workflow – and other filmmakers who are already planning to do so for their next projects.

See how easy it is to link an entire 3D graphic to an animation view and also how a few FrameMaker 11 mouse clicks, generated a list of parts from the 3D graphic that are automatically hyper-linked. In PDF output, you can click on any of the part names in the table, and the 3D graphic will change to a non-shaded view, with the selected part highlighted with 3D shading. This feature is very empowering for people creating techcomm content for medical devices, transportation/airline parts and other products that utilize diagrams with many potential views.

Part two of the presentation from Jeremiah Owyang of Altimeter Group about the 7 types of social data companies can track and measure.