In this updated video for Adobe Premiere Pro CC and Prelude CC (Part 2 of 3), Principal Worldwide Evangelist Jason Levine shows how to leverage Prelude (the "Lightroom for DSLR video") as the most efficient way to start your DSLR editing workflow. He showcases a best-practices workflow for selecting your media, ingesting, doing partial ingest, creating custom metadata fields, renaming files, transferring and transcoding your footage to editing standards like DNxHD, sub clipping, logging, and creating the basic rough cut that you'll send directly to Adobe Premiere Pro.

In this updated video for Adobe Premiere Pro CC (Part 1 of 3), Principal Worldwide Evangelist Jason Levine walks you through the basics of importing footage from your DSLR directly into Adobe Premiere Pro, selecting clips, setting In/Out points, and building a sequence. Work with multiple formats/frame rates/frame sizes, all simultaneously, and learn how the Adobe Mercury Playback Engine can be modified to optimize playback performance, no matter what kind of machine you're editing on.

In this updated video for Adobe Premiere Pro CC (Part 3 of 3), Principal Worldwide Evangelist Jason Levine highlights the enhanced multicam workflow with DSLR footage, including the ability to synchronize your media automatically via Audio Sync. He'll also show how Adobe Premiere Pro CC natively and seamlessly works with multiple frame rates and frame sizes — even mixed sample rate audio files — and quickly and accurately syncs media so you can start cutting and crafting your multicamera DSLR story.

There is a lot of information about clips and sequences to be found in the Timeline with a few clicks. This movie demonstrates how to show and hide essential information that will help with the decision-making process during editing. This includes audio waveforms and keyframe controls right in the Timeline. It also covers different options for thumbnail previews of the clips in the Timeline and methods for enlarging and shrinking certain areas of the Timeline for greater control.

The limitation on the number of camera angles in a multicamera sequence has been removed in Premiere Pro CS6. In this video you'll see just how easy it is to create a new multicamera sequence and switch between camera angles.

In this video you'll see how easy it is to create a sequence with settings that match those of your footage, and learn why this is a good idea for performance and quality.

Now that your sequence is edited, in this lesson you'll add a title, fade your clips up and down, and mix in some music.

In addition to using in and out marks to add or remove video and audio, you can use the segments themselves. This lesson shows you the two ways you can remove complete clip segments from a sequence.

Even with the fantastic new Blur Gallery in Photoshop CS6, the Lens Blur filter is an essential tool when a high degree of control is needed to selectively (and realistically) blur an image. In this video tutorial, Julieanne uses the Lens Blur filter with a depth map to to create a series of images that appear as if they were captured with a tilt-shift lens. Julieanne also demonstrates how to quickly apply this filter to multiple images using actions and batch processing.

In this video tutorial Julieanne walks you through the best way to pan and zoom a “time lapse” image sequences, video clip and still photograph using the new Motion options in Photoshop CS6. For those wanting even greater control, Julieanne also demonstrates how to use smart objects to take advantage of Photoshop CS6’s new Transform attribute in the Timeline panel.