Many of us have been frustrated by how "slippery" the positioning of anchored frames can be in Word. FrameMaker 11 provides considerably more control. This video starts out with a bang, showing how you can easily generate a table of parts, views or animations (with auto-hypertext links) to a 3D graphics. The published PDF output provides an attractive, guided user experience. Discover how FrameMaker 11's new Object Styles allow you to name, then globally update the appearance or positioning of both anchored frames and graphic objects. Hotspots also allow you to create a link between a zone of a graphic and related text.

Although Word has a loose equivalent to user variables, this features is far easier and more straight-forward in FrameMaker 11. Unlike Word, no macros or arcane program strings are required. User variables are ideal for product names, company locations, designated staff members ... anything that is likely to change in your document. Simple actions allow you to globally update not only the content of variables, but their appearance as well. You can combine this feature with conditional text control, which allows you to swiftly "show" or "hide" different sections of text, tables or entire graphics that are associated with a certain version of your documentation. This allows a single set of source files to produce multiple versions of your documentation for various customers or internal content consumers. These features can be invoked with simple keyboard shortcuts while authoring, and you can import their values and setting from one document into an entire book!

Word's style catalogs don't obviously segregate text styles from paragraph styles. FrameMaker 11 provides simple, logical catalogs for paragraphs, character styles, table styles and even graphic object styles. In FrameMaker 11, not only can you globally update headings, lists and emphasized text, you can even change all instances of named tables, labeled anchored frames or graphic objects! This allows you a level of formatting control and document consistency amongst multiple authors you could have only dreamed of with Word. Warning: once you use these tools, there is no turning back.

Unlike Word, FrameMaker 11 has page headers and footers that are not limited to the top/bottom margin of the page. FrameMaker master pages allow simple actions to created rotated running headers or footers in the Left/Right page margins, or "anywhere" on the page. Headers and Footers are created with logical system variables that ensure that "file name" or other metadata will update automatically when source information is changed.

We're taking a completely fresh look at how marketers can share and understand data about their businesses and campaigns, and better collaborate with creative professionals. We have been pursuing this under the name "Project Tartan", and it will be a whole new user experience for Adobe Marketing Cloud. We've designed it mobile-first, hosted in the cloud, and with social throughout -- this is a great example of the new generation of software coming from teams at Adobe.

Learn how you can manage your photos by tagging the people who feature in them. Corey Barker demonstrates how you can tag your friends in Photoshop Elements 11 - manually or with names downloaded from your Facebook account.

In this movie, author Jan Kabili explains how to import photos from your camera's memory card or your card reader into Photoshop Elements 11. Jan also discusses how to best organize and name your photos when importing them.

Jonathan Snook highlights the importance of using a naming convention in all your projects to help clarify the intent of the CSS code.

See how easy it is to link an entire 3D graphic to an animation view and also how a few FrameMaker 11 mouse clicks, generated a list of parts from the 3D graphic that are automatically hyper-linked. In PDF output, you can click on any of the part names in the table, and the 3D graphic will change to a non-shaded view, with the selected part highlighted with 3D shading. This feature is very empowering for people creating techcomm content for medical devices, transportation/airline parts and other products that utilize diagrams with many potential views.

Computer Scientist Duane O'Brien demos three new features in Adobe Shadow: previewing content protected by .htaccess or basic access authentication, testing single-page applications or jQuery Mobile sites that use named anchors, and previewing content on the Amazon Kindle Fire.

Note: In this episode we used a different vLog name In this episode we cover new features of SiteCatalyst 15.2, we talk about the new solution: Advanced Mobile Traffic Analysis. We also interview Ian Hansen about the Digital Marketing APIs.

Award-winning Chen Design Associates is known for their ability to bring their client’s stories to life in any medium. See why their early adoption of Muse (code name) is helping them to achieve new heights in the websites they create.

A teenage girl named Prudence deals bullies in her day to day life, and the youth around her that decide to do something about it.

Find out how to use Adobe Fireworks to create mobile designs that can be easily turned into CSS code (pasted into Adobe Dreamweaver) and export bitmap images optimized for mobile devices. This session will also reveal how to slice designs and export foreground and background images from Fireworks, use the Fireworks slice-naming feature to create assets with filenames that match your mobile framework, and create PNG-8 images with alpha transparency for reduced mobile bandwidth.

Discover how Hallmark is developing a motion design workflow for content that has multiple uses (print, interactive, web, broadcast, mobile, and so on). We’ll show how to take files that originated for print and then convert them for distribution to the web, mobile applications, Google TV, and broadcast. See how to start with HD source files and follow an "author once, distribute everywhere" model. While focusing on a single file, the session will cover a range of topics from naming conventions to output modules and file creation.

Learn how to design unique, HTML websites without writing any code in this Muse (code name). Muse is currently in beta and enables graphic designers to create web pages as easily as laying out a page in InDesign. Dani Beaumont, Muse Product Manager will s

Take a dive deep into the techniques required to build the best games. Building games is fun, but building them well takes skill and experience. Ben Garney, core Flash architect at Push Button Engine and one of the most well-known names in the Adobe Flash gaming industry, will put some powerful tools into your game development toolkit: finite state machines, numerical simulation, components, data-driven definitions, and more. Build better, more interesting games faster and with less risk.

Author Rich Harrington discusses the Adobe Story Workflow.

Muse (code name) will enable designers to design, publish, and fully create a website without writing HTML. Hear more about what Muse is and why it came about from the talented and passionate people who built it.

Learn how to markup text with InDesign styles for HTML, EPUB, or tagged PDF output. Add CSS class names to the exported content, so that in EPUB/HTML export, you can differentiate between slight variations in styling, or when tags are mapped to the basic styles such as p, h1, and h2.

In this episode I'll show you how to take advantage of a NEW Adobe Bridge CS5 feature that allows you batch rename just the part of the file name that you want and leave the rest of the name intact.

In InDesign CS5.5, you can map paragraph and character styles directly to EPUB, HTML and PDF tags to ensure that styles you define in InDesign are exported appropriately. You can also add CSS class names and type n your own custom tags.

Addiction is a difficult thing to overcome, and especially when you don’t understand that you are addicted. In this film we follow a high-schooler, named Derrick. Most addictions are to drugs, but in this case we follow the addiction to the video game world. Derrick is addicted to video games and it envelopes his world. What is Derrick going to do when he sees his future.

As an extension of Adobe's recent focus on metadata and being able to track information throughout a production, After Effects CS5.5 now has the ability to access the Media Start and End times as well as "tape" names for assets that include them.

This project is a unique narrative presented in stop motion using still photos. It is about a student named Angel who chronicles his high school experience going from a student who gets into trouble into a student who strives to work towards graduation. His experience with teachers is the focus. Its audience is high school students who might be in similar situations or know someone who might be. Its carries a strong message of students being able to change.

Industry veterans Karl Soulé and Kevin Monahan show Final Cut Pro users the flexibility and robustness built into the Adobe Premiere Pro CS5 Title Tool. Final Cut Pro users will learn how easy it is to create titles and reusable templates.

Join the Adobe Flash Builder product manager and engineers from the team to learn about some of the new features in the next release of Flash Builder, code-named Burrito.

Learn how to blend the digital and the physical from natural/accurate color definitions to "presses" as a service. Nathan Moroney, color scientist for Hewlett Packard Labs, will present ways to take your beautiful digital work to tangible, physical creations. Moroney will explore emerging color print technologies ranging from pixels with color names to novel finishing techniques and print substrates.

RC shares a tutorial about exporting InDesign documents into web-friendly swf files. Corey has a freshly-named segment called “Tablet talk” in which he discusses how to program the express keys on your design tablet to run actions.

GAIA is a short animation that shows a heroine named Gaia that saves a city from a very bad villain from polluting the beautiful city of Adobia. Gaia fights off the evil villain Stinkman, because he is polluting the city with his trash powers. Gaia flies and cleans up the city from the trash of Stinkman. Gaia enlists the help from the kids to help keep clean the city of Adobia.

Create extreme slow motion video using few still frames. This fine result can be achived using a 3rd party plug named Twixtor Pro from RE:Vision Effects.

Misunderstood is about a young man named Tony, who's life doesn't seem to be heading in the right direction. Tony gets into an argument with his teacher that triggers a flashback of the week before and all of the drama he went experienced. He runs away to get away from all of it, when his now ex-girlfriend finds him and shows him that even when you feel like nobody cares, there are still those special people in your life that won't let you fall.

Duane travels to Mexico to take in the local Flex community and try to convince them to change the name of their country to "Flexico". Soundtrack filled with quality metal courtesy of Entropia. Flex Tutorial on Spark graphics.

Start a new project in Dreamweaver CS5 by defining a new site, which activates Dreamweaver's ability to resolve links, check related files, and manage assets. Establish a root directory and name the site in the Site Setup dialog box.

Use the new Artboards panel to name artboards and adjust settings of artboards in Illustrator CS5.

Work on up to 100 artboards of varying sizes in a single file, organized and named the way you want, using the enhancements to Multiple Artboards in Illustrator CS5.

In the second episode of the series, Ben recounts the journey of making a name for himself in the Big Apple, while trying to continue to push the boundaries of traditional photography. Ben has looked through the lens at such big names as Heath Ledger, Hugh Jackman and Mary J. Blige and no matter how recognizable or unknown his subject may be, he continues to achieve emotion and distinction with each click of his camera. Always donned with a smile and a playful attitude, Ben attributes his growth as an artist to his “visual journal” and how its compilation lead to his latest accomplishment, a book of collage photography, Big Up.

Join us for a close look at Flash Builder 4 (formerly Flex Builder), coming soon after more than a year and a half of development. In addition to a new name, it's packed with amazing new features for developers of all types.

Learn how to comply with accessibility standards and provide access for people with disabilities within your Flex and AIR applications. This session will provide an overview of how Flash Player communicates accessibility name, role, and state information

Corey has a tip on using Photoshop actions that he learned at Photoshop World from his friend Emily. RC recently discovered a site named Animoto that is great for creating slide shows.

Expanding on his previous video about working with timelines in ActionScript, Doug demonstrates using frame labels to create named frames and adding event handlers with AS3 commands.

Doug Winnie provides an introduction to functions and explains how to efficiently use them in ActionScript by grouping commonly used tasks together as a named function.

In this video, Doug Winnie teaches you how to use ActionScript to dynamically add objects to the stage using code and the DisplayStack.

Dive deeper with the Library panel and learn more about how to name instances on the stage, and how to use the Linkage panel to name objects in the Library panel.

This demo-oriented session will showcase the new features that are coming in Flash Player 10, code-named “Astro.”

Join Adam Cath and Mark Shepherd to find out how to build next-generation user experiences quickly and without coding using Flash Catalyst (formerly code named "Thermo").

Tour the Welcome screen. Learn what a project is and create a new project. Name the project, develop a sequence, and adjust settings.

Join Peter Flynn as he shows us how to use Flash Catalyst, code named "Thermo" (first previewed at MAX 2007) to build user interface wireframes for interactive experiences and applications — before creating visual designs or writing code.

Create a new project from the Welcome screen or the File menu. Name projects, choose the authoring mode, and adjust project settings.

Use the Photo Downloader Utility included with Photoshop. Retrieve images from a digital camera. Organize photos on a hard drive. Name images.

Tour the Welcome screen. Learn what a project is and create a new project. Name the project, develop a sequence, and adjust settings.

Create and name compositions. Select NTSC, PAL, and film presets, pixel aspect ratios, and frame rates. Nest multilayer compositions.

Create and name compositions. Select NTSC, PAL, and film presets, pixel aspect ratios, and frame rates. Nest multilayer compositions.

Use the Photo Downloader Utility included with Photoshop. Retrieve images from a digital camera. Organize photos on a hard drive. Name images.

Julieanne Kost walks through the options in the Export dialog box including export destination, file naming, images settings, metadata, and "after export" options.

Type "Adobe" in a search engine and you will see our logo, but look it up in a dictionary and it talks about mud bricks. Where did Adobe get its name from?

Julieanne Kost covers how to rename individual images, batch rename groups of images, and create and save file-naming templates.

Adobe Product Manager Steven Heintz and Senior Principal Scientist Mark Anders provide a sneak peek at Thermo, code name for a product currently under development at Adobe.