Layer Comps allows you to store the condition of separate layers, including their position, visibility and layer style. This can allow you to present different design ideas within a single document.

Levels can provide powerful color correction tools. Learn how to interpret the histogram, add a levels adjustment layer to balance an image's color, and toggle it off and on to see the result of your changes.

Add dramatic lighting effects to your Photoshop Touch images non-destructively. Russell Brown demonstrates a technique for adding lighting to your image using a separate layer – thus allowing for infinite edits.

Learn how you can use Photoshop to get the popular hand tint effect in this video. Build it in reverse on a color image by isolating areas and using adjustment layers to non-destructively apply different tints.

Join Justin Seeley, staff author at lynda.com, to learn automation techniques, shortcuts, and workflow enhancements to help you rapidly move from mockup to website using Adobe Photoshop. Seeley will reveal image optimization techniques while debunking web resolution myths. He'll also help you learn how to use Photoshop to work with HTML and CSS files, and show how these tools can help improve your workflow. He may even have time to sneak in a few new Photoshop features. In this session, you'll learn how to: • Use layer comps to simulate interactivity and multipage layouts• Create Retina display–caliber graphics using actions and batch processing• Build UI libraries with shape layers• Create image sprites• Work with pixel grid alignment and design with grid systems

Watch as Photoshop Product Manager Stephen Nielson demonstrates the new Adobe Camera Raw 8 in Photoshop CC. See how you can apply Camera Raw edits as a filter to any layer or file inside Photoshop CC, and then make enhancements any way you want. And with Camera Raw 8, you get more precise ways to heal images, fix perspective distortions, and create vignettes.

Learn how Adobe Ideas can help you create quick vector illustrations even if you don't usually draw. Brian Yap, illustrator and creative director at Boxing Clever in Saint Louis, will demonstrate several techniques to create illustrations from reference images.In this session, you'll:• Learn the basics of creating illustrations on a mobile device with Adobe Ideas• See how the latest update lets you use new brush options and layer features• Discover how to take an illustration from Adobe Ideas to a finished piece using Adobe Creative Cloud and Illustrator

In this Quick Tip, Julieanne demonstrates three different ways to display an image with in a shape in Photoshop including vector masks, clipping masks and layer groups.

In this episode of The Complete Picture, Julieanne demonstrates how nesting Smart Objects enables each filter applied to have it’s own unique Smart Filter (layer) masks.

In this episode of the Adobe Creative Suite Podcast, Terry White shows how to use the New Adobe Photoshop Touch for phones to composite images, remove a background and add a logo before sending it to the desktop version of Photoshop layers and all.

Layer Groups - they’re not just for organizing your layers! In this episode of The Complete Picture, Julieanne demonstrates 5 ways to use Layer Groups to create special effects in Photoshop.

In this episode of The Complete Picture, Julieanne explains the difference between duplicating a Smart Object using the Layers panel to create multiple instances of a layer and creating a copy of a Smart Object using the application menu for independent editing.

In this Quick Tip, Julieanne reveals a simple technique to paste content directly into a layer mask in Photoshop CS6.

In this episode of The Complete Picture, Julieanne show you the difference between opening a raw file as a pixel based layer verses a Smart Object and the advantages of both approaches.

Did you know that you can not only reposition but also transform images over time? In this Episode of The Complete Picture, Julieanne demonstrates how easy it is using the power of Smart Objects in Photoshop CS6.

In this movie author Julieanne Kost discusses the features and abilities of layers in Photoshop. She covers renaming layers, toggling between layers, converting layers to Smart Objects, deleting layers, changing the opacity of a layer, and saving a layered image.

In this movie author Julieanne Kost demonstrates the importance of using the Layers panel to convert your layers to Smart Objects before applying filters and Smart Filters to an image.

This lesson will guide you through a basic workflow for optimizing the overall tone and color in your digital images.

Most designers equate aligning objects with applications such as Adobe Illustrator; however, Photoshop has its own alignment feature that allows the user to align image information quickly and precisely.

This simple process will demonstrate how to colorize a black and white image with Adobe Photoshop Touch. Learn how to use layers and Blend Modes to make this painting process easy.

In this Quick Tip, Julieanne demonstrates the new Color Lookup Adjustment layer and walks you through how to download a template to quickly apply these new “looks” to your images. The files she references can be found here. http://adobe.ly/Ng3afA

The Gradient Map Adjustment layer has over 35 new presets to emulate traditional darkroom techniques for toning and split-toning photographs. Learn how to load and apply gradient maps to a single image as well as how to download and use Julieanne’s template to quickly see what each preset would look like on your own photograph through the magic of Smart Objects. The files she references can be found here. http://adobe.ly/OBIOdz

In this episode, join Senior Digital Imaging Evangelist Julieanne Kost as she shows off some of the new features of Adobe Photoshop CS6 Extended, part of the new Adobe Creative Cloud. See the blazingly fast performance of the new Mercury Graphics Engine. Learn about the new improved processing and enhanced controls in Adobe Camera Raw 7, the new photographic blur effects, how to straighten objects using the new Adaptive Wide Angle, and more. Explore many of the timesaving and user-inspired enhancements including new type styles, re-engineered Shape layers, and the all-new Crop tool. Also explore the intuitive video editing capabilities of Photoshop CS6 and 3D capabilities of Photoshop CS6 Extended.

This lesson will guide you through a basic workflow for optimizing the overall tone and color in your digital images.

Adobe Digital Imaging Evangelist Julieanne Kost shares the top 10 enhancements in the Layers Panel in Photoshop CS6.

Russell Brown shows you how to create texture and color layers that you add to your Photoshop Touch images for an aged or vintage look.

Learn how to bring an image into Photoshop Touch from the Creative Cloud, work on it using your tablet, and then transfer it back to your desktop computer in Photoshop CS5. Russell Brown also gives options for managing your color profiles.

Dr. (Russell) Brown demonstrates how to use his collection of costume images to accessorize a portrait photo. Learn how to add new layers and adjust the lighting for a realistic costumed portrait.

Create unique textures with your fingertips using Adobe Eazel, one of several Photoshop companion apps for the iPad. New connectivity lets you send the design from your tablet directly to Photoshop CS5 on your desktop or laptop computer. Apply the texture to another image and refine with layer styles and blend modes to get just the look you want.

Russell Brown starts with a composite image and then uses the Blur filter and the Add Fade effect to create a dynamic directional blur effect.

In this video, Jim McCann shows you a sneak peek of a potentially new way for graphic designers to create layered compositions that reflect the way real world objects act.

Russell Brown shows how to use the Google Image Search feature in Photoshop Touch to create a project using images available on the web.

Create an overlay that brings special focus to an image, video or other content by having it appear in a modal layer.

In this Episode of The Complete Picture, Julieanne demonstrates how to reduce the color palette of an image to create a posterized effect with the most control and maximum flexibility possible.

In this Episode of The Complete Picture Julieanne demonstrates how to create a single vector logo out of multiple type and shape layers, specify a consistent size, apply a style and save the entire creation as a Tool Preset! In addition, Julieanne shows how to add a scan of your signature to any photograph with a simple change of a layer blend mode.

In this episode of the Complete Picture, Julieanne demonstrates several ways to use leading lines in order to guide a viewer’s eye through an image including leading towards the primary subject, keeping movement within the frame, and adding tension to a composition.

There are times when you need to publish a video but hide a portion from view. Many times it’s someone’s face that gets blocked out by pixelating the area around it. This demonstration shows you how you can use the Extended version of Photoshop to import a video and add a non-destructive blur layer that follows someone’s face anywhere in the frame. The final result can be output to any video format or individual still images so you can guarantee no will ever know who was under that blur.

RC has a tutorial about using Lightroom and Flickr together to share your images with the world. Corey uses Illustrator and Photoshop to create some vintage graphics for a logo design.

RC has a Photoshop tutorial where he gets creative by adding textures to an image and experimenting with blend modes. Scott Kelby stops by the set to share 10 little-known tips for use with Photoshop.

In this Episode of the Complete Picture Julieanne reveals some basic compositing techniques in Photoshop CS5 that she used to illustrate the feeling and mood of Iceland. Discover how easy it is to combine multiple images together using Layers, masking, blend modes, and transparency in Photoshop CS5.

Learn how to import complex Photoshop PSD files while keeping the text and graphics editable.

In this video Dan Moughamian shows you how to use Puppet Warp in Adobe Photoshop CS5. This is Tip #83 from Adobe Digital Imaging How-To's Book.

Somewhere between the decisive moment and moving pictures lies the world of digital compositing - where multiple images captured at different times layer together to create a whole that is greater than the sum of its parts. In this episode Julieanne Kost will demonstrate how to transform concepts and ideas into images by mastering the tools used in compositing.

Today we've got a really nice and simple tutorial demonstrating how to quickly add a beautiful, non destructive vignette effect to any image using Photoshop layers and blending modes.

Apply layer effects to artfully enhance images.

Selectively colorize key elements in a black and white image. Layer masks make the process simple.

Learn the basics about flexibly organizing and positioning image elements.

Apply adjustment layers to manipulate the color, tone, contrast, and other aspects of images. Apply adjustments non-destructively, monitor levels in the panel's histogram, and paint away adjustments with the built-in layer mask.

Extend from standard Photoshop transformations such as scaling or flipping to Warp distortions. Edit Warp transformations by dragging handles on the bounding box. Apply layer styles for a finishing touch.

Sizing and scaling images, unlike vector graphics, can result in a loss of image quality. Make your transformations non-destructive in Photoshop by converting layers to Smart Objects prior to making changes.

The vast majority of video professionals use Adobe Photoshop software to help them create and enhance visual effects and motion graphics, or to prepare still images and text for inclusion in video projects. With new Photoshop CS5 Extended, you can leverage cross‐platform 64‐bit support, the unrivaled Photoshop image‐editing toolset, and Adobe 3D Forge—the powerful Photoshop 3D engine that enables you to create and enhance 3D and motion‐based content. Plus, you can enjoy tighter integration with Adobe tools you use every day, including Adobe After Effects CS5, and Adobe Premiere Pro CS5. Realistically blend colors on canvas with the new Mixer Brush, and paint on 2D and 3D artwork more naturally using lifelike Bristle Tips. Remove an image element, and let Content‐Aware Fill intelligently replace the missing pixels.Use new Exposure Merge technology to create photorealistic or wildly surreal 32-bit HDR images with unprecedented speed, control, and accuracy. Take advantage of new Adobe Repoussé technology to easily create 3D artwork from any text layer, selection, or layer mask. And so much more.

Adobe Photoshop software is the tool of choice for designers and web professionals. Now with Photoshop CS5 and Photoshop CS5 Extended, you can continue to push the boundaries of traditional digital imaging. Realistically blend colors on canvas with the new Mixer Brush. Create superior composites for print or web layouts with new technology that makes it easy to select even the trickiest image elements, like hair. Remove an image element, and let Content‐Aware Fill intelligently replace the missing pixels. Easily create 3D logos and artwork from any text layer, selection, or layer mask using new Adobe Repoussé technology. Use new Exposure Merge technology to create photo realistic or wildly surreal 32-bit HDR images with unprecedented speed, control, and accuracy. And import animated GIFs. Plus so much more.

Get an overview of how to work with layers in Photoshop. Use the Color Range command and invert an image. Jump an image to an independent layer.

Mike shows you a trick he learned from Russell Browns at Adobe Max; how to take a Camera Raw image of a Samurai Warrior shot on a green screen background and cut him out using masks and Hue Saturation.

Learn how to Combine multiple images in different layers for a sophisticated composition and play with the overlay and other options to completely change the overall effect of your photo.

Richard Harrington reveals new tools for aligning and auto-blending layers with panoramic images in Photoshop CS4 at Photoshop World Las Vegas, 2008.

Corey’s tutorial is about creating a custom vector pattern using Photoshop and Illustrator. RC shows how to use Slideshow Pro along with Dreamweaver to add an image slideshow to your web page.

Corey recreates a graphic that you will recognize from an upcoming movie by using the 3D options in Photoshop Extended. RC talks about correcting a distorted image using the lens correction options in Photoshop.

In this Photoshop Tutorial, instructor Richard Harrington shows you how to use Photoshop's black & white adjustment layers to give you more control over images you choose to make black & white.

RC discusses Photoshop’s Zoomify tool and how it can be used to post hi-res images to the web. Corey uses Photoshop to create a background graphic using distort filters, halftone patterns, and gradients.

Save modified images from Photoshop. Use the Smart Sharpen filter and add a Color Balance layer. Choose a file format for saving images.

Convert 2D images into 3D objects or scenes by using DICOM, pixel layers, gradient map, or Vanishing Point.

Kevin Ames introduces the new adjustments layer panel in Photoshop CS4, vibrance, and demonstrates how to increase saturation of non-primary colors in images.

Set up your workspace for easier image navigation and zooming. Make non-destructive color adjustments and layer mask refinements.

Correct the brightness and contrast of an image using editable adjustment layers. Resize image thumbnails. Adjust vibrance and saturation.

Get images in and out of Fireworks. Open Photoshop files with layer comps. Save files in multiple formats. Export Fireworks files.

Julieanne Kost gives an in-depth overview of the Layers Panel in Photoshop CS3 and explains how to use it to composite multiple images together.

Correct the brightness and contrast of an image using editable adjustment layers. Resize image thumbnails. Adjust vibrance and saturation.

Set up your workspace for easier image navigation and zooming. Make non-destructive color adjustments and layer mask refinements.

Remove the background behind lightning and flame images in Photoshop CS3 so you can add special Layer Effects, and avoid Blending Modes when necessary.

Dr. Brown demonstrates scripts for working on images within Photoshop CS3. Combine several images into various layers, or even create your own easy HDR Images using his tools!

Shellie Hall shows you how to create a cool new image frame design for your image in InDesign CS3, then save it as a new object style.

Learn how to finalize a web page design in Photoshop by using layer comps and image slicing. You'll also learn how to adjust export settings of your designs.

Learn the differences between shape layers, paths and pixel filled shapes. Whether you want to add arrows or use a custom shape to mask an image, here's how.

Corey talks about some useful scripts on the web that are available to anyone for download to use with Photoshop. RC answers a viewer question about turning an image into a cartoon using Illustrator.

Corey uses Photoshop to transform a video clip into a stylized image using the Import Video Frames as Layers command. RC goes over a couple of different ways to get your video file onto the web using Flash and Dreamweaver.

RC takes us through creating a simple print ad using Photoshop, InDesign, and Illustrator. Corey explains the concept of the Divine Proportion and how to use it to evaluate image composition.

Converting a pixel image to a vector image can be very useful in the creative and business world. Learn great techniques for converting to vector images using Adobe InDesign.

Corey breaks down a popular new effect to gives your static images some life. RC goes over some of the basics of using Masks in Flash.