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"hd editing"

Native Stereoscopic editing with Vision 3's Plug-in for PremierePro and After Effects CS6 & CC
Native Stereoscopic editing with Vision 3's Plug-in for PremierePro and After Effects CS6 & CC
Show: DAVTechTable
I've been working with Vision 3 for about year and half on this inexpensive plug-in to support our native tapeless formats in a Stereoscopic 3D workflow. This video will give you a general idea of how the plug-in works and some general guidance on setup.You can more info on the plug-in here: www.inv3.com/quicks3d
  • Products covered:
  • After Effects
  • Premiere Pro
  • Product Version: CC
  • Views: 872
  • Added: May 06, 2013
  • Runtime: 00:20:10
  • Tags: Premiere Pro ,  S3D ,  Stereoscopic ,  Vision ,  neo ,  3 ,  3D ,  AG-3DA1 ,  CC ,  CS6
Bluefish444 demonstrates full support and integration with Adobe Mercury Transmit in Premiere Pro CS6
Bluefish444 demonstrates full support and integration with Adobe Mercury Transmit in Premiere Pro CS6
Bluefish444 manufactures the high quality uncompressed SD/HD/2K/4K SDI video cards for professional editors. Its Epoch and Create 3D video cards integrate tightly with Adobe Mercury Transmit for complete monitoring, scaling and support for video output.
  • Products covered:
  • Premiere Pro
  • Product Version: CC
  • Views: 513
  • Added: Jun 04, 2012
  • Runtime: 00:02:00
  • Tags: workflow ,  Media Encoder ,  broadcast ,  editing ,  metadata ,  photoshop extended ,  production premium ,  Adobe Premiere® Pro ,  Adobe Story Plus ,  After Effects®
Matrox demonstrates complete workflow integration in Adobe Premiere Pro CS6 with support of the Mercury Transmit plug-in
Matrox demonstrates complete workflow integration in Adobe Premiere Pro CS6 with support of the Mercury Transmit plug-in
Matrox offers the only I/O solutions on the market that let you deliver H.264 files up to five times faster than software alone without sacrificing quality. Fully integrated Adobe Mercury Transmit support lets you scale, monitor, and output in any format you need — from analog and HDMI to HD-SDI.
  • Products covered:
  • Premiere Pro
  • Product Version: CC
  • Views: 1,542
  • Added: Jun 04, 2012
  • Runtime: 00:01:52
  • Tags: workflow ,  Media Encoder ,  broadcast ,  editing ,  metadata ,  photoshop extended ,  production premium ,  Adobe Premiere® Pro ,  Adobe Story Plus ,  After Effects®
New Features in Premiere Elements 10
New Features in Premiere Elements 10
Adobe Premiere Elements 10 includes some important new features that make editing slicker and quicker than ever. There are new effects and performance improvements that make a big difference if you are working with high-definition media. This lesson explains what's new.
  • Products covered:
  • Premiere Elements
  • Views: 23,106
  • Added: Nov 07, 2011
  • Runtime: 00:07:42
  • Tags: editing ,  effects ,  transitions ,  Premiere Elements 10 ,  high-definition
Guided Edit Depth of Field Effect
Guided Edit Depth of Field Effect
Photographers often use a narrow depth of field in order to emphasize a subject, and in this lesson you'll see how to use a Guided Edit effect to achieve narrow depth of field for an image that has a wide range of focus.
  • Products covered:
  • Photoshop Elements
  • Views: 42,167
  • Added: Oct 26, 2011
  • Runtime: 00:04:05
  • Tags: Guided Edit ,  depth of field ,  effects ,  focus ,  photographers
Enjoy the Latest in Video Technology with Support for Flip Videos, HD editing, and More
Enjoy the Latest in Video Technology with Support for Flip Videos, HD editing, and More
Video Highlights: Watch how to import from a wide variety of popular devices, from compact camcorders such as Flip cameras to DSLR still cameras. Then see how to experience fluid responsiveness and high performance when editing video, even HD.
  • Products covered:
  • Premiere Elements
  • Views: 2,225
  • Added: Aug 11, 2011
  • Runtime: 00:00:52
  • Tags: videos ,  Flip camera ,  HD editing ,  PRE 9 ,  Premiere 9 ,  Premiere Elements 9 ,  video editing
Last Man Standing (Anaglyphic)
Last Man Standing (Anaglyphic)
*Best viewed in HD* Last Man Standing: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is our entry for the San Francisco 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco and vimeo.com/25480586
  • Products covered:
  • After Effects
  • Premiere Pro
  • Photoshop Extended
  • Creative Suite Production Premium
  • Product Version: CC
  • Views: 2,946
  • Added: Jun 22, 2011
  • Runtime: 00:06:53
Last Man Standing - 48 Second Teaser (3D Anaglyph)
Last Man Standing - 48 Second Teaser (3D Anaglyph)
*Best viewed in HD* LAST MAN STANDING: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is a 48 second teaser video of our entry for the SF 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco
  • Products covered:
  • Photoshop
  • After Effects
  • Premiere Pro
  • Creative Suite Production Premium
  • Product Version: CC
  • Views: 2,414
  • Added: Jun 20, 2011
  • Runtime: 00:00:48
  • Tags: After Effects CS5.5 ,  Cineform Neo3D ,  Premiere Pro CS5.5 ,  San Francisco 48 Hour Film Project ,  Team Obidobi ,  sf48hfp ,  stereoscopic 3D
The Bandito Brothers and HP DreamColor display
The Bandito Brothers and HP DreamColor display
Learn how the Bandito Brothers ensure color accuracy both on location and in the edit suite with their Adobe CS5 and Canon 5D Mark II feature film workflow.
  • Products covered:
  • Creative Suite Production Premium
  • Product Version: CC
  • Views: 2,582
  • Added: Dec 22, 2010
  • Runtime: 00:02:32
  • Tags: Premiere Pro ,  10 bit ,  30 bit ,  Act of Valor ,  Bandito Bros ,  Bandito Brothers ,  Canon 5D ,  Color Correction ,  DSLR ,  Digital SLR
Shooting Movies with a RED One Camera Through a Microscope
Shooting Movies with a RED One Camera Through a Microscope
Join Richard Weinberg of the USC School of Cinematic Arts to explore high-resolution motion picture optical microscopy. Weinberg developed a system for shooting movies with a RED One camera through a microscope and created a ten-minute movie, "MicrOrganisms," in 4K resolution that premiered in December 2009 at the CineGrid conference. This session reviews the image capture, editing, and visual effects process and how Weinberg used this system to stream live HD microscopy from Los Angeles to Yokohama, Japan, for an interactive presentation at SIGGRAPH Asia.
  • Products covered:
  • Photoshop
  • After Effects
  • Product Version: CC
  • Views: 584
  • Added: Oct 25, 2010
  • Runtime: 01:03:29
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