In another user requested video, Colin answer the question that many Mac users are wondering - how hard is it to move to Windows? Colin explores just how easy it is to move your FinalCut Pro 7 projects into Premiere Pro CS6 on Windows. He also invites Terry Brown from HP to join him to see exactly what all the excitement is over HP hardware and why RED Digital Cinema has chosen a Windows platform for massive performance gains.

Rapidly develop eLearning and HTML5-based mLearning content. Create HD-quality product demos. Liven up courses with actors and smart interactions. Combine multiple modules, including pre-test and post-test quizzes, into a single course. Track SWF, PDF, and HTML5 content.

Learn about how Pete Episcopo, an Adobe Education Leader in Florida, uses the Adobe Certified Associate (ACA) exam as a way to put his students on the path to postsecondary succes. For more information on the ACA exam, visit http://www.adobe.com/education/resources/certificate-programs.edu.html

Easily create show-me product demos in HD, interactive let-me-try application simulations, and test-me assessments. Publish projects to the web, desktop, YouTube, and leading SCORM- and AICC-compliant LMSs. Deliver HTML5-based content to mobile devices, including the Apple iPad.

Rapidly author a wide range of interactive eLearning and HTML5-based mLearning content with Adobe Captivate 6, including product demos in HD, application simulations, soft skill and compliance training, and quizzes delivered to virtually any device.

Rapidly author a wide range of interactive eLearning and HTML5-based mLearning content with Adobe Captivate 6 software. Easily create product demos in HD, application simulations, and soft skills and compliance training. Import Microsoft PowerPoint slides and enrich with multimedia, interactive elements and quizzes. Deliver content to virtually any device, including the Apple iPad.

Adobe updated the components of the Digital Publishing Suite in May 2012. This video provides an overview of new features found in Viewer Builder inlcuding: building Viewers for iPhone, universal iOS Viewers, adding artwork for HD apps, and some sharing controls.

Bluefish444 manufactures the high quality uncompressed SD/HD/2K/4K SDI video cards for professional editors. Its Epoch and Create 3D video cards integrate tightly with Adobe Mercury Transmit for complete monitoring, scaling and support for video output.

Matrox offers the only I/O solutions on the market that let you deliver H.264 files up to five times faster than software alone without sacrificing quality. Fully integrated Adobe Mercury Transmit support lets you scale, monitor, and output in any format you need — from analog and HDMI to HD-SDI.

Review some of the fun new effects available in AE CS6 including the Cycore HD effects and other built in plug-ins. Along the way, you'll discover why updating many of these effects to 32-bit in this version of After Effects is so important.

Adobe Youth Voices Aspire Awards finalist on the animation category.

Adobe Youth Voices Aspire Awards finalist on the animation category.

Adobe Premiere Elements 10 includes some important new features that make editing slicker and quicker than ever. There are new effects and performance improvements that make a big difference if you are working with high-definition media. This lesson explains what's new.

In this lesson you'll learn how to have text follow the shape of a path you've defined, which adds a whole new level of creativity to the use of text with photos.

The Adobe TV crew talks about how GPU acceleration with Nvidia Quadro Cards makes it possible for them to meet their deadlines and deliver broadcast quality HD shows every week.

Photographers often use a narrow depth of field in order to emphasize a subject, and in this lesson you'll see how to use a Guided Edit effect to achieve narrow depth of field for an image that has a wide range of focus.

Photographer Michael Orton created a soft, dreamy effect that has become very popular, and in this lesson you'll see how you can apply this effect to any image in very little time.

Learn how Adobe Premiere Elements 10 lets you burn HD-quality movies to affordable DVD discs using standard disc burners.

Learn how using Adobe Flash Builder enabled HD Interactive to cost-effectively develop and deploy popular games like Pyramix, Mr. Mixit for Android, Apple and BlackBerry users using a common code base.

Dive into a session that tackles the challenges of producing HD video for the web. Learn the best creation and encoding techniques for video and audio distribution for the web using the tools found in Adobe Creative Suite 5.5 Production Premium.

Discover how Hallmark is developing a motion design workflow for content that has multiple uses (print, interactive, web, broadcast, mobile, and so on). We’ll show how to take files that originated for print and then convert them for distribution to the web, mobile applications, Google TV, and broadcast. See how to start with HD source files and follow an "author once, distribute everywhere" model. While focusing on a single file, the session will cover a range of topics from naming conventions to output modules and file creation.

Video Highlights: Watch how you can create your movie once and quickly share it in many ways, including on discs, mobile devices, HD TVs, YouTube™, Facebook, or through a convenient web DVD viewing experience. Version 10. http://adobe.ly/AcZ976

Video Highlights: Watch how to import from a wide variety of popular devices, from compact camcorders such as Flip cameras to DSLR still cameras. Then see how to experience fluid responsiveness and high performance when editing video, even HD.

In this episode of Short and Suite, Karl Soule shares tips on how to optimize and increase the quality of your encodings in Encore for DVD and Bluray delivery.

*Best viewed in HD* Last Man Standing: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is our entry for the San Francisco 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco and vimeo.com/25480586

*Best viewed in HD* LAST MAN STANDING: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is a 48 second teaser video of our entry for the SF 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco

Senior Technical Evangelist Greg Wilson showcases two popular games, Mr. Mixit and Pyramix, both developed in Flash Builder and Flex and available on Android, BlackBerry PlayBook, and iOS devices.

Diana Helander of Adobe demonstrates rich content and applications on the new Samsung Galaxy Tab 10.1V, running Adobe Flash technology.

Adobe Press and video2brain show you how to use color management to ensure consistent color throughout a project.

Colin takes advantage of the HP Z800’s massive horsepower combined with the raw speed of the 64-bit Adobe Media Encoder 5.5 to show you how you can output different versions of your comps using a combination of After Effects, Dynamic Link and Media Encoder, while working on new composites, without missing a beat.

In this video Adobe Press and video2brain teach you about codecs and containers and how to determine if your movie files are supported for import by After Effects.

Adobe Press and video2brain teach you about frame rates for footage items, compositions, and rendered movies, and how to modify each kind of frame rate to achieve the desired result.

Learn how to configure After Effects to use RAM and CPUs as appropriate for your computer system, your footage, and your project needs. You'll also see what hardware factors affect performance and what improvements can be made to increase performance.

Adobe Press and video2brain show you how to apply motion tracking data to an adjustment layer and use rotoscoping on that adjustment layer to selectively perform color correction on a moving object.

Colors are represented as red, green, and blue channels, and there's an additional channel that defines transparency – the alpha channel. In this video, you'll see how to control how you view the information about these channels.

Creating a collage in Photoshop is simple and fun. See one of the most creative ways to turn your images into a beautiful collage.

Before diving in to the details, you'll want to get a big-picture view of After Effects. In this video, you'll see how the pieces fit together and learn the basic terms that will be used throughout this training.

Presets and templates can greatly speed the processing of your images in Lightroom. In this video you'll learn the concepts involved with the use of presets and templates.

Presets and templates can greatly speed the processing of your images in Lightroom. In this video you'll learn the concepts involved with the use of presets and templates.

It's SO easy to shoot a batch of images, import them into Lightroom, prepare them, and export them ready to email to others. We'll get an overview of the process in this jump-start.

When you need to find a specific image among a huge number of images, filtering can provide an excellent solution. This jump-start will provide you with a sense of the power of filtering to find an image within Lightroom.

Learn how Jacob Rosenberg and the Bandito Brothers power their Adobe CS5 and Canon 5D Mark II commercial and feature film workflows with HP Z800 workstations and HP DreamColor displays.

Learn how the Bandito Brothers ensure color accuracy both on location and in the edit suite with their Adobe CS5 and Canon 5D Mark II feature film workflow.

Hear from Chuck Freedman (@chuckstar | www.chuckstar.com/blog), Adobe Flash Platform expert and chief channel evangelist at litl, as he discusses how Flash Player compatible content plays on many cool, in-home devices from Sony, Nintendo, litl, and more. He'll explore why creators should take special note of different form factors, simplified user experiences, and the new distribution channels that make this an exciting opportunity. We'll consider the full range of experiences, from open, multiplayer games and HD video in the living room to interactive cooking in the kitchen to DIY guides in the garage, and even story time.

Learn how to stream video and audio over HTTP networks with HTTP Dynamic Streaming and Adobe Flash Player 10.1, helping you lower costs and reach a wider audience with your video content. This session will step you through the workflows for encoding, packaging, protecting, and delivering video using the Open Source Media Framework. Discover techniques to optimize the F4F file format, tweak the F4F file packager and live packager, and apply DRM with Adobe Flash Access 2. Learn how to set up your own HTTP Origin using Apache to work with popular content delivery networks.

Learn the best creation and encoding techniques for HD video and audio distribution for the web using the tools found in Adobe Creative Suite 5 Production Premium.

In this session you'll learn how video can be one of the most engaging components in Rich Media Advertising. We'll discuss how to: use multiple videos in standard or HD format leveraging Dynamic Streaming; record your own video with a webcam and send it to email or a smartphone; post videos on Facebook; play a 3D multiplayer game using Papervision and Flash Media Interactive Server; and go mobile with your campaigns. We'll show examples of real rich media campaigns from top advertisers, discuss the technologies powering the creative, and try to dispel all the myths around the limitations of video ads.

Join Richard Weinberg of the USC School of Cinematic Arts to explore high-resolution motion picture optical microscopy. Weinberg developed a system for shooting movies with a RED One camera through a microscope and created a ten-minute movie, "MicrOrganisms," in 4K resolution that premiered in December 2009 at the CineGrid conference. This session reviews the image capture, editing, and visual effects process and how Weinberg used this system to stream live HD microscopy from Los Angeles to Yokohama, Japan, for an interactive presentation at SIGGRAPH Asia.

Learn how you can enable terabit-scale audiences for live and on-demand video delivery by leveraging the Akamai HD Network for Flash, powered by Akamai's globally deployed HTTP EdgePlatform. The Akamai HD Network for Flash offers HTTP-based multibitrate delivery, live DVR, fast startup, and reduced rebuffering to increase audience scale and engagement time. Learn best practices for how to encode and prepare your content for multibitrate delivery to desktops and mobile devices, and how to build a video player based on open source frameworks such as OSMF that can take advantage of the Akamai HD Network for Flash.

Principal Product Manager Aditya Bansod shows games and HD video running on Adobe AIR for TV.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

Neil Trevett of NVIDIA shows how Flash Player 10.1 enables smooth HD web video across devices, including inexpensive netbooks powered by NVIDIA's next-generation ION GPU.

In this episode of Short and Suite, Karl Soule shows new features in Premiere Pro CS5 that are designed to make working with high definition footage shot with a DSLR easy and efficient.

Learn how to set up your system to play back video, even layered HD video with effects, without rendering. This tutorial describes the best hardware and settings for getting the Mercury Playback Engine to deliver great performance and stability.

Get the most out of your hardware investment: native 64 bit support means After Effects can use all available RAM, so it’s easier to work efficiently on complex HD, 2k, and 4k projects.

Edit HD as fluidly as SD, thanks to native 64-bit support and GPU acceleration found in the Mercury Playback Engine.

Key HD footage in real time with the new Ultra Chroma Keyer in Adobe Premiere Pro. Optimized for footage that includes uneven lighting, wrinkled backgrounds, and frizzy hair, Ultra preserves shadows and can achieve complex keys on smoke, liquids, and transparent objects. GPU acceleration dramatically increases rendering speeds, whether you’re keying DV or HD.

This expert-driven deep dive will demonstrate how to get the best quality from your H.264 encoding and publishing online with the Adobe Flash Platform. Topics will include encoding parameters, analysis, resolutions, dynamic streaming, filtering and benefits of hardware acceleration. Wrap all this up into an encoding strategy that will bring you closer to HD video on the web.

Watch as Dave Helmly walks you through Premiere Pro’s new support for Native editing with the Flip HD camera and other "Pocket USB" video cameras. Many of these newer video cameras now offer HD in 720p and 1080p modes.

Learn how to use Adobe tools to create high-definition media experiences. Master the workflow from multibitrate encoding to creating a media player using the Strobe media framework, leveraging Flash Media Server and Dynamic Streaming and more.

Discover Adobe's optimized implementation of the Flash runtime that enables the delivery of HD video and rich applications to Internet-connected TVs, set-top boxes, Blu-ray players, and other devices that are connected to the television.

A not very well known Elements feature lets you export your digital slide shows for TV viewing—widescreen, HD, and international formats are all available.

Learn how Akamai's global network brings HD-quality video online at broadcast scale, while giving viewers the same experience to which they're accustomed with television. Akamai will walk through best practices for delivering HD-quality video content.

This session covers the tools and workflows you need to produce and stream great HD video in the Flash player and Flex.

Join Will Law as he explores new dynamic streaming technology for HD.

Join Douglas Spotted Eagle as he shows how producing HD video for the web involves unique challenges, but that the benefits are enormous.

Watch Premiere Pro 3.2 and Sony's XDCAM EX editing in action. Check out cross-platform editing and learn how to use Photoshop for making quick lower thirds from frames of HD video.

Karl covers how to use HD footage in an SD project while Jason cleans up a garage recording to turn it into a master.