Learn to edit from sequences loaded into the Source monitor. Infinite Skills author Jeff Sengstack demonstrates Premiere Pro's ability to let editors place any number of clips in a sequence, open that sequence in the Source Monitor, and select segments and add them to another sequence. The feature harkens back to a frequently used feature film-editing technique, called a KEM roll, whereby editors put multiple takes of the same scene on the same reel, giving the director an easy way to select the best take.

“The Way it Is” is a short documentary-style film featuring the youth of Stonegate, an underserved community in Etobicoke, Canada. The film features youth stories giving voice to what the Stonegate community means to them as individuals and as a group. In addition, they interviewed area residents to learn their perspectives. The Stonegate Community Health Centre (SCHC), which runs youth programs, was the target audience. They experience challenges engaging Stonegate youth. The screening provided a starting point for discussion between the youth and SCHC about how they could better engage and serve the youth of Stonegate.

Paul Graff is the Creative Director at Crazy Horse Effects, a contributor for visual effects to some of the largest films in Hollywood. Learn why Adobe is the mother of the Crazy Horse workflow and how new features in After Effects have Graff both excited and a little nervous.

Professor of Film Editing, Julian Semillian explains why the University of North Carolina School of the Arts has made the switch to Adobe Premiere Pro to prepare their students in professional careers in film and broadcast.

Saturday Night Live Film Unit Editor, Adam Epstein details the insane schedules that create SNL film content and how Adobe tools help make it all possible.

Redesigned Adobe SpeedGrade offers powerful tools for precise color correction and creative look design for colorists, editors, and visual effects artists. In this presentation, Karl Soule, Adobe Business Development Manager, will introduce the new face of SpeedGrade, including the new Shot Matcher, Look manager, and film stock emulations, and demonstrate color grading workflows with Adobe Premiere Pro.

Al Mooney gives insight into the next version of Premiere Pro, a release that has been built from direct engagement with customer –including luminary filmmaking team the Coen Brothers, who will be editing their next feature film slated for production in 2013 exclusively with Premiere Pro.

Rhys Thomas, director/producer of NBC's Saturday Night Live Film Unit, needs every second. Learn why switching to Adobe Premiere Pro made the most sense for his fast-paced team.

Director/editor Kyle Patrick Alvarez reacts to new features in Premiere Pro Next and the "sheer extent of technology" that is NAB.

110 Degrees is a short feature about father whom encounters a small accident at work, which reminds him of a dramatic childhood incident. The short feature was inspired by a new broadcast and true events.