Roundtrip your video sequences from Premiere to Speedgrade for color grading, and back to Premiere. Infinite Skills author Jeff Sengstack shows how Premiere Pro sequences can be exported to SpeedGrade either as DPX still image sequences or edit decision lists (EDLs). After completing color grading in SpeedGrade, those projects can be exported as stand-alone video files back into Premiere Pro for more editing.

Mobile devices can have a hard time processing complex vector graphics. With Flash Professional CS5.5 you now have the ability to export complex vector graphics as an easier-to-process bitmap while still retaining the graphic in vector format in Flash Pro. Paul Trani takes you through this process and shows you how to cache vector graphics as bitmap images.

Using Adobe® Soundbooth® CS5 you can export the audio for your entire project as a single file. Once you have finished editing the audio you can import it back into Adobe® Captivate® whilst still maintaining slide association and audio quality.

In the final installment of this series, Adobe Worldwide Evangelist Jason Levine takes you through the process of exporting/rendering your DSLR video/stills creations using the 64-bit Adobe Media Encoder. He'll talk about some of the most common formats for going to mobile devices, iPods, blu-ray discs as well as common formats for Web delivery. You'll learn about background rendering and the ability to 'queue' multiple versions of your video edits. Also featured: using *presets* in the Media Encoder for your favorite destinations (like YouTube, Vimeo, HDTV, etc)

Learn how to export a frame from a video clip and use it to create a freeze-frame effect.

Karl delves into the advanced Puppet Tool and using nested comps to add video elements to a still, while Jason goes over Multiband Processing & Exporting the Mixdown.

Karl delves into the advanced Puppet Tool and using nested comps to add video elements to a still, while Jason goes over Multiband Processing & Exporting the Mixdown.