Layer Comps allows you to store the condition of separate layers, including their position, visibility and layer style. This can allow you to present different design ideas within a single document.

Learn how to overcome the daunting task of making a comp work on the web. This session will cover how to take common design elements and make them show up correctly in HTML, JavaScript, and CSS. Join Terry Ryan, Adobe evangelist, to learn how to: • Analyze and break up comps into manageable pieces • Take your designs live in the browser • Make sure your designs work across different desktop and mobile browsers • Have your pages degrade gracefully if a design choice doesn't make sense on the small or large screen

Learn how to quickly create responsive web comps on Adobe Edge Reflow's re-sizable, web based design surface.Join Jacob Surber, senior product manger at Adobe, as he walks through how to:• Create a responsive comps using the latest standards-based CSS • Easily communicate responsive behaviors to both developers and clients either on screen and on devices. • Learn tips and tricks with Reflow today and get a sneak peak at where it's heading!

Get familiar with the After Effects CS6 workflow in this brief overview of the tools, project windows, elements, compositions, nested comps, effects, keyframes, the timeline, expressions, exporting and the Render Queue.

Motion blur is something that occurs naturally in photography but there are many ways that we can create realistic motion blur in After Effects too. Colin will show you the settings and options to help you control motion blur on animations, graphics and even on videos that don’t contain any movement at all. He will also demonstrate how to add motion blur to the many animation presets that ship with After Effects.

Colin takes advantage of the HP Z800’s massive horsepower combined with the raw speed of the 64-bit Adobe Media Encoder 5.5 to show you how you can output different versions of your comps using a combination of After Effects, Dynamic Link and Media Encoder, while working on new composites, without missing a beat.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

Wish you could render After Effects comps in the background? Wish you could create a watch folder to batch convert media? Wish you had a 64-bit capable application to do all of these things? Well, Adobe Media Encoder is all of that and more. In this episode, Dennis delves into what he thinks are the hidden gems of this under-appreciated application.

In this episode, you'll start to tie everything together in your After Effects CS5 composition by taking all the individual scenes you've created so far and putting them into Master Composition.

Learn valuable techniques for preparing UI design comps in both Photoshop and Illustrator for use in Flash Catalyst. Discover practical tips on how to structure your designs so they are ready to build.