Learn to organize your clips in Prelude before bringing them into Premiere Pro. Infinite Skills author Jeff Sengstack demonstrates Prelude’s clip naming and metadata features, and shows how easy it is to create subclips, build a rough-cut assembly, and send it to Premiere Pro as a sequence for immediate editing.

In the past, subclips had “hard” in- and out-points, limiting their flexibility when editors needed more head or tail frames for video cross-dissolves or audio crossfades. Infinite Skills author Jeff Sengstack shows you how to create subclips with “soft” edits in Premiere Pro, meaning editors are no longer limited to the original in- and out-points in the subclips.

Infinite Skills author Jeff Sengstack explains the expanded closed caption features in Premiere Pro. Learn to create or import closed caption files, add them to a project in the timeline, edit their content or font color, adjust their timing, and update their position in the screen. Plus, create closed caption “sidecar” files when exporting project files.

Learn to edit from sequences loaded into the Source monitor. Infinite Skills author Jeff Sengstack demonstrates Premiere Pro's ability to let editors place any number of clips in a sequence, open that sequence in the Source Monitor, and select segments and add them to another sequence. The feature harkens back to a frequently used feature film-editing technique, called a KEM roll, whereby editors put multiple takes of the same scene on the same reel, giving the director an easy way to select the best take.

Learn timeline-based editing techniques in Premiere Pro. Infinite Skills author Jeff Sengstack explains how to use the timeline's separate source and track indicators to gain more control over timeline navigation, copy/paste, and inserting and overwriting clips from the Source monitor and the Project panel.

After Effects CC includes a Lite version of MAXON CINEMA 4D. Learn how to edit a native Cinema 4D model and how to start a new project file from scratch. Chris Meyer compares features of the various versions of Cinema 4D.

In this updated video for Adobe Premiere Pro CC (Part 1 of 3), Principal Worldwide Evangelist Jason Levine walks you through the basics of importing footage from your DSLR directly into Adobe Premiere Pro, selecting clips, setting In/Out points, and building a sequence. Work with multiple formats/frame rates/frame sizes, all simultaneously, and learn how the Adobe Mercury Playback Engine can be modified to optimize playback performance, no matter what kind of machine you're editing on.

Roundtrip your video sequences from Premiere to Speedgrade for color grading, and back to Premiere. Infinite Skills author Jeff Sengstack shows how Premiere Pro sequences can be exported to SpeedGrade either as DPX still image sequences or edit decision lists (EDLs). After completing color grading in SpeedGrade, those projects can be exported as stand-alone video files back into Premiere Pro for more editing.

Learn how to use Adobe Creative Suite and Creative Cloud along with Adobe's enterprise content management solution, Adobe CQ, to design for the enterprise. Enterprise doesn't need to be scary for web designers, conjuring up images of ugly websites, greenscreens, and complex CRM systems. Over the years, these systems have changed, and many have moved to web-based solutions. In this session, you'll learn:• The basics of Adobe CQ and Adobe's ECM solution• How to work with Creative Suite tools to develop and edit assets for use with Adobe CQ and Adobe CQ Digital Asset Management (DAM)• How to utilize the creative workflow, leverage Adobe Creative Cloud, and create and edit assets stored in CQ DAM

Often, in After Effects, it’s valuable to trim and move layers in a project the same way you would edit individual clips in a video-editing application like Premiere Pro. In this movie, Ian Robinson shows how to trim and re-time multiple individual layers, each with their own animations, to create a complete composited animation.

When it comes to performing precise edits without changing the timing of other clips on the Timeline, a three-point edit is a mainstay. Abba Shapiro shows how to perform a three-point edit to place a clip into the Timeline in an exact potion with an exact trim length.

In this movie, it’s time to get started with an editing project. The first step is to import media—all of the raw video, photographs, and audio that will be edited together into a final movie. Abba Shapiro demonstrates how to import individual files, or complete folders full of media. He explains how files are stored and linked to a project. He also demonstrates how to browse and preview clips on the hard drive before importing them into Premiere Pro.

The Timeline is where clips are edited together to create a complete narrative. In this movie, Abba Shapiro demonstrates the basic techniques to get started trimming clips and laying them out in the Timeline. He starts by browsing clips in the Project panel. Then he previews and trims clips in the Source Monitor before adding them into the Timeline to begin an edit.

Before getting started in Premiere Pro, it’s important to get familiar with the core interface. In this movie, Abba Shapiro identifies the four primary windows—the Source Monitor, the Program Monitor, the Timeline, and the Project panel. He discusses the roles that each of these panels play in organizing, previewing, marking, laying out, and editing video.

Premiere Pro CS6 includes several features designed to help you edit quickly and precisely with the keyboard, including the new trim mode, dynamic trimming commands, and JKL trimming commands. You'll learn how to apply these to your work in this video.

Most of the time, when you make adjustments to your media, you'll do it using Premiere Pro's trimming controls. This lesson shows you several of the ways you can adjust the start and end points of your clips.

Technically, even a straight cut is a transition, but for video editing, we usually think of a transition as a special effect than blends one image into another. This lesson shows you how to add, adjust, and remove special transition effects.

In addition to using in and out marks to add or remove video and audio, you can use the segments themselves. This lesson shows you the two ways you can remove complete clip segments from a sequence.

In this Infinite Skills Adobe Premiere Pro CS6 video for beginners, author Jeff Sengstack explains the fundamentals of editing audio

In this Infinite Skills Adobe Premiere Pro CS6 video for beginners, author Jeff Sengstack gives a comprehensive insight into using the Ripple and Rolling Edits Tool.

In this Infinite Skills Adobe Premiere Pro CS6 video for beginners, author Jeff Sengstack shows how to use the Trim Edit Tool.

Story can track changes just like a word processor, but it can also let you know who made which changes.

In Edge Animate, symbols enable you to create reusable animations that have their own independent timelines. In this lesson you will learn how to create a symbol, add a symbol to the Animate timeline, and edit a symbol in place. We will then take that one symbol, turn it into a starfield, and manipulate the timing of each star to create twinkling stars in the night sky.

InstantMovie is just what it sounds like. Simply select a few clips, choose a movie theme, and click a few buttons, and almost instantly you’ll get a fully edited video with professional-quality transitions, effects, and music.

Photoshop is an image-editing application, but that doesn't mean it doesn’t do text. Let Infinite Skills author, Andy Anderson, will show you the basics of using text the creative way… the Adobe way.

In Adobe Photoshop non-destructive editing is the way to go, and Adjustment Layers give you the ability to make changes and then "change" your mind; even days later. Let Infinite Skills author, Andy Anderson, show you how they work.

NAPP Instructor RC Concepcion goes over How to use the Basics panel and perform general editing in Lighroom4.

Learn how to use RED files natively in your Adobe Premiere Pro CS6 workflow. Get the most from RED Epic and Scarlet cameras and achieve seamless workflows with REDCINE-X.

Learn how to use basic adjustments for tone and color to optimize the appearance of a photo.

Learn how to do basic image cleanup to eliminate simple spots and distractions.

Learn how to create a light box slideshow, edit the image thumbnails, add captions, and customize the light box appearance.

In this movie, James Fritz shows how to add and edit a layered Photoshop file to create a button with dynamic states in Muse.

In this movie, you'll learn how to create and edit hyperlinks that send users to external web sites, other pages within a site, email addresses, and phone numbers.

This lesson provides new editors with an overview of the editing process in Premiere Pro.

Adobe Audition is a powerful audio post-production and sound editing application with two modes you can easily switch between: You can work on audio files or produce advanced multitrack sessions. Audition also has round-trip editing integration with Adobe Premiere Pro. This lesson gives an overview of what Audition can do and points out some of the great new features included in Audition CS6.

In Dreamweaver CS6, Adobe has streamlined the integration between Photoshop and Dreamweaver. Learn how to take images directly from Photoshop to Dreamweaver. Then, see how to optimize the images and edit them in Photoshop using Adobe's round-trip editing feature.

This movie demonstrates how keyboard shortcuts can speed up the editing process for a more powerful editing workflow. Learn about the trimming, ripple trimming, slipping, and sliding commands, as well as tips for customizing keyboard shortcuts.

Learn how to speed up the multi-cam editing process. See how you can use keyboard shortcuts and the multi-cam source monitor to switch between views.

There are many enhancements to the multitrack editing features in Audition CS6. This lesson shows you a few highlights, including side-chaining, the new Properties panel, and automatic speech alignment.

Audition CS6 includes several lovely new features for waveform editing. This lesson introduces some of the notable additions.

With Illustrator's panels ported over to a completely new system, it is easier than ever to make inline text edits and use keyboard shortcuts, freeing you from the tyranny of the mouse.

Learn about the new user interface for viewing or changing keyboard shortcuts in Adobe Premiere Pro. Then, discover some of the new shortcuts for common editing commands, such as matching frames, creating and playing loops, moving between editing clips, and exporting frames.

In this movie, learn how to extrude a type layer in real time without sacrificing the ability to edit the type. Plus, you can use convenient HUD controls to adjust such attributes as depth, angle, and bevel without switching tools.

The InDesign toolbar contains a lot of tools, many of which are hidden or "nested" underneath the tools you see initially. In this video you will see the primary tools used to select, rotate and size objects. You'll also learn how to use the Type tool to edit text and create frames with or without borders, switch tools using your keyboard, and navigate with the Hand and Zoom tools.

This lesson walks you through the process of creating and editing titles with the Premiere Pro Title tool. We'll look at two examples that use several of the options and settings.

With the Pattern feature, you can create swatches based on shapes you create, then apply them to selected artwork and edit them any way you want.

This movie shows how the multi-cam editing process has been expanded to include more camera angles and a dynamic multi-cam source monitor. It also shares some computer considerations to keep in mind when editing multi-cam footage.

Russell Brown gives you an overview of some of the cool things you can do with Photoshop Touch on the Ipad 2. Combine images together, add professional effects, and share the results or keep working in Photoshop CS5.

Get creative with your digital video using the Motion workspace in Photoshop CS5 Extended. Make basic adjustments to color balance, tone, curves, and more. Or experiment with one-of-a-kind video-editing features including lens corrections and the ability to apply stunning, hardware-accelerated effects filters with the Pixel Bender plug-in.

In this Adobe Story episode, Jason Levine shows how to streamline your editing workflow when importing your Adobe Story script directly into Adobe Premiere Pro for easy clip editing.

Learn how the new Merge Clips feature in Adobe Premiere Pro CS5.5 can save you hours of editing time by providing dual-system sound support that enables you to quickly match audio and video tracks recorded on separate devices and media. Plus, learn how new user-requested enhancements give you a efficient editing workflow.

Chris Meyer reviews existing methods to work on one portion of a chain of compositions while viewing the final result in another, then introduces a new feature in After Effects CS5.5 that simplifies opening a second viewer for side-by-side work.

Easily sweeten your audio. Pass clips and multitrack mixes from Adobe Premiere Pro CS5.5 to Adobe Audition CS5.5 for editing or send Adobe Premiere Pro sequences with a reference video to Adobe Audition for complete multitrack creation.

In this tutorial, Paul Trani shows you how to use Flash Professional CS5.5 to convert a vector graphic into a bitmap (a process known as symbol rasterization) for editing in Photoshop.

In this video you’ll continue to further customize your website using CSS or Cascading Style Sheets. With CSS you can control many visual aspects of the website efficiently and consistently.  Learn the basics of how CSS rules work and how you can easily take advantage of the power and flexibility of CSS in Dreamweaver including creating and editing your own CSS class.

Use the prebuilt Dreamweaver layout template that you picked in the previous lesson and fill in the actual content from your web page.  You’ll also learn how to edit the layout by linking and modifying its CSS and using Live View to preview the changes you make to your code. You’ll also use Inspect Mode to locate where various parts of the page are defined in the code.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Photoshop is the most powerful image editing software in around so it stands to reason that it would be very useful in creating titles and graphics for a video production. Watch this inaugural episode of Premiere Pro Basics in Adobe Beginner Classes to get some of the essential skills necessary to become a productive editor.

In this tutorial, Sr. Worldwide Evangelist Jason Levine takes you through the process of setting up the Adobe Audition for Mac beta to record in the multitrack environment. You'll be taken step-by-step through the process of selecting the correct sound device, adjusting session properties, basic tracking, adding track & clip effects, creating busses, and performing a final mixdown.

Download the Audition for Mac beta

Karl Soulé and Kevin Monahan discuss the editing similarities between Final Cut Pro and Adobe Premiere Pro CS5, and show a few basic techniques that will help Final Cut Pro editors start editing projects right away.

Join Jason Levine as he explores the tapeless, native workflow for DSLR video in Creative Suite 5 Production Premium, which includes Adobe Premiere Pro, Photoshop, After Effects, and Soundbooth. HDSLR cameras are finding their way into video productions.

This video details how to edit text and graphics in your PDF file using the new Content Panel in Acrobat X Pro.

In this multi-part series, Jason Levine will cover the step-by-step process of working with DSLR video in Premiere Pro CS5, from the Camera to the Timeline to the Web and beyond. If you're a photographer looking to get into DSLR video, or maybe you're already shooting video but just don't know how to get started, Jason will cover all the basics, including tips for adding images, music, text, PSD files and more, all the way through exporting to popular sites like YouTube and Vimeo.

In Part 2 of this multi-part series, Jason Levine will cover the most common editing functions of Premiere Pro CS5, including the ability to set defaults for image and transition durations, adding transitions between clips & images (like cross-dissolves, dip-to-black and more), basic scaling/resizing, rippling, and cutting.

New calculations in Lightroom improve the quality of sharpening, noise reduction, and vignettes in raw photos. Here's how to use the new "process version" on new and previously edited photos.

Use the Flash uncompressed XFL file format with a source control system to enable designers and developers to collaborate on Flash projects. Contributors can edit different assets simultaneously and see updated assets as soon as they are checked in.

This video introduces you to creating processes in Workbench ES2. You will learn the basics of processes, the objects within them and how they work, how to add objects to a process, and how to edit the properties of objects in a process. Topics include variables, start points, operations, routes, and swimlanes.

Learn how to find gaps, extend edits, import HDV footage with scene detection, export frames, and more in Adobe Premiere Pro.

Explore Dreamweaver CS5's enhanced integration tools for Content Management Systems, such as Wordpress, Drupal, and Joomla. Quickly access, edit and filter dynamically-related files by using the Live View feature and site-specific code hinting.

Once you’ve brought artwork into Flash Catalyst, you’re ready to start defining the components that will add interactivity to a project. In this movie, learn how to create button components from Illustrator art and edit a button’s appearance.

Learn to easily and efficiently edit the appearance of custom artwork and objects across multiple states of a project. Edit once, and use the states commands to share the edit.

Learn how to preview video on the Stage in the FLVPlayback component, add and edit video cue points within Flash Pro, seek to a cue point, and begin using cue points in ActionScript code.

Adobe Flash Professional CS5 and Adobe Flash Builder 4 enable time-saving workflows. Learn how to develop content in Flash while editing associated ActionScript code in Flash Builder 4, switching easily between the two applications to edit and test.

Learn the steps of the basic Adobe Premiere Pro workflow, from importing to editing to exporting.

Learn how to use the Guided Edit mode. Guided Edit walks you through some basic editing tasks as well as some of the neat features in Elements. Use with either Photoshop Elements version 7 or 8.

Premiere Pro CS4 has gotten a HUGE number of improvements including some that you probably don’t know about. Join Dennis as he dives into his personal top 10 on this episode of Adobe Beginner Classes.

Draw merged paths and automatically remove redundant points so the path is easy to select and edit. Learn how to use the Eraser and Smooth tools.

Learn the basics of video editing. Select and trim video. Set the in point and out point of a clip. Select multiple files and place them in the Timeline.

Matt Kloskowski covers the basic workflow of using Photoshop.com.

Learn the basics of video editing. Select and trim video. Set the in point and out point of a clip. Select multiple files and place them in the Timeline.

Export an InDesign document to XFL. Edit the resulting file in Flash Pro while preserving the visual appearance of the original.

When one or more objects on a page is rotated, learn how to rotate the spread view to make easy edits. Discover a number of navigation tips to save time.

Matt Kloskowski shows you how to use the Develop module to do tonal and color corrections, the two types of edits you'll do most often in Lightroom.

Matt Kloskowski shows you how to move from your images from Lightroom to Photoshop for fine-tuning. You'll also learn how to set preferences for editing in Photoshop.

Determine how many photos your camera shoots with a single press of your shutter button with this class about drive modes with Rick Sammon.