A Live 3D Pipeline in After Effects CC brings CINEMA 4D scenes in as layers — without intermediate rendering. Separate complicated elements from backgrounds using the Refine Edge tool. Stabilize specific objects within a scene with Warp Stabilizer VFX.

In this video you'll see how the RAM and disk caches are used to save time, and how you can render compositions in the background so that you don't need to wait for a preview to be rendered before you can resume work.

Learn how Adobe Premiere Pro and Adobe Media Encoder leverages background rendering to save you time.

Wish you could render After Effects comps in the background? Wish you could create a watch folder to batch convert media? Wish you had a 64-bit capable application to do all of these things? Well, Adobe Media Encoder is all of that and more. In this episode, Dennis delves into what he thinks are the hidden gems of this under-appreciated application.

In the final installment of this series, Adobe Worldwide Evangelist Jason Levine takes you through the process of exporting/rendering your DSLR video/stills creations using the 64-bit Adobe Media Encoder. He'll talk about some of the most common formats for going to mobile devices, iPods, blu-ray discs as well as common formats for Web delivery. You'll learn about background rendering and the ability to 'queue' multiple versions of your video edits. Also featured: using *presets* in the Media Encoder for your favorite destinations (like YouTube, Vimeo, HDTV, etc)

Key HD footage in real time with the new Ultra Chroma Keyer in Adobe Premiere Pro. Optimized for footage that includes uneven lighting, wrinkled backgrounds, and frizzy hair, Ultra preserves shadows and can achieve complex keys on smoke, liquids, and transparent objects. GPU acceleration dramatically increases rendering speeds, whether you’re keying DV or HD.

In this Premiere Pro tutorial, Karl Soulé shows how the new Adobe Media Encoder CS4 lets you output multiple formats from Premiere Pro CS4 while rendering in the background.