Join Jason Levine as he introduces you to the new, more efficient editing features added to Adobe Premiere Pro Next including a redesigned timeline, improved media management, and streamlined color grading.

In this movie, Ian Robinson introduces the After Effects interface, identifying the most essential panels—the Project panel, the Timeline, and the Composition panel. He also introduces workspace presets, which instantly reconfigure the After Effects workspace for specific tasks.

There is a lot of information about clips and sequences to be found in the Timeline with a few clicks. This movie demonstrates how to show and hide essential information that will help with the decision-making process during editing. This includes audio waveforms and keyframe controls right in the Timeline. It also covers different options for thumbnail previews of the clips in the Timeline and methods for enlarging and shrinking certain areas of the Timeline for greater control.

When it comes to performing precise edits without changing the timing of other clips on the Timeline, a three-point edit is a mainstay. Abba Shapiro shows how to perform a three-point edit to place a clip into the Timeline in an exact potion with an exact trim length.

The Timeline is where clips are edited together to create a complete narrative. In this movie, Abba Shapiro demonstrates the basic techniques to get started trimming clips and laying them out in the Timeline. He starts by browsing clips in the Project panel. Then he previews and trims clips in the Source Monitor before adding them into the Timeline to begin an edit.

Before getting started in Premiere Pro, it’s important to get familiar with the core interface. In this movie, Abba Shapiro identifies the four primary windows—the Source Monitor, the Program Monitor, the Timeline, and the Project panel. He discusses the roles that each of these panels play in organizing, previewing, marking, laying out, and editing video.

One of the most asked-for features in Premiere Pro CS6 is JKL Dynamic Trimming. This powerful feature dramatically speeds up trimming on the Timeline, as you'll see in this lesson.

Most of the time, when you make adjustments to your media, you'll do it using Premiere Pro's trimming controls. This lesson shows you several of the ways you can adjust the start and end points of your clips.

Master the Animate timeline and you master Animate. In this lesson we'll dive deep into the Animate timeline, paying particular attention to transition strips, keyframes, managing the timeline, and adding eases. You'll also learn how to change the timeline units from milliseconds to a more manageable increment.

In Edge Animate, symbols enable you to create reusable animations that have their own independent timelines. In this lesson you will learn how to create a symbol, add a symbol to the Animate timeline, and edit a symbol in place. We will then take that one symbol, turn it into a starfield, and manipulate the timing of each star to create twinkling stars in the night sky.

In this video learn how to add interactivity to buttons as well as to the timeline using code snippets. Code snippets create JavaScript code but you can also customize it or even add your own JavaScript code to your content.

In this video tutorial Julieanne walks you through the best way to pan and zoom a “time lapse” image sequences, video clip and still photograph using the new Motion options in Photoshop CS6. For those wanting even greater control, Julieanne also demonstrates how to use smart objects to take advantage of Photoshop CS6’s new Transform attribute in the Timeline panel.

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

Adobe Premiere Pro CS6 integrates with LiveCut to combine ingest, metadata handling and post-production into a single, streamlined easy-to-use interface. See how LiveCut records all edits being performed as an Edit Decision List (EDL), which is converted into a multicam timeline for immediate and fast post-production.

The Bluenet plugin for Adobe Premiere CS6 enables access to the graphics templates used in news broadcasts and can be directly applied as timeline elements. Learn about Cloud based or local template driven self-service graphics solutions which together with Adobe Premiere Pro CS6, reduce time to air, cost per graphic and facilitate centralization and collaboration.

Adobe Premiere CS6 integrates with the Viz Media Engine, which enables media production and distribution on many platforms. Now through a custom panel within Premiere Pro CS6 users can access and publish assets to the Viz Media Engine, and overlay graphic elements to the timeline.

Learn to use the Preview Panel to generate a RAM Preview of your animation that plays in real time. Review the features available in the panel, how to adjust the work area in the timeline, and how to generate a preview to see your results at full speed. Also explore Frame Rate, Skip and Shift+Ram Preview, as well as the From Current Time feature. Finally, learn some handy keyboard shortcuts that can save you time.

Explore one of the the most-changed performance enhancements in After Effects CS6, the fast previews menu. Learn the difference between the latest options including adaptive resolution, draft, fast draft, wifeframe, and the draft 3D button in the timeline. Using a Ray-traced 3D comp as an example Brian shows how the different options behave and offers suggestions for an efficient workflow even if you don't have the best video hardware.

Get familiar with the After Effects CS6 workflow in this brief overview of the tools, project windows, elements, compositions, nested comps, effects, keyframes, the timeline, expressions, exporting and the Render Queue.

Take a close look at timeline elements including switches, navigation, zooming, trimming, setting keyframes, and basic layer properties. Next, review how to set and change keyframe parameters in the timeline, and multiple ways you can accomplish this in After Effects.

NAPP Instructor RC Concepcion goes over the brand new features of video in Photoshop CS6. Video has been vastly improved in this new version - making it very possible (and very easy) to make a great video from start to finish in Photoshop.

In this movie, learn about the darker user interface and more vibrant, higher contrast colors in the Timeline of Adobe Premiere Pro. Also, see how the Timeline is more easily controlled by the mouse scroll wheel and the redesigned moving and scaling control.

Save time with dynamic timeline trimming, uninterrupted playback, and more.

Finesse your editing with precision using all-new advanced trimming tools. Trim clips your way — directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts.

Join Karl Soule, Business Development Manager at Adobe, as he unveils and demos the exciting new features in Adobe Premiere Pro CS6. See how Adobe Premiere Pro CS6 combines incredible performance with a sleek revamped UI, and a host of powerful new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more for a fluid workflow.

In this lesson, Tom Green introduces the Timeline functionality in Flash Catalyst and explains how it differs from timelines in other applications. He shows how to create motion and effects between states using the Fade and Move functions.

This tutorial by Adobe Community Professional Tom Green provides a walkthrough for creating a cohesive, browser-ready action sequence using the Catalyst Timeline, Interactions panel, and associated tools.

Hear tips and tricks that will get your whole team working better together, just like Adobe Flash Builder and Adobe Flash Catalyst! Flash Catalyst CS5.5 offers a host of new features to help you design and prototype your Flex application. Flash Builder 4.5 now supports project roundtripping with Flash Catalyst, extending prototypes to seamlessly flow into your application development process. In this session, you'll learn how to replace dummy content with real data services, create animation on the timeline for use in Flash Builder, and structure large projects for success.

It's easy to add music to your movie by dragging and dropping. This lesson shows you the differences in adding music to the Sceneline versus the Timeline.

Time Remapping, or “Speed Ramps” in some programs, is a visually dynamic editing technique that we can’t seem to get enough of these days. Premiere Pro has a unique and powerful way to control not only the speed changes, but also the transition from one speed to another. See how easy it is to create and edit time changes directly in the timeline and how to copy and paste this same keyframes right into After Effects. As an added bonus we’ve included Timewarp in After Effects which allows you to create new intermediate frames with the ultra smooth Pixel Motion effect.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly.

This episode is for all the After Effects users who want to easily get their audio from the timeline into Audition for editing and multitrack composition. We’ll start with some on location sound and show you now to create a new multitrack version that includes free sound effects from Resource Central which is built in to Audition.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

Learn how to create start and end points for a sequence of actions in Flash Catalyst. This video shoes you how to set a default state for your application and add application interactions. You’ll also learn how to use the Timeline to define the order and timing of the transitions between the interactions.

Video tutorial on using the Timeline and Sceneline to assemble video clips.

The Trim Monitor maybe an often-overlooked tool in Premiere Pro that can be used to precisely tweak an edit. Karl Soule shows you how to use this feature to fine-tune the in and out points of clips on a timeline at a cut with ease.

Computer Scientist Peter Flynn gives an overview of the new timeline animation capabilities in Flash Catalyst CS5.5 which allow you to more easily add flexible and organic animations to your projects.

In this episode of Short and Suite, Karl Soule demonstrates how to easily move your Premiere Pro timeline to After Effects for color correction using Synthetic Aperture's Color Finesse 3 plug-in. You'll learn basic techniques to enhance and color correct your footage using this powerful tool.

In this episode of Short and Suite, Karl Soule demonstrates how to customize the keyboard to quickly extend the duration of a clip in a timeline by using the 'Roll Next Edit to CTI' and 'Roll Previous Edit to CTI' commands.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

Using labels in Flash is a great way to organize content and make your timeline more flexible. In this video Paul shows you how to use labels with buttons to make your project easy to update.

Learn how to setup your camera correctly for the appropriate white balance, color quality, and recording format. You’ll also discover how to get better focus and create more stable shots when shooting video with your DSLR camera. Find out how to review clips, drop clips into the timeline, and adjust levels, saturation or color in Adobe Premiere Pro.

In this multi-part series, Jason Levine will cover the step-by-step process of working with DSLR video in Premiere Pro CS5, from the Camera to the Timeline to the Web and beyond. If you're a photographer looking to get into DSLR video, or maybe you're already shooting video but just don't know how to get started, Jason will cover all the basics, including tips for adding images, music, text, PSD files and more, all the way through exporting to popular sites like YouTube and Vimeo.

In Part 3 of this multi-part training series, Jason Levine will showcase some common methods for 'telling your story' with motion and sound. Drop music into your timeline, add markers and time images to specific audio events, as well as animation of position, scale, rotation, opacity and more. Here's how you can begin to (easily) bring your stills to life, alongside your DSLR video.

Ever had some footage, and weren’t sure which timeline preset to use? Now, there’s an easy trick to get started editing natively.

Convert any piece of artwork into a movie clip symbol. Learn the differences between movie clips and other types of symbols. Understand the relationship between a movie clip and the main Timeline.

Animate a symbol by applying a motion tween to the Timeline. Extend the duration of an animation by adding frames. Position the symbol to define the start point and end point of the motion tween.

Animate layers quickly and easily by using animation presets. Drag and drop animation presets onto layers in the Timeline panel and combine them for a unique result.

Animate layer properties by using keyframes. Modify properties over time by using the Effect Controls panel and the Timeline panel. Adjust the start and end points for an effect. Change the direction of an animation and adjust a layer's opacity.

After Effects ships with more than 200 effects, including effects for color correction, distortion, and even audio adjustments. Search for an effect and drag and drop it onto a layer in the Timeline panel. Adjust effects in the Effect Controls panel.

Learn how to work in the Timeline panel. Hide and show layers with the Video switch. Learn about layer duration and how to use composition markers. Zoom in and out in the Timeline panel, and move forward and backward in time.

Add layers to a composition by dragging footage from the Project panel into the Timeline panel. Change the stacking order of layers.

Learn about the After Effects workflow. Import footage into a project. Create layers in a composition by dragging footage into the Timeline panel. Render and export a movie by using the render queue.

Place one symbol inside another by using a technique in Flash called nesting. Learn to create nested symbols, drag instances from the library, edit artwork in Symbol Editing mode, and use the breadcrumb trail to navigate back to the main Timeline.

Learn how to tell the difference between frames, keyframes, and blank keyframes by using visual cues on the Timeline. Learn what each type of frame in the Timeline indicates about the contents of the Stage.

Learn about the basics of the workspace in Flash CS5, including the Stage, the Timeline, panels, and the Tools panel.

In this movie, learn about the unique interaction-based Timeline in Flash Catalyst and how to create transitions that animate or move between two states of a design.

Doug walks you through the ActionScript code to combine the timer with animation principles, creating timeline-free and random movement of graphical objects.

Expanding on his previous video about working with timelines in ActionScript, Doug demonstrates using frame labels to create named frames and adding event handlers with AS3 commands.

Doug shows you how to work with encapsulated timelines in MovieClips, and introduces how to control internal MovieClip animations from the main timeline.

Students from the Savannah College of Art and Design are building their future today with Adobe Creative Suite 4. This episode talks about how you can Export from InDesign into the Flash timeline.

Students from the Savannah College of Art and Design are building their future today with Adobe Creative Suite 4. This episode talks about how you can Export from InDesign into the Flash timeline.

Use ActionScript to control the Timeline or add interactivity to animations. Place ActionScript code in frames on the Timeline or in external files.

Learn to export Illustrator files with multiple artboards to Flash, set options for export and view the art in the Flash library and Timeline.

Use inverse kinematics to add motion and distortion to objects. Use Bone and Bind tools to create armatures and animate them in the Timeline.

Learn to export Illustrator files with multiple artboards to Flash, set options for export and view the art in the Flash library and Timeline.

Tour the Welcome screen and save files in Flash. Learn the three major parts of the Flash interface: the Stage, the Timeline, and the panels.

Add chapter markers to a sequence and send it to Encore. Make changes in Adobe Premiere Pro sequences that appear in the Encore Timeline.

Adobe Video Evangelist Jason Levine shows you how the Adobe Media Encoder CS4 can take a single Premiere Pro timeline and quickly export it out to multiple sources and formats.

Learn the basics of video editing. Select and trim video. Set the in point and out point of a clip. Select multiple files and place them in the Timeline.

Learn Flash workflow basics: using the workspace, creating and importing artwork, using symbols and Timeline, and publishing SWF files.

Create and work with timelines. Scroll a timeline, resize it, and move the Current Time indicator. Create new chapter markers and trim video.

Add chapter markers to a sequence and send it to Encore. Make changes in Adobe Premiere Pro sequences that appear in the Encore Timeline.

Add chapter markers to a sequence and send it to Encore. Make changes in Adobe Premiere Pro sequences that appear in the Encore Timeline.

Learn the basics of video editing. Select and trim video. Set the in point and out point of a clip. Select multiple files and place them in the Timeline.

Learn Flash workflow basics: using the workspace, creating and importing artwork, using symbols and Timeline, and publishing SWF files.

Tour the Timeline panel. Learn how to add footage from the Project panel to the Timeline. Use keyboard shortcuts to navigate the Timeline.

In this episode Paul shows the new CS4 object based tweening model including how to create animations using the timeline, how to use the Motion Editor and also how to save and reuse your animations using Motion Presets.

Take advantage of Timeline Effects to turn a time-consuming transition effect into an easy job. Learn how to use masks to produce an endless array of cool page transitions.

This video shows off Premiere Pro's multi video format support. See Sony XDCAM EX, Panasonic P2, HDV, and DV all on the same timeline in their native formats and working cross platform. Just Edit!

In his inaugural show, join Dennis Radeke as he reviews the interface of After Effects, teaches sound track creation in Soundbooth and the cool Automate to Timeline feature inside of Premiere Pro.

In this episode learn how to move audio from the Premiere Pro timeline into SoundBooth CS3 to fix an audio problem and then return it back to Premiere Pro.