In this Quick Tip, Julieanne quickly demonstrates how to create a 32-bit file from multiple exposures in Photoshop and then, using the Develop module in Lightroom 4.1 refines the image's color and tonality both globally and selectively - all while still working in 32-bit! In the tutorial, I don’t believe that I mentioned that when I choose Edit > In, my default setting is to hand off a TIFF file to Photoshop. That way, when I save the file, it saves a 32-bit TIFF – which is what Lightroom prefers (not a PSD file).

Once again a customer question turns into an episode with the idea of something Colin calls Super Zoom. Colin shows you how to combine a high resolution still image with video so the camera can zoom into macro levels without the image getting pixelated. Using After Effects motion reframes and color correction, this can be achieved to create a seamless blend between video and a still.

Take a long, hard look at the state of the web, the history of Flex, and the future of the framework. These days, the web is inundated with an endless host of pundits, bloggers, and Twitter junkies upset about the uncertain future of Adobe Flash, HTML5, and native applications. Where are these technologies going? What are their strengths and weaknesses? And how does Flex fit in? This session will give several solid reasons why it's still one of the best technologies a web developer can learn.

Join mobile application consultant Jonathan Stark on an up-close and personal tour of the mobile side of HTML, CSS, and JavaScript. With the mobile web still in its infancy, platform fragmentation is worse than ever, and maintaining separate codebases can be problematic. Fortunately, advances in HTML5 and related technologies are paving the way forward. Learn how to leverage a single codebase to deliver a compelling experience on mobile platforms, both online and off.

Author Rich Harrington demonstrates how to integrate still images into your Adobe Premiere Work Flow.

Mobile devices can have a hard time processing complex vector graphics. With Flash Professional CS5.5 you now have the ability to export complex vector graphics as an easier-to-process bitmap while still retaining the graphic in vector format in Flash Pro. Paul Trani takes you through this process and shows you how to cache vector graphics as bitmap images.

There are times when you need to publish a video but hide a portion from view. Many times it’s someone’s face that gets blocked out by pixelating the area around it. This demonstration shows you how you can use the Extended version of Photoshop to import a video and add a non-destructive blur layer that follows someone’s face anywhere in the frame. The final result can be output to any video format or individual still images so you can guarantee no will ever know who was under that blur.

Although still at the beginning of his career as a director, Matt will discuss the journey from the fine-arts and design to the world of moving images. This transition could not have been done without technology playing an integral role. This video brought to you by our friends at Aquent.

In Part 3 of this multi-part training series, Jason Levine will showcase some common methods for 'telling your story' with motion and sound. Drop music into your timeline, add markers and time images to specific audio events, as well as animation of position, scale, rotation, opacity and more. Here's how you can begin to (easily) bring your stills to life, alongside your DSLR video.

Learn how to export a frame from a video clip and use it to create a freeze-frame effect.

The first step in many After Effects workflows is to import footage, whether it's video, still images, or audio. Explore the multiple ways to import files and organize assets in the Project panel.

The vast majority of video professionals use Adobe Photoshop software to help them create and enhance visual effects and motion graphics, or to prepare still images and text for inclusion in video projects. With new Photoshop CS5 Extended, you can leverage cross‐platform 64‐bit support, the unrivaled Photoshop image‐editing toolset, and Adobe 3D Forge—the powerful Photoshop 3D engine that enables you to create and enhance 3D and motion‐based content. Plus, you can enjoy tighter integration with Adobe tools you use every day, including Adobe After Effects CS5, and Adobe Premiere Pro CS5. Realistically blend colors on canvas with the new Mixer Brush, and paint on 2D and 3D artwork more naturally using lifelike Bristle Tips. Remove an image element, and let Content‐Aware Fill intelligently replace the missing pixels.Use new Exposure Merge technology to create photorealistic or wildly surreal 32-bit HDR images with unprecedented speed, control, and accuracy. Take advantage of new Adobe Repoussé technology to easily create 3D artwork from any text layer, selection, or layer mask. And so much more.

Never fear, the Extract Tool is here! Rediscover the Extract Tool in Photoshop CS3. In some situations, it's still the best way to make a mask for detailed hair.

See how the MTV Video Remixer is a fun tool that lets you easily combine video clips, still images and effects into a unique video creation based on a popular music video.

The Puppet tool in After Effects easily brings still images to life. This tutorial introduces the Puppet tool and shows how it can be used for realistic animation effects.