Some footage and 3D renders do not contain enough motion blur, causing visual strobing when played back at normal speed. Chris Meyer demonstrates how to apply the Pixel Motion Blur effect to cure many of these ills.

Learn how to import a native MAXON CINEMA 4D project file into After Effects as a footage item and add it to your composition. Presenter Chris Meyer also covers the render options offered by the Cineware effect, which translates the .c4d layer into pixels.

Photoshop CC includes a new type rendering option for sub pixel text. RC Conecpcion explains what this new feature means to you.

In this video you'll see how the RAM and disk caches are used to save time, and how you can render compositions in the background so that you don't need to wait for a preview to be rendered before you can resume work.

NAPP Instructor RC Concepcion goes over the benefits of rendering Previews in Lightroom4.

3D has been altogether revamped in Photoshop CS6. One of the best enhancements is the program's ability to preview shadows and reflections before you render the scene, particularly those cast onto the ground plane. You can even drag a shadow to change the angle of a light.

Learn about the Gaussian Blur effect, which provides instant previews and vastly improved render time.

In the world of video production, time is money. Karl Soule shows you all you need to know to get maximum performance from the applications in Adobe Production Premium CS5.5. Learn all the hardware-related factors that influence how the software behaves, and see how to properly balance a system with Intel Xeon processors, the right amount of RAM, and high-performance Intel solid state drives.

Are you looking for the Tasks that you’re used to in Soundbooth when you start using Adobe Audition 5.5? Colin will show you a step by step walkthrough between to the two applications, pointing out where the same operations are in Audition. He’ll also point out that Audition is much more powerful at all the tasks you’re used to using in Soundbooth, including Noise Reduction, Time Stretching, Automatic Click Remover, DeHummer, Looping and more. The fact that he’s demonstrating all this on his “wicked fast” HP Z800 workstation makes Audition all the more powerful.

See how After Effects CS5.5 greatly eases the creation and control of stereoscopic camera rigs for 3D layers. Chris Meyer explains the resulting chain of compositions, including how to preview, where to add stereo footage, and what to render.