Whether you are looking to publish a web DVD or simply enjoy your home movies in Blu-ray quality, this lesson will show you how to accent your creation with a main menu, including scene selection and various other elements.

Whether you are looking to publish a web DVD or simply enjoy your home movies in Blu-ray quality, this lesson will show you how to accent your creation with a main menu, including scene selection and various other elements.

Sean Kilbride from NVIDIA talks about how fast and easy it is to create the 3D extruded and ray traced Heavy Hand logo in After Effects CS6 utilizing NVIDIA GPUs.

In this video you'll get a chance to see how adding an Adobe Partner Panel can add additional features to your Adobe applications. I've selected Pond 5 as a featured partner to show this off. You'll be able to quickly add clips to your Project Bin directly within Premiere Pro CS6. Pond5 is free to sign up and start using. You'll have the option to purchase the HiRes versions of the clips once see how they work in your existing project. It's an excellent workflow and a great way to add clips to any project. Here's the link to get the free plug-in for Premiere Pro CS6: Pond 5 Premiere Plugin

I've invited Travis White from our Plug-in Partner NewBlue FX to give us a quick look at their new Titler for Premiere Pro CS6. I've found it incredibly easy to learn and offers some very cool optons for the Premiere Pro user.These guys also offer a ton of other cool effects as well. Make sure to check out their website for more cool Adobe "add-ons" http://newbluefx.com/

Our friends at Downrunner Productions talk about a real life example of how NVIDIA Maximus coupled with Adobe After Effects CS6 helped them meet a tight deadline when a client asked for a last minute change.

Developer Evangelist Raymond Camden explains some of the new security improvements in ColdFusion 10, such as product functionality and user support processes.

Check out the making of this far out music video of the indie band, Heavy Hand, and see how the extensive set of NVIDIA GPU accelerated features throughout Adobe CS6 made it happen.

Take an in-depth look at extruded vector layers in this continued lesson on Ray-traced 3D. Review the new properties including the extrusion parameter, the bevel settings, the material options including reflections, also explore the animate pop-up and environment maps.

Get an introduction to Ray-traced 3D, how to activate it, the 3D layers it adds, and the many options that are available in those layers. Vector layers for text and shapes have greatly expanded options in this version of AE, and most useful for non vector layers are the new "Material" options which include the ability to create after-effects-native reflections for the first time.

Explore one of the the most-changed performance enhancements in After Effects CS6, the fast previews menu. Learn the difference between the latest options including adaptive resolution, draft, fast draft, wifeframe, and the draft 3D button in the timeline. Using a Ray-traced 3D comp as an example Brian shows how the different options behave and offers suggestions for an efficient workflow even if you don't have the best video hardware.

See how you can use the new "Create Shapes from Vector Layer" command to convert your Illustrator documents to editable vectors in After Effects. See how a shape in Illustrator ends up as a Ray-traced, extruded 3D layer in After Effects.

This movie introduces Adobe Encore, the professional DVD-authoring tool that allows you to publish your work to DVDs, Blu-Ray Discs, and Web DVDs.

Extrude fully ray-traced text and shapes natively and take full advantage of reflections, environment maps, and more.

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Developer Evangelist Raymond Camden shares some advice on how to strategically debug the load times of your ColdFusion sites, identifying unnecessary queries and inefficient code.

Explore the unique requirements for building successful mobile enterprise applications, including considerations around architecture, security, design, and scalability. Join Ray Blaak, CTO from Ensemble Systems in Vancouver, as he discusses building mobile apps for the enterprise.

Content providers can take advantage of Adobe AIR to deliver console-quality games, rich media apps with premium video across televisions, Blu-Ray players and set-top boxes. Take a look at successful AIR apps for iOS.

See how Adobe technologies revolutionized the way health care providers interact with medical images, enabling faster, better informed decisions. Anywhere. Anytime.

Join Dave Helmly as he walks you through a quick demo of Adobe's Mercury Playback Engine & Apple's new MacBook Pro 17 w/ThunderBolt.

Hate the pat downs? Scared of the backscatter x-ray scanners? No worries, now you can make your own fake full body scan without having to line up at the airport security checkpoints. Extra-H shows you how to you could simulate a do it yourself TSA style scan at the comfort of your own home, that you can show off to your friends, just by following a quick and easy Adobe Photoshop tutorial that even he can master!

We've all heard the term ""Ken Burns Effect"", but do you know that this random effect will sometimes zoom into areas you don't want to zoom into? This tutorial will show you how to easily import images and give you complete control to pan, zoom, and travel across images to create customized dynamic slideshows that you can output to Blu-ray, DVD or any device. The ease and power of this tutorial comes from using custom presets for motion and effects in Premiere Pro CS5; a feature that many users tend to miss.

Industry veterans Karl Soulé and Kevin Monahan show Final Cut Pro editors how to use the export function in Adobe Premiere Pro CS5. Editors will learn how to output virtually any format for web, broadcast and dvd/Blu-Ray. Karl also shows how to export OMF, AAF and Final Cut Pro XML for use in a collaborative editing environment.

Find out how Samsung is freeing the TV with its Samsung Apps line of televisions and Blu-ray players, which can download, install, and run apps. Samsung Apps support is built into all Samsung 2010 Blu-ray players, Blu-ray home theater systems, and most TVs 40 inches and larger. Distributing content to the $150 billion TV market is now as easy as creating an app! Plus, Samsung is offering $500,000 in cash and prizes for the most innovative, most functional, and best-looking apps. Learn more about this app contest, the new market for TV applications, and what makes a great TV app.

Make your DVDs and Blu-ray discs more dynamic by using After Effects to create live, dynamic menu transitions. An added benefit is this technique uses Adobe’s Dynamic Link technology so any changes you make in After Effects is instantly updated in Encore - no need to render!

Scott and Matt were busy this week so Dave invited Corey Barker to join him for this week’s episode. David Maynard stopped by the studio to talk about the new Ray Flash.

In the final installment of this series, Adobe Worldwide Evangelist Jason Levine takes you through the process of exporting/rendering your DSLR video/stills creations using the 64-bit Adobe Media Encoder. He'll talk about some of the most common formats for going to mobile devices, iPods, blu-ray discs as well as common formats for Web delivery. You'll learn about background rendering and the ability to 'queue' multiple versions of your video edits. Also featured: using *presets* in the Media Encoder for your favorite destinations (like YouTube, Vimeo, HDTV, etc)

Have you ever wanted to create hidden “easter egg” menus in your DVDs or Blu-ray disks? This tutorial will show you how to use Photoshop layers and Encore button routing to hide secret clickable areas for your disks.

Picking up from the last episode, learn how to take your custom DVD menu designed in Adobe Photoshop into Adobe Encore to author it as part of a DVD. Then jump into Adobe After Effects to create an animated menu open that will make your final product pop.

Why aren't more African American youth going to college? Eddy Lowe interviews educator/activist Carl Ray to understand the reasons, the impact, and the solutions to getting more black youth inspired to get an education.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

Explore Encore CS5, Adobe’s DVD and Blu-ray disc authoring software. Learn the advantages of using Encore—for both business users and creative users.

Watch as Dave Helmly guides you through the basics of Blu-ray authoring with Adobe Encore. Dave also gives helpful tips on media and burners and much more..

Do you like Encore but have always used the included content for your DVD or Blu-ray menus? If you're ready to take the next step, join Dennis as he walks you how to build an Encore menu from scratch - right inside of Photoshop.

Watch as Dave Helmly give you a Sneak Peek at a future release of Premiere Pro featuring the Adobe Mercury Playback Engine.

Watch as Dave Helmly walks you through Premiere Pro’s new support for Native editing with the Flip HD camera and other "Pocket USB" video cameras. Many of these newer video cameras now offer HD in 720p and 1080p modes.

Dave Helmly shows you Premiere Pro’s new support for Native Panasonic AVC-Intra editing. This new 4.2 update allows AVC-Intra users to work directly off their P2 cards or their local hard drive.

Export to DVD, Blu-ray, or Flash from the same project. Use the Build panel to select a format and establish settings.

Discover Adobe's optimized implementation of the Flash runtime that enables the delivery of HD video and rich applications to Internet-connected TVs, set-top boxes, Blu-ray players, and other devices that are connected to the television.

Raymond Camden showcases features of the new RAM-based virtual file system (VFS) in ColdFusion 9. Learn how to read and write from the VFS as well as execute CFML stored in the database.

Adobe community expert and ColdFusion Jedi Master Raymond Camden explores the new functionality of caching in ColdFusion 9 with sleep commands, wrapping content, put/get, array-contains and url hooks.

Raymond Camden demonstrates how to map data onto websites with ColdFusion 9 map tags. Learn how to use addresses, longitude and latitude coordinates, and other data to build interactive maps.

Learn how to move your edited FCP project easily into CS4 Production Premium and learn how to author a Blu-Ray disc in Encore.

Join Dave Helmly as he shows you how to edit your iPhone 3Gs videos with Premiere Pro CS4. Dave covers how to set up your projects for realtime iPhone 3Gs editing, titling, and even using After Effects CS4.

Dave Helmly gives you a complete technical overview of the new Adobe and RED CS4.1 workflow. Dave covers install, system configs and different workflows of the new 4.1 update and REDCODE 1.7 plug-in.

Jason Levine walks you through the process of encoding for DVDs and Blu-ray Discs in this Encore CS4 tutorial. You’ll be blown away by how easy it is.

Dave Helmly's newest video shows the new 4.1 features for Premiere Pro CS4. You'll see New RED Camera R3D Workflows, New AVCHD Presets, VOB Editing, and much much more!

Product Manager Nathan Gentner demonstrates features such as Blu-ray authoring and enhanced SWF export.

Dave Helmly shows off new support for the native Red R3D camera format in PremierePro and AfterEffects CS4. In this workflow video, you’ll also get performance tips and info on 2K and 4K output.

Thiss video takes a quick look at the FCP importer for PremierePro 4.01. Even Windows users can now import FCP Projects! Also new in 4.01 is OMF Export.

Dave Helmly shows the new Quadro CX, designed by nVidia, for the Production Premium CS4 user. Applications like Premiere Pro, After Effects and Photoshop gain extra power from this card.

Dave Helmly shows you the Rimage Disc Publishing system working with Adobe Encore and Blu-ray. See how easy it is to go from Encore to the Rimage system for fully automated disc publishing.

There's nothing better than Tapeless editing! Dave Helmly shows off the New CS4 Production Premium working with native AVCHD files, as well as some of his other favorite new features.

Import Adobe Premiere Pro sequences into Encore to create Blu-ray discs. Add pop-up menus to multiple timelines, and create or import subtitles.

Tour the Encore CS4 interface. Import assets, create timelines, and link objects. Output video to DVD, Flash, and Blu-ray using the Build panel.

Import Adobe Premiere Pro sequences into Encore to create Blu-ray discs. Add pop-up menus to multiple timelines, and create or import subtitles.

Export audio to multimedia formats such as Blu-ray and YouTube. Launch the Adobe Media Encoder. Adjust the format and preset settings. Render video.

Product Manager Nathan Gentner demonstrates features such as Blu-ray authoring and enhanced SWF export.

This video shows off Premiere Pro's multi video format support. See Sony XDCAM EX, Panasonic P2, HDV, and DV all on the same timeline in their native formats and working cross platform. Just Edit!

Watch Premiere Pro 3.2 and Sony's XDCAM EX editing in action. Check out cross-platform editing and learn how to use Photoshop for making quick lower thirds from frames of HD video.

See Apple's FCP and ProRes 422 codec workflow in Premiere Pro and After Effects, and Blu-ray authoring in Encore.

Check out our new NATIVE support for Panasonic's P2 line of cameras. Ingest, Edit, and Export Native P2 MXF files with no Codec conversion. You can even share projects between Win and Intel OSX.

Here's After Effects CS3 working with NATIVE Panasonic P2 MFX files. Import P2 files directly into AE and start working immediately no codec conversion needed. Amazing P2 workflow for our video suite.