The Timeline is where clips are edited together to create a complete narrative. In this movie, Abba Shapiro demonstrates the basic techniques to get started trimming clips and laying them out in the Timeline. He starts by browsing clips in the Project panel. Then he previews and trims clips in the Source Monitor before adding them into the Timeline to begin an edit.

In this movie, it’s time to get started with an editing project. The first step is to import media—all of the raw video, photographs, and audio that will be edited together into a final movie. Abba Shapiro demonstrates how to import individual files, or complete folders full of media. He explains how files are stored and linked to a project. He also demonstrates how to browse and preview clips on the hard drive before importing them into Premiere Pro.

Before getting started in Premiere Pro, it’s important to get familiar with the core interface. In this movie, Abba Shapiro identifies the four primary windows—the Source Monitor, the Program Monitor, the Timeline, and the Project panel. He discusses the roles that each of these panels play in organizing, previewing, marking, laying out, and editing video.

In this video you'll see how fast and robust Dynamic Link has become and learn about the ability of After Effects and Premiere Pro to work together, even without being part of a suite package.

The limitation on the number of camera angles in a multicamera sequence has been removed in Premiere Pro CS6. In this video you'll see just how easy it is to create a new multicamera sequence and switch between camera angles.

In this video you'll see how markers have been improved in Premiere Pro CS6. You'll also get an overview of Adobe Prelude and how markers can be imported from Prelude to Premiere Pro.

Premiere Pro CS6 includes several features designed to help you edit quickly and precisely with the keyboard, including the new trim mode, dynamic trimming commands, and JKL trimming commands. You'll learn how to apply these to your work in this video.

In this video you'll see how easy it is to create a sequence with settings that match those of your footage, and learn why this is a good idea for performance and quality.

There are several ways to send your creative work from Premiere Pro to After Effects, and this lesson will walk you through all of them.

Now that your sequence is edited, in this lesson you'll add a title, fade your clips up and down, and mix in some music.

One of the most asked-for features in Premiere Pro CS6 is JKL Dynamic Trimming. This powerful feature dramatically speeds up trimming on the Timeline, as you'll see in this lesson.

Audio can have transitions too! This lesson shows you how to work with audio crossfades.

To experiment with special effects, you just need to know how to add them, change their settings, and remove them. This lesson will get you started.

Most of the time, when you make adjustments to your media, you'll do it using Premiere Pro's trimming controls. This lesson shows you several of the ways you can adjust the start and end points of your clips.

Technically, even a straight cut is a transition, but for video editing, we usually think of a transition as a special effect than blends one image into another. This lesson shows you how to add, adjust, and remove special transition effects.

The Warp Stabilizer effect is very useful for removing unwanted camera movement from footage, especially wobbly handheld shots. You'll get a demonstration of this amazing new feature in this video.

In this video you'll see how easy it is to repair rolling shutter artifacts, which are common in footage from DSLRs and mobile phone cameras, using the new Rolling Shutter Repair effect.

In this Infinite Skills Adobe Premiere Pro CS6 video for beginners, author Jeff Sengstack explains the fundamentals of editing audio

In this Infinite Skills Adobe Premiere Pro CS6 video for beginners, author Jeff Sengstack shows you how to animate effects using key frames.

In this Infinite Skills Adobe Premiere Pro CS6 video for beginners, author Jeff Sengstack shows you how to adjust video transitions.

In this Infinite Skills Adobe Premiere Pro CS6 video for beginners, author Jeff Sengstack shows you how to change the time of your clips, use reverse, fast-forward and slow motion effects

In this Infinite Skills Adobe Premiere Pro CS6 video for beginners, author Jeff Sengstack gives a comprehensive insight into using the Ripple and Rolling Edits Tool.

In this Infinite Skills Adobe Premiere Pro CS6 video for beginners, author Jeff Sengstack shows how to use the Trim Edit Tool.

In this Infinite Skills Adobe Premiere Pro CS6 video for beginners, author Jeff Sengstack gives a detailed insight into adjusting your preferences in Premiere Pro.

In this Infinite Skills Adobe Premiere CS6 video for beginners, author Jeff Sengstack covers Managing And Viewing Assets In The Project Panel.

The Dalet Xtend module for Adobe Premiere Pro CS6 provides seamless workflow collaboration between the Dalet Media Asset Management (MAM) platform and Adobe Premiere Pro CS6.

See how Adobe Premiere Pro CS6 integrates with the new metadata-rich e-SHUTTLE system from MOG. See how within the Adobe Premiere Pro CS6 application you can control e-SHUTLLE recording functions such as starting and stopping the recording and batch capture.

See how the Strawberry panel from FlavouSys integrates with Adobe Premiere Pro CS6 and enables users to view and organize media.

See a demonstration of how Adobe Premiere Pro CS6 integrates with the Harris NEXIO Server and NewsForce newsroom production solutions.

Learn how an off-the-shelf Digital Asset Management (DAM) application integrates with Adobe Premiere Pro CS6 and enables editors to work entirely within the Adobe Premiere Pro CS6 application.

Learn how Pond5's panel integration with Adobe Premiere Pro CS6 enables quick and easy access to stock media content right within the Adobe Premiere Pro CS6 application.

Learn about Telestream's Episode integration with Adobe Premiere Pro CS6 which enables users to offload encoding tasks to other systems.

Learn how to quickly and easily search for assets on shared storage and pull them into your project, directly from within Adobe Premiere Pro CS6.

Learn how the Octopus Newsroom plug-in module integrates Adobe Premiere Pro CS6 into the OCTOPUS workflow. See how you can access OCTOPUS stories and scripts and simultaneous edit text and video with Octopus Newsroom and Adobe Premiere Pro CS6.

Adobe Story supports multiple script types, including Multi-Column and AV Scripts. Regardless of the format, if there's dialogue in the script, you can share it with Adobe Premiere Pro to improve the accuracy of speech to text analysis. This episode introduces multiple script formats using Story Free, and shows you how to share your script with Adobe Premiere Pro.

Matthew Gyves, Business Development Manager for professional video in EMEA, will provide an overview of the latest professional editing features in Premiere Pro CS6.

See why Philip Bloom, a long-time Avid and Final Cut Pro editor, DP, director, expert on budget filmmaking, as well as a trusted resource for information on the latest gear for shooting and editing film projects, switched to Adobe Premiere Pro as his editing tool of choice.

Download a trial of Adobe CS6 Production Premium

At the 2012 Amsterdam SuperMeet Product Manager Al Mooney demos Premiere Pro CS6, with recent updates including support for open CL for the Mac Book Pro as well as CUDA and improved support for ARRI Raw.

Henning Radlein, Head of Workflow Solutions, tells about the developing relationship between ARRI and Adobe. With improved support for ARRI RAW in a new Premiere Pro labs release, now the ARRI/Adobe workflow is easier and more complete than ever.

Al Mooney, Premiere Pro Product Manager, talks about new updates, the reveal of Adobe Anywhere and the Switcher promotion, making now the perfect time to switch to Premiere Pro CS6.

In yet another user requested episode, Colin takes you back to 1994 and shows you all the things your missing if you’ve been flattening, and rasterizing your complex Photoshop layers just to get them to work in FinaCut Pro 7. You might be amazed to see that lots has changed since 1994, including Layer Styles that instantly update and give you complete creative freedom!

In this video you will see how you can search and browse the FORK media asset database without leaving Adobe Premiere Pro. Now you can select timelines created in the FORK editor, clips or entire bins, and simply drag and drop them into an Adobe Premiere Pro project, and when the edit is done send the completed sequence, ready for air, direct to FORK or fulfill a placeholder from a newsroom control system.

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

Sean Kilbride from NVIDIA talks about how Adobe Premiere Pro CS6 and NVIDIA GPUs were used in the editing of the Heavy Hand music video.

VPMS is arvato Systems’s MAM system that serves as a cross-funcitonal control unit for broadcasting processes with the infrastructure of video server, editing and graphics. See how VPMS now integrates with Adobe Premiere Pro for an effective and simplified workflow.

The foundation of Harmonic’s solution is the Media Application Server (MAS), a SOA-based platform that hosts and coordinates applications that comprise an enterprise-class content management, preparation and delivery platform. Built in conjunction with MediaSmiths, the Adobe Premiere CS6 content panel allows editors to directly browse & select content managed by their MAS system, pulling the content directly into to an edit session.

In this video you'll get a chance to see how adding an Adobe Partner Panel can add additional features to your Adobe applications. I've selected Pond 5 as a featured partner to show this off. You'll be able to quickly add clips to your Project Bin directly within Premiere Pro CS6. Pond5 is free to sign up and start using. You'll have the option to purchase the HiRes versions of the clips once see how they work in your existing project. It's an excellent workflow and a great way to add clips to any project. Here's the link to get the free plug-in for Premiere Pro CS6: Pond 5 Premiere Plugin

Learn how to use RED files natively in your Adobe Premiere Pro CS6 workflow. Get the most from RED Epic and Scarlet cameras and achieve seamless workflows with REDCINE-X.

In this video you will see how the ProductionLink plug-in for Adobe Premiere Pro CS6 and Adobe After Effects CS6 enables users to publish directly to the Avid Interplay production asset management (PAM) system. Facilities with Avid Interplay can now use Adobe Premiere Pro CS6 and After Effects and easily incorporate Adobe Creative Suite into their workflows.

The IPVLive plug-in enables growing, frame-accurate proxies to be streamed directly into Adobe Premiere Pro CS6 in a multi-user environment across a standard IT network. The IPVLive panel enables the user to stay within the Adobe Premiere Pro CS6 interface and quickly produce highlight packages and promos.

Adobe Premiere Pro CS6 integrates with LiveCut to combine ingest, metadata handling and post-production into a single, streamlined easy-to-use interface. See how LiveCut records all edits being performed as an Edit Decision List (EDL), which is converted into a multicam timeline for immediate and fast post-production.

Learn how the mMedia platform from Active Storage, the Levels Beyond Reach Engine, and Adobe Premiere Pro CS6 all integrate to quickly ingest, organize, manipulate, replicate, repurpose and distribute digital video. Stay within the Adobe Premiere Pro CS6 interface, and browse assets within the interface itself.

The Bluenet plugin for Adobe Premiere CS6 enables access to the graphics templates used in news broadcasts and can be directly applied as timeline elements. Learn about Cloud based or local template driven self-service graphics solutions which together with Adobe Premiere Pro CS6, reduce time to air, cost per graphic and facilitate centralization and collaboration.

Adobe Premiere CS6 integrates with the Viz Media Engine, which enables media production and distribution on many platforms. Now through a custom panel within Premiere Pro CS6 users can access and publish assets to the Viz Media Engine, and overlay graphic elements to the timeline.

Users can through the custom panel for MXF Server in Adobe Premiere Pro CS6 utilize the features of MXF Server such as quota management, growing files, rights management, project locking and much more. This video shows how all these features are accessible right within the Adobe Premiere Pro CS6 User interface.

Bluefish444 manufactures the high quality uncompressed SD/HD/2K/4K SDI video cards for professional editors. Its Epoch and Create 3D video cards integrate tightly with Adobe Mercury Transmit for complete monitoring, scaling and support for video output.

Blackmagic Design known for its high-quality, affordable DeckLink capture cards; its groundbreaking USB 3.0 and Thunderbolt technology–based video products; offers complete integration of Adobe Mercury Transmit to provide scalability and multi-format video output.

Matrox offers the only I/O solutions on the market that let you deliver H.264 files up to five times faster than software alone without sacrificing quality. Fully integrated Adobe Mercury Transmit support lets you scale, monitor, and output in any format you need — from analog and HDMI to HD-SDI.

AJA Video is a leading manufacturer of high-quality, acquisition and digital video interface solutions, for broadcast and post-production. AJA’s support and integration with Adobe Mercury Transmit allows complete scalability, multi-format support, monitoring and output of complex video content.

Ted Schilowitz discusses his use of RED with Adobe Premiere Pro. Learn how native editing of RED files speed the post-production process.

One of the most elegant features of Prelude is its ability to integrate directly into Adobe Premiere Pro. This lesson shows you how to instantly share clips, subclips, and Rough Cuts with Adobe Premiere Pro.

Discover Adobe Premiere Pro, an application used by videographers to edit, manipulate, and export their video projects.

This lesson walks you through the process of creating and editing titles with the Premiere Pro Title tool. We'll look at two examples that use several of the options and settings.

Learn about the new user interface for viewing or changing keyboard shortcuts in Adobe Premiere Pro. Then, discover some of the new shortcuts for common editing commands, such as matching frames, creating and playing loops, moving between editing clips, and exporting frames.

In this movie, learn about the darker user interface and more vibrant, higher contrast colors in the Timeline of Adobe Premiere Pro. Also, see how the Timeline is more easily controlled by the mouse scroll wheel and the redesigned moving and scaling control.

This movie showcases the drag-and-drop video effects, effect acceleration, and video adjustment layer controls in Adobe Premiere Pro CS6. It also shows the new Mercury Playback Engine's ability to play back effects with no dropped frames. Finally, it goes on to show how to effectively render out playback when needed.

Explore the improved audio controls in Adobe Premiere Pro. Learn about the repositionable VU Meter, the Audio Mixer panel, and the ability to monitor solo, mono, and stereo content.

This lesson walks you through the process of creating and editing titles with the Premiere Pro Title tool. We'll look at two examples that use several of the options and settings.

This lesson provides new editors with an overview of the editing process in Premiere Pro.

In this episode, hear from Jason Levine, Adobe Worldwide Video Evangelist, about the Creative Cloud and all the new features in Adobe Production Premium CS6, the complete solution at the heart of any production workflow for video professionals. Packed with major updates to help bring high-quality productions to any screen, you’ll learn about new updates to familiar tools including powerful new versions of Adobe Premiere® Pro, After Effects®, Audition®, Adobe Story Plus, Media Encoder and Photoshop Extended, along with two new tools, SpeedGrade CS6 for professional color grading, and Prelude CS6, the world’s most elegant solution for the processes of ingest, logging and transcoding – essential tasks in a modern file-based workflow.

Finesse your editing with precision using all-new advanced trimming tools. Trim clips your way — directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts.

Take advantage of the most requested editing enhancements, including over 50 new features to help editors switching NLEs move more comfortably to Adobe Premiere Pro.

See more of your video and less clutter thanks to a highly intuitive, customizable interface. New monitor panels include a customizable button bar; the new Project panel focuses squarely on assets and allows clips to be skimmed, scrubbed, and marked up for editing. A new audio track design, improved meters, and a revamped Mixer panel make working with sound easier than ever.

Product Manager Al Mooney shows how to apply adjustment layers, similar to those in After Effects and Photoshop, to apply effects and have the effects automatically modify all of the underlying tracks.

Product Manager Al Mooney shows how to take advantage of the new editing features that make you more efficient which includes more than 50 of the top user-requested improvements in Adobe Premiere Pro CS6.

Product Manager Al Mooney provides an introduction to Adobe Premiere Pro CS6.

Evangelist Jason Levine provides an overview of Premiere Pro CS6.

Product Manager Al Mooney shows off the new audio enhancemenst that let you freely combine mono, stereo, and multitrack audio with new, more flexible audio tracks in Adobe Premiere Pro CS6.

Product Manager Al Mooney shows how to use the Warp Stabilizer effect in Adobe Premiere Pro CS6 to not just smooth the motion footage but to remove motion artifacts that would otherwise remain after stabilization.

Product Manager Al Mooney shows how to use the expanded multicam support, effectively allowing you to work with as many cameras as you have on your shoot, in Adobe Premiere Pro CS6

Quickly and easily edit multicam footage from as many cameras as you have on the shoot. Sync via timecode, switch between tracks in real time, and adjust color across multiple shots.

Join Karl Soule, Business Development Manager at Adobe, as he unveils and demos the exciting new features in Adobe Premiere Pro CS6. See how Adobe Premiere Pro CS6 combines incredible performance with a sleek revamped UI, and a host of powerful new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more for a fluid workflow.

Master the art of post-production from planning to playback with the amazing features within CS6 Production Premium. We give you an in-depth view of the new Premiere Pro covering performance and editing enhancements, plus industry-leading integration with both Adobe and third party tools.