Integration with Adobe Premiere Pro CC and Prelude CC lets you conform scripts to video clips, create searchable metadata, and improve Speech to Text analysis. View and edit your script directly from panels inside Prelude CC and Adobe Premiere Pro CC.

Modern productions are built on hundreds (if not thousands) of clips. It's easy to lose track of files, proxies, and backups saved on multiple drives. Link & Locate in Adobe Premiere Pro CC helps you track down your clips quickly, making media management more efficient.

Roundtrip your video sequences from Premiere to Speedgrade for color grading, and back to Premiere. Infinite Skills author Jeff Sengstack shows how Premiere Pro sequences can be exported to SpeedGrade either as DPX still image sequences or edit decision lists (EDLs). After completing color grading in SpeedGrade, those projects can be exported as stand-alone video files back into Premiere Pro for more editing.

Edit more efficiently with a redesigned Timeline, intuitive track targeting, and dozens of new shortcuts in Adobe Premiere Pro CC. See critical info such as duplicate frames and through edits. With Paste Attributes, you can copy and paste the specific effects you need from one clip to another.

Quickly apply rich, beautiful, preset color grades in Adobe Premiere Pro CC thanks to the Lumetri Deep Color Engine. With the Looks Browser, preview and add looks from Adobe SpeedGrade CC as easily as adding a dissolve. Also import LUTs from other systems.

In this latest instalment of the Create Now online event series, we take you through the latest exciting developments in our video technologies. With video guru Jon Barrie, we take some sneak peeks at the new technologies within Adobe® Premiere® Pro and get a masterclass in creating amazing video content with Adobe Creative Cloud™ tools.

Adobe Premiere Pro is a powerful NLE connecting all of your media as it flows in and out of post-production. Join Jason Levine to learn how to move your media and your creative decisions between Adobe Premiere Pro, After Effects, Photoshop, Audition and more.

Join Jason Levine as he introduces you to the new, more efficient editing features added to Adobe Premiere Pro Next including a redesigned timeline, improved media management, and streamlined color grading.

In this video you'll see how fast and robust Dynamic Link has become and learn about the ability of After Effects and Premiere Pro to work together, even without being part of a suite package.

There are several ways to send your creative work from Premiere Pro to After Effects, and this lesson will walk you through all of them.

In this Infinite Skills Adobe Premiere Pro CS6 video for beginners, author Jeff Sengstack gives a detailed insight into adjusting your preferences in Premiere Pro.

The Dalet Xtend module for Adobe Premiere Pro CS6 provides seamless workflow collaboration between the Dalet Media Asset Management (MAM) platform and Adobe Premiere Pro CS6.

See how Adobe Premiere Pro CS6 integrates with the new metadata-rich e-SHUTTLE system from MOG. See how within the Adobe Premiere Pro CS6 application you can control e-SHUTLLE recording functions such as starting and stopping the recording and batch capture.

See how the Strawberry panel from FlavouSys integrates with Adobe Premiere Pro CS6 and enables users to view and organize media.

See a demonstration of how Adobe Premiere Pro CS6 integrates with the Harris NEXIO Server and NewsForce newsroom production solutions.

Learn how an off-the-shelf Digital Asset Management (DAM) application integrates with Adobe Premiere Pro CS6 and enables editors to work entirely within the Adobe Premiere Pro CS6 application.

Learn how Pond5's panel integration with Adobe Premiere Pro CS6 enables quick and easy access to stock media content right within the Adobe Premiere Pro CS6 application.

Learn about Telestream's Episode integration with Adobe Premiere Pro CS6 which enables users to offload encoding tasks to other systems.

Learn how to quickly and easily search for assets on shared storage and pull them into your project, directly from within Adobe Premiere Pro CS6.

Learn how the Octopus Newsroom plug-in module integrates Adobe Premiere Pro CS6 into the OCTOPUS workflow. See how you can access OCTOPUS stories and scripts and simultaneous edit text and video with Octopus Newsroom and Adobe Premiere Pro CS6.

In this video you will see how you can search and browse the FORK media asset database without leaving Adobe Premiere Pro. Now you can select timelines created in the FORK editor, clips or entire bins, and simply drag and drop them into an Adobe Premiere Pro project, and when the edit is done send the completed sequence, ready for air, direct to FORK or fulfill a placeholder from a newsroom control system.

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

Sean Kilbride from NVIDIA talks about how Adobe Premiere Pro CS6 and NVIDIA GPUs were used in the editing of the Heavy Hand music video.

VPMS is arvato Systems’s MAM system that serves as a cross-funcitonal control unit for broadcasting processes with the infrastructure of video server, editing and graphics. See how VPMS now integrates with Adobe Premiere Pro for an effective and simplified workflow.

Learn how to use RED files natively in your Adobe Premiere Pro CS6 workflow. Get the most from RED Epic and Scarlet cameras and achieve seamless workflows with REDCINE-X.

In this video you will see how the ProductionLink plug-in for Adobe Premiere Pro CS6 and Adobe After Effects CS6 enables users to publish directly to the Avid Interplay production asset management (PAM) system. Facilities with Avid Interplay can now use Adobe Premiere Pro CS6 and After Effects and easily incorporate Adobe Creative Suite into their workflows.

The IPVLive plug-in enables growing, frame-accurate proxies to be streamed directly into Adobe Premiere Pro CS6 in a multi-user environment across a standard IT network. The IPVLive panel enables the user to stay within the Adobe Premiere Pro CS6 interface and quickly produce highlight packages and promos.

The Bluenet plugin for Adobe Premiere CS6 enables access to the graphics templates used in news broadcasts and can be directly applied as timeline elements. Learn about Cloud based or local template driven self-service graphics solutions which together with Adobe Premiere Pro CS6, reduce time to air, cost per graphic and facilitate centralization and collaboration.

Users can through the custom panel for MXF Server in Adobe Premiere Pro CS6 utilize the features of MXF Server such as quota management, growing files, rights management, project locking and much more. This video shows how all these features are accessible right within the Adobe Premiere Pro CS6 User interface.

One of the most elegant features of Prelude is its ability to integrate directly into Adobe Premiere Pro. This lesson shows you how to instantly share clips, subclips, and Rough Cuts with Adobe Premiere Pro.

Discover Adobe Premiere Pro, an application used by videographers to edit, manipulate, and export their video projects.

This lesson walks you through the process of creating and editing titles with the Premiere Pro Title tool. We'll look at two examples that use several of the options and settings.

This movie showcases the drag-and-drop video effects, effect acceleration, and video adjustment layer controls in Adobe Premiere Pro CS6. It also shows the new Mercury Playback Engine's ability to play back effects with no dropped frames. Finally, it goes on to show how to effectively render out playback when needed.

Take advantage of the most requested editing enhancements, including over 50 new features to help editors switching NLEs move more comfortably to Adobe Premiere Pro.

Evangelist Jason Levine provides an overview of Premiere Pro CS6.

Product Manager Al Mooney shows how to use the expanded multicam support, effectively allowing you to work with as many cameras as you have on your shoot, in Adobe Premiere Pro CS6

Product Manager Al Mooney provides an introduction to Adobe Premiere Pro CS6.

Product Manager Al Mooney shows how to take advantage of the new editing features that make you more efficient which includes more than 50 of the top user-requested improvements in Adobe Premiere Pro CS6.

Product Manager Al Mooney shows how to use the Warp Stabilizer effect in Adobe Premiere Pro CS6 to not just smooth the motion footage but to remove motion artifacts that would otherwise remain after stabilization.

Product Manager Al Mooney shows off the new audio enhancemenst that let you freely combine mono, stereo, and multitrack audio with new, more flexible audio tracks in Adobe Premiere Pro CS6.

Join Karl Soule, Business Development Manager at Adobe, as he unveils and demos the exciting new features in Adobe Premiere Pro CS6. See how Adobe Premiere Pro CS6 combines incredible performance with a sleek revamped UI, and a host of powerful new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more for a fluid workflow.

Extend your Premiere Pro transitions library by using BorisRED. Choose between dozens of templates or design your own. In this tutorial I'll show you a fast and easy way to apply those templates and share some valuable tips on using the Library Browser.

See how nVidia Maximus technology can increase performance in Adobe Premiere Pro for faster, more fluid editing compared to when using the software only mode even while using more layers and real-time effects.

Master the art of post-production from planning to playback with the amazing features within CS6 Production Premium. We give you an in-depth view of the new Premiere Pro covering performance and editing enhancements, plus industry-leading integration with both Adobe and third party tools.

Go beyond the default settings for importing audio in Premiere Pro and control if all audio is imported as mono, stereo or 5.1. Colin will show you how do take control of all your imported audio and how to change and remap the output setting for each clip in your project. He’ll also show you the difference between Track keyframes and Clip keyframes and hot to use fader automation to create them.

See how Premiere Pro is the "secret weapon" of any After Effects animator or compositor, and how you can work faster than ever before in After Effects by leveraging the power of the Mercury Playback Engine in Premiere Pro. For those not familiar with Premiere Pro, we'll impart simple key techniques to get up-to-speed on Premiere Pro much quicker than you ever thought possible.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time thanks to the amazing, 64-bit Mercury Playback Engine.

In this episode of Short and Suite, Karl Soule shows how to import Closed Caption files such as .scc and .mcc and embed them into the timeline. You'll also learn how to preview closed captioning directly in Premiere Pro, as well as how to output your closed captioned video for broadcast.

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

In this episode you'll learn how Premiere Pro supports faster performance and fluid editing, even from a laptop, as well as increased support for multiple formats. Presented by Adobe expert Jason Levine and featuring the amazing Mercury Playback Engine.

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

Create a real time Compositing experience in Premiere Pro using the Ultra Key and Track Matte Key effects. Overcome the limitations of the Track Matte effect using special advanced tricks. Watch the final movie here (Hebrew version only).

In this episode you'll learn how to conduct online project reviews in real time from within Adobe Premiere Pro.

David Dessel, owner of Metaphor Pictures, LLC, gives an end to end tour of RED editing, VFX, and color grading workflows powered by Adobe Premiere Pro and After Effects.

Join Adobe evangelist Jason Levine to find out how you can to edit faster with Adobe Premiere Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine—now on workstations and laptops. Work easily with dual-system sound support; enjoy enhanced project exchange with Apple Final Cut Pro and Avid software, as well as direct integration with Adobe Story; and efficiently export with reliable batch background encoding for delivery to smartphones, tablets, and PCs.

Colin’s back showing off how fantastic his Z800 workstation performs with the new Adobe 5.5 software. In this episode he shows you how to send a complete Premiere Pro sequence to a multitrack project in the new Adobe Audition 5.5. From there he shows how you can add effects to individual clips, or complete tracks with lots of built-in effects or support for VST and AU plug-ins. Once complete, this project can be send back to Premiere Pro CS5.5 or exported to OMF or Final Cut Pro XML.

In this Adobe Story episode, Jason Levine shows how to streamline your editing workflow when importing your Adobe Story script directly into Adobe Premiere Pro for easy clip editing.

Learn how the Mercury Playback Engine in Adobe Premiere Pro CS5.5 takes performance to the next level, so that you get even faster playback of mixed-format timelines and more GPU-accelerated effects and transitions.

Learn how the new Merge Clips feature in Adobe Premiere Pro CS5.5 can save you hours of editing time by providing dual-system sound support that enables you to quickly match audio and video tracks recorded on separate devices and media. Plus, learn how new user-requested enhancements give you a efficient editing workflow.

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

See how Al Mooney, Product Manager for Adobe Premiere Pro, integrates script, written or edited in Adobe Story, with Premiere Pro for faster and smoother editing of clips.

In this episode of Short and Suite, Karl Soule demonstrates how to easily move your Premiere Pro timeline to After Effects for color correction using Synthetic Aperture's Color Finesse 3 plug-in. You'll learn basic techniques to enhance and color correct your footage using this powerful tool.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

What is a J or L cut? Why do I need it? Join Dennis in Adobe Beginner Classes as he tackles the tough questions that face editors who are just starting out. In this Premiere Pro Basics episode, Dennis will discuss what these edits are and how they can be used in the story telling process to good effect.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

In this short video, Jason Levine will show you how to use the new Ultra Keyer in Premiere Pro CS5 to pull quick keys from your footage, even with unevenly lit green screen. Once again, the 'key' here (ha ha) is the fact that Jason is running this process without rendering, leveraging the Mercury Playback Engine solely in software mode.

In this episode, Terry White shows you how to take advantage of Premiere Pro CS5's new ability to use CS Review to do online client reviews of Video.

There are 2 different ways to add effects to audio in Premiere Pro. Karl Soule’ walks through both techniques, and when to use each technique.

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.

Breakthrough performance: See how the new Mercury Playback Engine and native tapeless support (including for R3D, DSLR footage, XDCAM, P2 and more) in Adobe Premiere Pro CS5 can take your post-production workflows into a whole new realm of productivity.

Learn how to work with the latest tapeless and DSLR formats in Adobe Premiere Pro CS5.

Watch as Dave Helmly walks you through Premiere Pro’s new support for Native editing with the Flip HD camera and other "Pocket USB" video cameras. Many of these newer video cameras now offer HD in 720p and 1080p modes.

Dave Helmly shows you Premiere Pro’s new support for Native Panasonic AVC-Intra editing. This new 4.2 update allows AVC-Intra users to work directly off their P2 cards or their local hard drive.

Create a sequence-ready Photoshop file, import a layered PSD, play Photoshop video, and use Photoshop rotoscoping, in Adobe Premiere Pro.

Get an overview of what Premiere Pro is and what it can do. Create video and output it to a wide variety of formats. Import and edit files.

Create a sequence-ready Photoshop file, import a layered PSD, play Photoshop video, and use Photoshop rotoscoping, in Adobe Premiere Pro.

Follow a typical workflow from import of high-definition video, to creation of Photoshop and After Effects files, to batch encoding.

Get an overview of what Premiere Pro is and what it can do. Create video and output it to a wide variety of formats. Import and edit files.

A surprise appearance by somebody who seems to be Kush's evil rap cousin explains the gear needed to run Adobe Premiere Pro CS3 & shows off his own gear.