Unless you've been hiding under a rock, you know the web is shifting again! HTML5, CSS3, and JavaScript are helping move the web from the desktop onto a multitude of devices and screen sizes. And through the magic of the Phonegap framework, those same technologies are being used to build native applications as well. Join Greg Rewis, product evangelist, as he shows how to use CSS3 Media Queries to adapt the look of traditional web pages to these form factors, and how to implement a more "native" feel to your pages using the jQuery Mobile framework.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will reveal the native import options when working with Adobe Photoshop files (PSD) in Premiere Pro CS5.5. Bring in individual layers, merge your layers together, or create sequences, all the while maintaining transparency, layer styles, animation, even layer sets!

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly.

In this final episode, our four presenters look at developing for mobile devices, the video production workflow, creating native apps and digital publishing.

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

How can you take advantage of the camera integrated in most mobile devices?  Paul Trani shows you how to create an app that uses the native camera application.

Find out how Production Premium's native workflow helped FX School meet impossible deadlines while working on the post production of a South Indian feature film "Dongala Mutha" shot entirely using DSLR's by one of Bollywoods leading directors Ram Gopal Verma.

In this video, Ryan Stewart demonstrates how easy it is to build Android applications using Flash Professional CS5.5.

Join Adobe evangelist Jason Levine to find out how you can to edit faster with Adobe Premiere Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine—now on workstations and laptops. Work easily with dual-system sound support; enjoy enhanced project exchange with Apple Final Cut Pro and Avid software, as well as direct integration with Adobe Story; and efficiently export with reliable batch background encoding for delivery to smartphones, tablets, and PCs.

In the world of video production, time is money. Karl Soule shows you all you need to know to get maximum performance from the applications in Adobe Production Premium CS5.5. Learn all the hardware-related factors that influence how the software behaves, and see how to properly balance a system with Intel Xeon processors, the right amount of RAM, and high-performance Intel solid state drives.

In this video we'll explore how you can configure a Dreamweaver CS 5.5 site to build a native mobile application using the popular PhoneGap framework - and deliver rich native applications to iOS and Android without needing to learn new languages or tools.

Native phone and tablet applications are increasingly becoming a component of modern web projects. In this video we'll show how Dreamweaver CS 5.5 integrates with the popular PhoneGap framework to use your existing web design and development skills to build native mobile applications for Android and iOS devices.

Are you looking for the Tasks that you’re used to in Soundbooth when you start using Adobe Audition 5.5? Colin will show you a step by step walkthrough between to the two applications, pointing out where the same operations are in Audition. He’ll also point out that Audition is much more powerful at all the tasks you’re used to using in Soundbooth, including Noise Reduction, Time Stretching, Automatic Click Remover, DeHummer, Looping and more. The fact that he’s demonstrating all this on his “wicked fast” HP Z800 workstation makes Audition all the more powerful.

In this video Greg Rewis will explore how you can configure a Dreamweaver CS 5.5 site to build a native mobile application using the popular PhoneGap framework - and deliver rich native applications to iOS and Android without needing to learn new languages or tools.

Premiere Pro CS5.5 improves the speed with which you can render nested sequences. You can literally nest sequences into sequences and you’ll get the benefits of the Mercury Playback Engine using both the CPU and the GPU or Graphics Processing Unit on an Nvidia card with CUDA. Throw the HP Z800 workstation into the mix and you see rendering speeds like you have never seen before.

Join Greg Rewia, Worldwide Web Evengelist for Adobe as he provide a tutorial about embedding video on the web, which video formats work in each browser, and how to implement your video so that all modern browsers can access it.

Colin takes advantage of the HP Z800’s massive horsepower combined with the raw speed of the 64-bit Adobe Media Encoder 5.5 to show you how you can output different versions of your comps using a combination of After Effects, Dynamic Link and Media Encoder, while working on new composites, without missing a beat.

Colin’s back showing off how fantastic his Z800 workstation performs with the new Adobe 5.5 software. In this episode he shows you how to send a complete Premiere Pro sequence to a multitrack project in the new Adobe Audition 5.5. From there he shows how you can add effects to individual clips, or complete tracks with lots of built-in effects or support for VST and AU plug-ins. Once complete, this project can be send back to Premiere Pro CS5.5 or exported to OMF or Final Cut Pro XML.

In this video we'll take a quick overview of the new multiscreen design, jQuery Mobile and native mobile application features in Dreamweaver CS 5.5 with product manager Scott Fegette.

This new effect gives you the ability to create the optical effect of a real camera lens blur. If you need to add depth to a scene, or obscure something in the frame, Camera Lens Blur will do that and make it look completely realistic. You also have complete control parameters like iris shape, blur maps, super whites, gain and threshold.

Learn how an entry-level workstation built with the brand new Intel Xeon E3 processor can give you unprecedented editing performance in Premiere Pro CS5.5 at an unbeatable price.

After Effects CS5.5 features some great new features such as Warp Stabilizer and Camera Lens Blur. Learn how a professional-class workstation with Intel Xeon processors can give you blazingly fast previews and rendering to let you get your work done faster than ever before.

Premiere Pro CS5.5 and it's faster-than-ever Mercury Playback Engine, provides unprecedented productivity. Learn how a professional-grade workstation with Intel Xeon processors, combined with CS5.5, enables you to work faster and be more creative than ever.

What are Solid State Drives and how do they impact your workflow? Karl Soule shows you how to get maximum productivity in your video editing and motion graphics workflow by using this exciting new technology.

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

This week, the Flash Pro team brings you a video sneak preview of app debugging and testing directly on devices. Check out how this will enable you to see if native capabilities, like the accelerometer, GPS or camera, are providing the right results for apps.

Work in 10-bit color with Premiere Pro CS5 and Quadro solutions. In this brief video, learn how to improve your workflow by viewing and editing content from a rich, 10-bit color platform.

Learn how Jacob Rosenberg and the Bandito Brothers power their Adobe CS5 and Canon 5D Mark II commercial and feature film workflows with HP Z800 workstations and HP DreamColor displays.

Learn how the Bandito Brothers ensure color accuracy both on location and in the edit suite with their Adobe CS5 and Canon 5D Mark II feature film workflow.

See how Rudy Sarzo, Heavy Metal Rocker-turned Video Editor, harnesses the power of Adobe CS5 Production Premium and HP Mobile Workstations to fuel his creativity.

Flash Player 10 has an amazing set of native features that allow you to create amazing experiences for the web and the desktop. This session will cover all you need to know to start manipulating the Flash Player at the byte-level. This video brought to you by our friends at Aquent.

Speed up production with GPU-Accelerated plug-ins This brief tutorial provides an overview of the benefits of choosing CUDA-enabled plug-ins, that include increased productivity to a more fluid workflow.

Over the past year many sites that previously used Adobe Flash Player compatible content — especially video — have transitioned to formats that "Flash un-ready" devices can handle. Join a panel of content producers from entertainment, education, and editorial industries as they explain why HTML5, H.264, and native apps for mobile devices do not replace their Flash Player compatible content for mobile.

Join Jason Levine as he explores the tapeless, native workflow for DSLR video in Creative Suite 5 Production Premium, which includes Adobe Premiere Pro, Photoshop, After Effects, and Soundbooth. HDSLR cameras are finding their way into video productions.

Insight into the development process of large scale projects plus a first hand demonstration on VizualPv3d, a 3D authoring tool that can help you develop natively within Papervision 3D. This video brought to you by our friends at Aquent.

Ever had some footage, and weren’t sure which timeline preset to use? Now, there’s an easy trick to get started editing natively.

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.

Watch this fun HP video, developed by Goodby, Silverstein & Partners. Adobe After Effects and PhotoShop were utilized to create animated characters who interact with the real world.

Breakthrough performance: See how the new Mercury Playback Engine and native tapeless support (including for R3D, DSLR footage, XDCAM, P2 and more) in Adobe Premiere Pro CS5 can take your post-production workflows into a whole new realm of productivity.

Watch how photographer Sally Wiener Grotta has taken advantage of "invisible technology" in order to save money, time and better be able to follow her inspirations.

Today's video production workflows benefit tremendously from applications that are designed to run natively on 64-bit operating systems. Learn what you can do to optimize your hardware for optimum performance.

Learn how After Effects running natively on 64-bit systems helps you be more productive.

Edit HD as fluidly as SD, thanks to native 64-bit support and GPU acceleration found in the Mercury Playback Engine.

Learn how to work with the latest tapeless and DSLR formats in Adobe Premiere Pro CS5.

Go behind the scenes on the ambitious new superhero film, Scubaman! See how the new HP Z800 workstation and Adobe CS5 Production Premium made the entire production possible.

Watch as Dave Helmly walks you through Premiere Pro’s new support for Native editing with the Flip HD camera and other "Pocket USB" video cameras. Many of these newer video cameras now offer HD in 720p and 1080p modes.

Dave Helmly shows you Premiere Pro’s new support for Native Panasonic AVC-Intra editing. This new 4.2 update allows AVC-Intra users to work directly off their P2 cards or their local hard drive.

This video shows you how to re-create or modify a PDF Portfolio after revising source files, without having to locate and gather the native files again.

Adobe Platform Evangelist Adam Lehman demonstrates how to leverage .NET technologies from ColdFusion 8, and he shows how to build a simple Event Log viewer with native CFML code.

Learn how to create content in After Effects for export to Flash in XFL format, allowing native editing in Flash.

Learn why native editing in Premiere Pro CS4 is faster than other editing tools. Adobe Video Evangelist Karl Soulé explains how you can start editing almost immediately in CS4 instead of wasting time.

Learn how to create content in After Effects for export to Flash in XFL format, allowing native editing in Flash.

Dave Helmly shows off new support for the native Red R3D camera format in PremierePro and AfterEffects CS4. In this workflow video, you’ll also get performance tips and info on 2K and 4K output.

There's nothing better than Tapeless editing! Dave Helmly shows off the New CS4 Production Premium working with native AVCHD files, as well as some of his other favorite new features.

Work with PDF forms natively within ColdFusion 8. Adam Lehman demonstrates how to create PDF forms with LiveCycle Designer and programmatically prepopulate and extract data with ColdFusion.

Learn how to create content in After Effects for export to Flash in XFL format, allowing native editing in Flash.

Adam Lehman talks about some of the native image manipulation features in ColdFusion 8. Learn how to use CFIMAGE to dynamically resize images, overlay text or a watermark, and apply effects with ColdFusion.

What does Flash Media Encoding Server, native 4k editing with RED, partnership with OpenTV, clowns and camels have in common? It's all about IBC 2008.

This video shows off Premiere Pro's multi video format support. See Sony XDCAM EX, Panasonic P2, HDV, and DV all on the same timeline in their native formats and working cross platform. Just Edit!

Check out our new NATIVE support for Panasonic's P2 line of cameras. Ingest, Edit, and Export Native P2 MXF files with no Codec conversion. You can even share projects between Win and Intel OSX.

Here's After Effects CS3 working with NATIVE Panasonic P2 MFX files. Import P2 files directly into AE and start working immediately no codec conversion needed. Amazing P2 workflow for our video suite.