I've been working with Vision 3 for about year and half on this inexpensive plug-in to support our native tapeless formats in a Stereoscopic 3D workflow. This video will give you a general idea of how the plug-in works and some general guidance on setup.You can more info on the plug-in here: www.inv3.com/quicks3d

In this updated video for Adobe Premiere Pro CC (Part 3 of 3), Principal Worldwide Evangelist Jason Levine highlights the enhanced multicam workflow with DSLR footage, including the ability to synchronize your media automatically via Audio Sync. He'll also show how Adobe Premiere Pro CC natively and seamlessly works with multiple frame rates and frame sizes — even mixed sample rate audio files — and quickly and accurately syncs media so you can start cutting and crafting your multicamera DSLR story.

See how InDesign CC is faster, better, and sharper, with under-the-hood improvements and native 64-bit support that makes working on even the most complex documents speedier. And discover how new features make it easier to produce high-quality EPUB files, giving you greater control over the table of contents and CSS export, and making CSS editing simpler.

After Effects CC includes a Lite version of MAXON CINEMA 4D. Learn how to edit a native Cinema 4D model and how to start a new project file from scratch. Chris Meyer compares features of the various versions of Cinema 4D.

Learn how easy it is to work natively with nearly any digital camera format, from camera phone to RAW 5K, in Adobe Premiere Pro CC.

Learn how to use RED files natively in your Adobe Premiere Pro CS6 workflow. Get the most from RED Epic and Scarlet cameras and achieve seamless workflows with REDCINE-X.

Ted Schilowitz discusses his use of RED with Adobe Premiere Pro. Learn how native editing of RED files speed the post-production process.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly.

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

Join Adobe evangelist Jason Levine to find out how you can to edit faster with Adobe Premiere Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine—now on workstations and laptops. Work easily with dual-system sound support; enjoy enhanced project exchange with Apple Final Cut Pro and Avid software, as well as direct integration with Adobe Story; and efficiently export with reliable batch background encoding for delivery to smartphones, tablets, and PCs.