Adobe Bridge allows you to automate the offloading of camera. Here we see how to use it to handle file conversions, rename photos, embed preview files and assign copyright information.

In this updated video for Adobe Premiere Pro CC and Prelude CC (Part 2 of 3), Principal Worldwide Evangelist Jason Levine shows how to leverage Prelude (the "Lightroom for DSLR video") as the most efficient way to start your DSLR editing workflow. He showcases a best-practices workflow for selecting your media, ingesting, doing partial ingest, creating custom metadata fields, renaming files, transferring and transcoding your footage to editing standards like DNxHD, sub clipping, logging, and creating the basic rough cut that you'll send directly to Adobe Premiere Pro.

Learn how to import a native MAXON CINEMA 4D project file into After Effects as a footage item and add it to your composition. Presenter Chris Meyer also covers the render options offered by the Cineware effect, which translates the .c4d layer into pixels.

In this updated video for Adobe Premiere Pro CC (Part 3 of 3), Principal Worldwide Evangelist Jason Levine highlights the enhanced multicam workflow with DSLR footage, including the ability to synchronize your media automatically via Audio Sync. He'll also show how Adobe Premiere Pro CC natively and seamlessly works with multiple frame rates and frame sizes — even mixed sample rate audio files — and quickly and accurately syncs media so you can start cutting and crafting your multicamera DSLR story.

Infinite Skills author Jeff Sengstack explains the expanded closed caption features in Premiere Pro. Learn to create or import closed caption files, add them to a project in the timeline, edit their content or font color, adjust their timing, and update their position in the screen. Plus, create closed caption “sidecar” files when exporting project files.

If you’re giving a lecture, presenting to a class, or sharing your research, you can record your audio presentation with a portable audio recorder and then import that audio into Adobe Audition^® and create an audio presentation that students, peers, or colleagues can listen to online. Learn how to import an audio recording from a smartphone or other portable device into Adobe Audition^® and make it ready for editing and publishing as a .mp3 file.

See how Tech Comm Suite allows RoboHelp to work seamlessly with Acrobat XI Pro to swiftly create PDF files for review in a variety of ways. You may choose RoboHelp content for review based on the TOC, content status (e.g. "ready for review"), or from a range of dates when content was changed. Once reviewers have made their comments via Free Acrobat Reader or in collaborative review via Sharepoint or Acrobat.com, all comments and annotations may be imported "in place" into the RoboHelp source files. Simple icons in the reviewer's pane make it a snap to accept or reject suggested changes.

In this episode of The Complete Picture, Julieanne provides several suggestions for file naming conventions for creating templates for import, Batch Renaming, Export and Editing in Photoshop as well as recommends how and when to rename you files.

Although Word has a loose equivalent to user variables, this features is far easier and more straight-forward in FrameMaker 11. Unlike Word, no macros or arcane program strings are required. User variables are ideal for product names, company locations, designated staff members ... anything that is likely to change in your document. Simple actions allow you to globally update not only the content of variables, but their appearance as well. You can combine this feature with conditional text control, which allows you to swiftly "show" or "hide" different sections of text, tables or entire graphics that are associated with a certain version of your documentation. This allows a single set of source files to produce multiple versions of your documentation for various customers or internal content consumers. These features can be invoked with simple keyboard shortcuts while authoring, and you can import their values and setting from one document into an entire book!

In this movie, it’s time to get started with an editing project. The first step is to import media—all of the raw video, photographs, and audio that will be edited together into a final movie. Abba Shapiro demonstrates how to import individual files, or complete folders full of media. He explains how files are stored and linked to a project. He also demonstrates how to browse and preview clips on the hard drive before importing them into Premiere Pro.