See the latest features in Adobe Photoshop and learn time saving techniques video editors and motion graphics designers can benefit from when using Photoshop for video workflows.

Many of us have been frustrated by how "slippery" the positioning of anchored frames can be in Word. FrameMaker 11 provides considerably more control. This video starts out with a bang, showing how you can easily generate a table of parts, views or animations (with auto-hypertext links) to a 3D graphics. The published PDF output provides an attractive, guided user experience. Discover how FrameMaker 11's new Object Styles allow you to name, then globally update the appearance or positioning of both anchored frames and graphic objects. Hotspots also allow you to create a link between a zone of a graphic and related text.

Word's style catalogs don't obviously segregate text styles from paragraph styles. FrameMaker 11 provides simple, logical catalogs for paragraphs, character styles, table styles and even graphic object styles. In FrameMaker 11, not only can you globally update headings, lists and emphasized text, you can even change all instances of named tables, labeled anchored frames or graphic objects! This allows you a level of formatting control and document consistency amongst multiple authors you could have only dreamed of with Word. Warning: once you use these tools, there is no turning back.

RGD (Association of Registered Graphic Designers) shares its latest National Salary Survey results using the Digital Publishing Suite to better engage members with dynamic content.

See how easy it is to link an entire 3D graphic to an animation view and also how a few FrameMaker 11 mouse clicks, generated a list of parts from the 3D graphic that are automatically hyper-linked. In PDF output, you can click on any of the part names in the table, and the 3D graphic will change to a non-shaded view, with the selected part highlighted with 3D shading. This feature is very empowering for people creating techcomm content for medical devices, transportation/airline parts and other products that utilize diagrams with many potential views.

FrameMaker 11 has the ability to create "hot spot" links from an entire graphic or portion of a graphic to relevant text, with hyperlinks in output files.

FrameMaker 11 has the ability to import rich video or 3D, and link various views of the graphic to text or tables. Ideal for medical devices, airline instrumentation documentation, etc.

FrameMaker 11 has graphic object properties, which behave somewhat like layers in InDesign. Confined to vector graphic shapes and anchored frames, they allow users to universally change all instances of certain anchored frames, text call-outs, or common shapes and graphic objects.

Game developers talk about why they love developing games in Flash: easy workflow, maximum exposure, rapid prototyping, ubiquity of experience across devices, Stage 3D, graphics acceleration, and the ability to distribute to multiple platforms.

In this video, you will see how to quickly convert vector graphics from Illustrator to shape layers and animate the paths in After Effects CS6. In previous versions, this would have involved a great deal of tedious cutting and pasting - but no more.

In this episode, join Senior Digital Imaging Evangelist Julieanne Kost as she shows off some of the new features of Adobe Photoshop CS6 Extended, part of the new Adobe Creative Cloud. See the blazingly fast performance of the new Mercury Graphics Engine. Learn about the new improved processing and enhanced controls in Adobe Camera Raw 7, the new photographic blur effects, how to straighten objects using the new Adaptive Wide Angle, and more. Explore many of the timesaving and user-inspired enhancements including new type styles, re-engineered Shape layers, and the all-new Crop tool. Also explore the intuitive video editing capabilities of Photoshop CS6 and 3D capabilities of Photoshop CS6 Extended.

This lesson looks at the effects enhancements in Audition CS6, including updates to the Parametric Equalizer, channel mapping, and new effects like the Graphic Phase Shifter and the Doppler Shifter.

Learn about Image Trace, which can automatically turn scanned art into a vector graphic. It replaces the old Live Trace and produces cleaner paths and better color recognition in less time.

In this video you'll learn about placing, which is how you import photos or text into your InDesign page. We'll go over the popular image formats: PSD, AI, PSD, TIFF, and JPEG. You will also see how to scale, center, and crop photos.

Chris Converse shows you how to use multiple version of your graphics to affect the speed at which you design loads on smaller screens. Read the article to learn more.

See near-instant results when editing with key tools such as Liquify and Puppet Warp. The new Adobe Mercury Graphics Engine delivers unprecedented responsiveness for a fluid feel as you work.

Edit images and create vector graphics more quickly thanks to new performance engines in Adobe Photoshop CS6 and Adobe Illustrator CS6.

Lee Brimelow and Thibault Imbert discuss the enhanced graphics rendering engine and the Stage3D API, enabling developers to port their Flash games to mobile with up to 60 frames per second.

Watch how easy it is in Flash Professional to optimize your graphics for mobile devices.

Go Behind the Design with the founders of NYC design studio Dress Code. See what drives their approach to design and how they’re adapting to the expanding role of graphic designers. See what motivates them and where they look for inspiration.

In this mobile app demo, John Chen shows animations on the Nexus One (left) and iPod 4 (right) performing well. Note the high and consistent 30 frames per second (fps) even though more and more bitmap graphics come in. (Click the HTML Text link to read the article.)

In this mobile app demo, John Chen shows animations on the Nexus One (left) and iPod 4 (right) performing poorly because of too many vector graphics. Note the degraded performance (as slow as 12 fps) as more and more vector graphics come in. (Click the HTML Text link to read the article.)

In this lesson, Adobe Community Professional Tom Green shows how to optimize graphical elements for more efficient rendering with Adobe Flash player. See how you can create a more responsive user experience.

A workflow case study of using Acrobat X Pro. for managing and creating graphics for your documentation.

Paul Trani demonstrates how, using Flash Professional, you can create a simple voice-controlled game that uses data from the microphone of a mobile device to move graphics.

The Blob Brush tool in Illustrator is the fastest way to draw crisp, sharp vector graphics that have a natural feel to them.

Get an overview of how Full Sail University is training the next generation of designers to communicate in every medium possible, using Adobe Master Collection software. Designing for 3D, motion graphics and video are taught alongside of traditional design topics such as color theory and branding, making understanding and evaluating workflow a critical part of the curriculum.

Learn how to deliver cinematic visual effects and sophisticated motion graphics with Adobe After Effects CS5.5 software, now with sophisticated stabilization, new lens and lighting effects, and the most efficient performance ever.

Jacob Surber discusses the workflows available for importing graphics from Photoshop, Illustrator and Fireworks into a Flash Catalyst project, and suggests ways to make this process easier for developers and designers.

After Effects CS5.5 features some great new features such as Warp Stabilizer and Camera Lens Blur. Learn how a professional-class workstation with Intel Xeon processors can give you blazingly fast previews and rendering to let you get your work done faster than ever before.

Sometimes graphics are dynamically created using ActionScript. The question is, how do you use ActionScript to optimize the graphics being used? In this video Paul Trani uses Flash Pro to show you how to do just that.

Making sure graphics perform well on mobile devices is important for any app. In this video Evangelist Paul Trani takes you through how to optimize graphics on the stage in Flash Pro.

RISD president, John Maeda, examines some of the history that connects the worlds of analog creativity and digital creativity. The lecture is brought to life with interactive projections, animated graphics and mini documentaries of hands-based RISD workshops.

In this episode I'll show you how to take advantage of using InDesign files as graphics in other InDesign files. This helps you collaborate with others and take advantage of other documents that you've already built.

Have you ever tried to import a graphic into Microsoft Powerpoint, only to discover the areas of the image you expected to be transparent have been replaced by a solid white background? In this episode, Colin shows how to export Adobe Illustrator graphics with transparency using the Portable Network Graphics (PNG) format.

Motion Graphics is tremendous fun and you never learn enough to satisfy you. But what if you're just getting started? This tutorial gives you some basic ideas on building a simple motion graphics composition - in this case a wedding type theme. Simple, easy and hopefully entertaining.

In this video Paul shows how to create graphics in Flash and turn them into the building blocks of Flash.

Create sharp web graphics with Adobe Illustrator CS5. Join Terry White as he takes a look at some of the little known new Adobe Illustrator CS5 features including Pixel Preview, Align to Pixel Grid and the Artboards Panel.

Showcasing new features of Adobe Creative Suite 5 Design Premium to prepare students for future success in graphic and print design. CS5 is industry-standard software that teaches design, communications, and project management.

Flex 4 provides the tools you need to create custom graphics.  In this episode, Chet explains how to utilize the Path object and mouse events to create a simple drawing application.

Learn how to add images to an InDesign document by using the Place function. Use the pasteboard as a holding location for images before final placement.

Learn how to take advantage of GPU-accelerated effects. This tutorial shows how to identify accelerated effects, and to activate GPU support. It also lists the graphics cards that support GPU acceleration in Adobe Premiere Pro.

Learn about Illustrator CS5, a versatile, out-of-the-box solution for creating vector graphics. Illustrator supports cross-media design and multiple graphics formats, and provides endless options to create lifelike designs and artwork.

Use the new pixel-aligned feature to create web graphics that fit optimally with your finished product, and take a peek in Preview mode.

Create vector objects precisely on the file’s pixel grid to generate clean, sharp graphics for the web and mobile devices in Illustrator CS5.

In this episode you'll see how to take your workflow to the next level by learning some tricks with Transformations and graphic styles.

In this video tutorial, Creative Cow contributing editor Eran Stern designs a high impact motion graphics promo using Zaxwerks 3d serpentine plug-in.

With the new integration between Dreamweaver CS4 and Photoshop CS4 you work faster than ever. In less than a minute we'll show you just how much faster.

Discover how easy it is to harness After Effects to create compelling, deep motion graphics with very little thought. In this episode, Dennis walks through how a single element can be combined and reused to create a nice background element.

See how to design complete web pages in a robust graphic environment and then export standards-compliant, CSS-based layouts, complete with external style sheets, in one step.

Use the power of your graphics card to navigate to any area of an image with new, ultra-smooth zooming and panning. Edit at the highest magnification and use the new Rotate View tool to smoothly turn your canvas for distortion-free viewing at any angle.

Eight student illustrators and eight student graphic designers combine their varying skill sets for a common goal. This collaboration sparks innovative concepts and intense connections.

Students Enrique Barrios and Owen Freeman discuss the relationship between graphic designer and illustrator, how they successfully tackled a sensitive subject, and what "play" looks like in a war torn city.

Student illustrator Kerry Hyatt and student graphic designer Paula Hansanugrum join together to create a project using iconic American imagery such as tv dinners, comic books, and the vintage game Operation.

Senior Technology Evangelist Duane Nickull shows how to use the MXML syntax and the graphics package in Flash Builder 4 to create a rectangle using the new Spark graphic packages.

Dennis is beginning another series of how to create motion graphics and visual effects inside of After Effects. In this first part, Dennis creates three useful building blocks for a later composition.

A certified instructor for Adobe, Rich Harrington is an expert in motion graphics and digital video. Join Rich as he shows you the unique new features in Photoshop that support video.

Add Flash graphics to Flex 3 and Adobe AIR applications. Duane Nickull shows how to create an object and how to change its characteristics such as position, size and color.

Learn how to assemble a transitional motion graphic element that you can use in your productions. This simple and elegant After Effects project is sure to charm your clients. Learn how now with ABC!

Learn how to create visual content in ActionScript 3.0. Guest-star appearance by Adobe engineer Jim Corbett, the creator of ActionScript's display API.

Use the Appearance panel to manage attributes such as effects and fills. Use the Graphics Styles panel to reuse combinations of attributes.

Join Justin Cone and Ellen Wixted as they discuss how we are entering the era of motion graphics — every surface that once stood still now moves.

Join Chet Haase and learn about various graphics and animation techniques that you can use in your Flex development to create applications that aren't just rich clients — they're filthy rich.

Student illustrator Kerry Hyatt and student graphic designer Paula Hansanugrum join together to create a project using iconic American imagery such as tv dinners, comic books, and the vintage game Operation.

Students Enrique Barrios and Owen Freeman discuss the relationship between graphic designer and illustrator, how they successfully tackled a sensitive subject, and what "play" looks like in a war torn city.

Eight student illustrators and eight student graphic designers combine their varying skill sets for a common goal. This collaboration sparks innovative concepts and intense connections.

Former Adobe Flex SDK team member Chet Haase shows you how to take advantage of the Flash rendering engine by creating filters, which are simple image processing operations you can perform on arbitrary graphics.

Add graphics to a movie and layer them on top of video. Import files as individual layers. Add multiple layers to a composition. Apply effects.

Learn how to wrap text around a graphic. Use the Selection tool to choose a graphic. Access the Text Wrap panel. Create an offset boundary.

Shellie Hall shares a plethora of information about graphic elements in Adobe InDesign, from color specifications and print settings to rasterization, gamuts and profiles.

Debbie Millman inteviews celebrated graphic designer and brand enhancer, Alan Dye, whose experience includes working for prominent brand agencies, such as Landor Associates and Ogilvy & Mather.

Jason Levine walks you though how Adobe After Effects lets you design vector graphics, create more organic movements, and expedite delivery.

Steve Holmes is the creative director of the award-winning motion graphics studio Energi Design. Learn his latest trips-and-tricks in creating motion graphic design and Flash-based web projects.

By Chris Botello, Presented by xTrain. Create 3D graphics that can rotate using Illustrator CS3. This tutorial is part of the Illustrator CS3: Quick & Easy Course at xTrain