Edit audio with extraordinary precision. Easily remove specific audio elements in just a few clicks using the new Sound Remover. With Preview Editor, you can visually compare waveform tweaks, view multiple file sections simultaneously, and more.

Conform to today's broadcast regulations with a loudness monitor you can reference as you work. The TC Electronic ITU Loudness Radar panel provides visual feedback so you can quickly find and fix audio passages that exceed volume limits.

Quickly apply rich, beautiful, preset color grades in Adobe Premiere Pro CC thanks to the Lumetri Deep Color Engine. With the Looks Browser, preview and add looks from Adobe SpeedGrade CC as easily as adding a dissolve. Also import LUTs from other systems.

A major upgrade to the much-loved Warp Stabilizer, VFX adds the ability to choose which objects within a scene get stabilized, reverse a stabilization, and preserve a scene's original scale to fix tricky shots such as aerial fly-throughs.

Adobe Creative Cloud provides all the tools you need to go from script to screen and beyond to create your greatest work. It gives you the very latest versions of the tools and services you love, coupled with more efficient ways to collaborate with your peers and share your work with the creative community. In this video, Adobe Evangelist Jason Levine showcases many of the tools, including Adobe Premiere Pro CC, After Effects CC, SpeedGrade CC, Prelude CC, Story CC Plus, and Adobe Audition CC. You can now access Creative Cloud from the web, from the applications you love, from your desktop, or even from your mobile device.

Integration with Adobe Premiere Pro CC and Prelude CC lets you conform scripts to video clips, create searchable metadata, and improve Speech to Text analysis. View and edit your script directly from panels inside Prelude CC and Adobe Premiere Pro CC.

Edit more efficiently with a redesigned Timeline, intuitive track targeting, and dozens of new shortcuts in Adobe Premiere Pro CC. See critical info such as duplicate frames and through edits. With Paste Attributes, you can copy and paste the specific effects you need from one clip to another.

Modern productions are built on hundreds (if not thousands) of clips. It's easy to lose track of files, proxies, and backups saved on multiple drives. Link & Locate in Adobe Premiere Pro CC helps you track down your clips quickly, making media management more efficient.

Scenes from popular 3D modeling and animation software CINEMA 4D can be used directly as footage inside After Effects CC without the need to render first. This eases roundtripping between the programs and opens up numerous creative possibilities.

A Live 3D Pipeline in After Effects CC brings CINEMA 4D scenes in as layers — without intermediate rendering. Separate complicated elements from backgrounds using the Refine Edge tool. Stabilize specific objects within a scene with Warp Stabilizer VFX.

Professional video editing is faster and more efficient than ever thanks to dozens of brand-new features in Adobe Premiere Pro CC, including a redesigned timeline, improved media management, and streamlined color grading with the Lumetri Deep Color engine.

Dive into a session that tackles the challenges of producing HD video for the web. MAX Master Jason Levine will teach the best creation and encoding techniques for video and audio distribution for the web.In this session, you'll learn how to:• Select the right tools within Adobe Creative Cloud to use for compression• Avoid the most common errors users make when compressing media• Choose the proper video and audio settings for online and tablet distribution

Adobe is helping video pros and fimmmakers push the boundries of storytelling like never before.

You can use the built-in Adobe Media Encoder to render and export many kinds of files within After Effects, or use the standalone Adobe Media Encoder application to render and encode movies outside of After Effects. Batch encoding and using a watch folder in Adobe Media Encoder can save time and free After Effects for other tasks, as you'll see in this video.

Learn about Telestream's Episode integration with Adobe Premiere Pro CS6 which enables users to offload encoding tasks to other systems.

Appreciate the finer points of Creative Suite 6 Production Premium with Adobe Evangelist, Jason Levine. In this session you’ll learn about the powerful new versions of Adobe Premiere Pro, After Effects, Audition and Media Encoder. Jason will also demo two new CS6 tools: SpeedGrade and Prelude.

In this video you will see how you can search and browse the FORK media asset database without leaving Adobe Premiere Pro. Now you can select timelines created in the FORK editor, clips or entire bins, and simply drag and drop them into an Adobe Premiere Pro project, and when the edit is done send the completed sequence, ready for air, direct to FORK or fulfill a placeholder from a newsroom control system.

VPMS is arvato Systems’s MAM system that serves as a cross-funcitonal control unit for broadcasting processes with the infrastructure of video server, editing and graphics. See how VPMS now integrates with Adobe Premiere Pro for an effective and simplified workflow.

The foundation of Harmonic’s solution is the Media Application Server (MAS), a SOA-based platform that hosts and coordinates applications that comprise an enterprise-class content management, preparation and delivery platform. Built in conjunction with MediaSmiths, the Adobe Premiere CS6 content panel allows editors to directly browse & select content managed by their MAS system, pulling the content directly into to an edit session.

In this video you will see how the ProductionLink plug-in for Adobe Premiere Pro CS6 and Adobe After Effects CS6 enables users to publish directly to the Avid Interplay production asset management (PAM) system. Facilities with Avid Interplay can now use Adobe Premiere Pro CS6 and After Effects and easily incorporate Adobe Creative Suite into their workflows.

The IPVLive plug-in enables growing, frame-accurate proxies to be streamed directly into Adobe Premiere Pro CS6 in a multi-user environment across a standard IT network. The IPVLive panel enables the user to stay within the Adobe Premiere Pro CS6 interface and quickly produce highlight packages and promos.

Adobe Premiere Pro CS6 integrates with LiveCut to combine ingest, metadata handling and post-production into a single, streamlined easy-to-use interface. See how LiveCut records all edits being performed as an Edit Decision List (EDL), which is converted into a multicam timeline for immediate and fast post-production.

Learn how the mMedia platform from Active Storage, the Levels Beyond Reach Engine, and Adobe Premiere Pro CS6 all integrate to quickly ingest, organize, manipulate, replicate, repurpose and distribute digital video. Stay within the Adobe Premiere Pro CS6 interface, and browse assets within the interface itself.

The Bluenet plugin for Adobe Premiere CS6 enables access to the graphics templates used in news broadcasts and can be directly applied as timeline elements. Learn about Cloud based or local template driven self-service graphics solutions which together with Adobe Premiere Pro CS6, reduce time to air, cost per graphic and facilitate centralization and collaboration.

Adobe Premiere CS6 integrates with the Viz Media Engine, which enables media production and distribution on many platforms. Now through a custom panel within Premiere Pro CS6 users can access and publish assets to the Viz Media Engine, and overlay graphic elements to the timeline.

Users can through the custom panel for MXF Server in Adobe Premiere Pro CS6 utilize the features of MXF Server such as quota management, growing files, rights management, project locking and much more. This video shows how all these features are accessible right within the Adobe Premiere Pro CS6 User interface.

Bluefish444 manufactures the high quality uncompressed SD/HD/2K/4K SDI video cards for professional editors. Its Epoch and Create 3D video cards integrate tightly with Adobe Mercury Transmit for complete monitoring, scaling and support for video output.

Blackmagic Design known for its high-quality, affordable DeckLink capture cards; its groundbreaking USB 3.0 and Thunderbolt technology–based video products; offers complete integration of Adobe Mercury Transmit to provide scalability and multi-format video output.

Matrox offers the only I/O solutions on the market that let you deliver H.264 files up to five times faster than software alone without sacrificing quality. Fully integrated Adobe Mercury Transmit support lets you scale, monitor, and output in any format you need — from analog and HDMI to HD-SDI.

AJA Video is a leading manufacturer of high-quality, acquisition and digital video interface solutions, for broadcast and post-production. AJA’s support and integration with Adobe Mercury Transmit allows complete scalability, multi-format support, monitoring and output of complex video content.

Take a look at the Prelude panel which integrates into deltatre’s production logging application. See how to take advantage of a broad range of valuable features, including the ability to attach global metadata to clips, manually create participant and production specific Vocab panels and create unlimited timecoded log markers.

NAPP Instructor RC Concepcion goes over the brand new features of video in Photoshop CS6. Video has been vastly improved in this new version - making it very possible (and very easy) to make a great video from start to finish in Photoshop.

In this episode, hear from Jason Levine, Adobe Worldwide Video Evangelist, about the Creative Cloud and all the new features in Adobe Production Premium CS6, the complete solution at the heart of any production workflow for video professionals. Packed with major updates to help bring high-quality productions to any screen, you’ll learn about new updates to familiar tools including powerful new versions of Adobe Premiere® Pro, After Effects®, Audition®, Adobe Story Plus, Media Encoder and Photoshop Extended, along with two new tools, SpeedGrade CS6 for professional color grading, and Prelude CS6, the world’s most elegant solution for the processes of ingest, logging and transcoding – essential tasks in a modern file-based workflow.

Learn how Adobe Premiere Pro and Adobe Media Encoder leverages background rendering to save you time.

Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Dive into a session that tackles the challenges of producing HD video for the web. Learn the best creation and encoding techniques for video and audio distribution for the web using the tools found in Adobe Creative Suite 5.5 Production Premium.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

Learn how to create amazing H.264 video that performs well on multiple devices from one of the industry masters. The session will begin by discussing the fundamentals of encoding H.264 for Adobe Flash Player and will focus on using techniques using FFMPEG.

In this final episode, our four presenters look at developing for mobile devices, the video production workflow, creating native apps and digital publishing.

In this episode, Jason Levine walks through popular video production workflows as well as the Adobe Media Encoder for outputting video to mobile devices.

In this episode of Short and Suite, Karl Soule shares tips on how to optimize and increase the quality of your encodings in Encore for DVD and Bluray delivery.

Find out how Production Premium's native workflow helped FX School meet impossible deadlines while working on the post production of a South Indian feature film "Dongala Mutha" shot entirely using DSLR's by one of Bollywoods leading directors Ram Gopal Verma.

This video tutorial explains how to use Adobe Media Encoder CS5, part of the Acrobat X Suite, to share and comment on video in a PDF.

Learn the new presets, intuitive context menus, and dramatically enhanced watch folder support in Adobe Media Encoder CS5.5 to make outputting your work for delivery everywhere a simple and intuitive process.

Colin takes advantage of the HP Z800’s massive horsepower combined with the raw speed of the 64-bit Adobe Media Encoder 5.5 to show you how you can output different versions of your comps using a combination of After Effects, Dynamic Link and Media Encoder, while working on new composites, without missing a beat.

See how Adobe Media Encoder is becoming easier to use, with numerous user interface improvements for encoding and exporting assets. New output presets for iPad devices and other tablets and improved workflow for outputting to multiple devices make working with AME faster and easier. (by Tim Kurkoski and Todd Kopriva)

In part 1 of 2, see how Adobe Media Encoder is becoming easier to use, with numerous user interface improvements for importing assets. Drag-and-drop import from Adobe Premiere Pro and After Effects and an improved watch folder interface make working with AME faster and easier. (by Tim Kurkoski and Todd Kopriva)

Wish you could render After Effects comps in the background? Wish you could create a watch folder to batch convert media? Wish you had a 64-bit capable application to do all of these things? Well, Adobe Media Encoder is all of that and more. In this episode, Dennis delves into what he thinks are the hidden gems of this under-appreciated application.

Learn how to create amazing H.264 video that performs well on large and small screens from one of the industry masters of encoding for H.264 video. The session will begin by discussing the fundamentals of encoding H.264 for Flash and cover encoding profiles, buffering techniques, hardware acceleration, and optimizing H.264 for mobile screens. The session will review Adobe's recommendations for video encoding for HTTP Dynamic Streaming and how you can make your video look great.

In the final installment of this series, Adobe Worldwide Evangelist Jason Levine takes you through the process of exporting/rendering your DSLR video/stills creations using the 64-bit Adobe Media Encoder. He'll talk about some of the most common formats for going to mobile devices, iPods, blu-ray discs as well as common formats for Web delivery. You'll learn about background rendering and the ability to 'queue' multiple versions of your video edits. Also featured: using *presets* in the Media Encoder for your favorite destinations (like YouTube, Vimeo, HDTV, etc)

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.

Tour Adobe Media Encoder CS5 and learn how to add files to the encoding queue, customize settings, and thin and edit XMP metadata. Learn how to use Adobe Media Encoder with After Effects and Premiere Pro.

Learn how to export a sequence, or a part of a sequence, into any of a number of formats. This instruction includes the use of the Export Settings dialog box, and Adobe Media Encoder.

Learn the steps of the basic Adobe Premiere Pro workflow, from importing to editing to exporting.

Learn how to leverage video for Flash within your enterprise, including how to create an encoding portal and publish with Flash Media Server, as well as implementing access controls to protect your content with LDAP and Active Directory. This session will introduce how the Adobe created Adobe TV using our own products to help increase view times and employee attention while reducing costs. Go through the steps of deploying, configuring, and monitoring Flash Media Server within your network, and learn how to implement a publishing system for live and recorded media.

Learn about this new feature in Flash Player 10.1 that gives content creators, developers, and publishers more choice in high quality media delivery while maintaining the reach of the Flash Platform.  HTTP Dynamic Streaming enables leveraging existing caching infrastructures (CDN’s, ISP’s, office caching, home networking) and provides tools to integrate adaptive streaming into encoding workflows.  Come here how you can use this new feature for both live and video on demand plus options for content protection using Flash Access.

Learn how to use the Adobe Flash Media Server Family of tools and technologies to create high-definition media experiences. Master the workflow from live encoding to creating a media player using Open Source Media Framework, leveraging Flash Media Server and Dynamic Streaming to create the highest possible quality for the end user and Flash Access for content protection. This session will also introduce you to the experiences of some key customers driving high quality experiences online today that draw audiences from around the world.

This expert-driven deep dive will demonstrate how to get the best quality from your H.264 encoding and publishing online with the Adobe Flash Platform. Topics will include encoding parameters, analysis, resolutions, dynamic streaming, filtering and benefits of hardware acceleration. Wrap all this up into an encoding strategy that will bring you closer to HD video on the web.

MLB Advanced Media created MLB.TV Media Player 4.0 to bring fans closer to their favorite teams with real-time and on-demand games, statistics, and commentary. The media player was developed and delivered with Adobe Flex 3, Flash Media Encoding Server, Flash Media Interactive Server, Flash Media Live Encoder, Flash Media Streaming Server, After Effects CS4, Dreamweaver CS4, Photoshop CS4, and IllustratorCS4. Major League Baseball trademarks and copyrights are used with permission of MLB Advanced Media, L.P. All rights reserved.

This expert-driven deep dive will demonstrate how to get the best quality from your H.264 encoding and publishing to the web on the Adobe Flash Platform. Topics will include encoding parameters, analysis, resolutions, dynamic streaming, filtering

Learn how a Digital Video editor relies on CS4 Production Premium to deliver compelling on-line videos for clients.

Jason Levine walks you through the process of encoding for DVDs and Blu-ray Discs in this Encore CS4 tutorial. You’ll be blown away by how easy it is.

Dave Helmly's newest video shows the new 4.1 features for Premiere Pro CS4. You'll see New RED Camera R3D Workflows, New AVCHD Presets, VOB Editing, and much much more!

In this Premiere Pro tutorial, Karl Soulé shows how the new Adobe Media Encoder CS4 lets you output multiple formats from Premiere Pro CS4 while rendering in the background.

Use Adobe Media Encoder to encode a video clip as an FLV, F4V, or MP4 file. Import video into Flash. Choose the controls to play back the video.

Adobe Video Evangelist Jason Levine shows you how the Adobe Media Encoder CS4 can take a single Premiere Pro timeline and quickly export it out to multiple sources and formats.

Join Robert Reinhardt as he discusses how engagement — the deep connection companies build with their customers over time — is fast becoming a key business imperative for companies seeking a competitive edge.

Kush uses candy as bait to attract Adobe encoder experts to ask about different encoding solutions Adobe has to offer for multi-bit rate and live encoding.

Just how do they encode those beautifully-crisp videos you see playing in the Flash Player? In this episode, learn the basic encoding rules, see the new Adobe Media Encoder, and pick up some tips and tricks along the way.

Batch encode one sequence to multiple output types with the Adobe Media Encoder.

Batch encode one sequence to multiple output types with the Adobe Media Encoder.

Join Kevan O'Brien as he discusses how shooting progressive video rather than interlaced video allows for higher quality and clearer/less noisy web video.