This year Adobe presented a panel in Sundance's New Frontier creative space: "From Script to Screen - How Technology is Empowering Filmmakers".

In PART TWO we connect with the panelists and learn how technological advances impact, inspire, & and influence their workflows.

About the panelists:
Tyler Nelson - Assistant Editor, House of Cards, Girl with the Dragon Tattoo, Social Network

Bill Yukich - editor, music videos (Shakira, Pitbull, Red Hot Chili Peppers) and commercials (Volvo, Coca-Cola, Proctor & Gamble)

Bayan Joonam - Head of Production, SoulPancake

In this episode, Dave gives you a quick tour of the new HP Z820 workstation tied together with NVIDIA's Maximus technology working in Premiere Pro CS6 and After Effects CS6. See how these 2 technologies take your workflow to the next level of compute power.

Learn how to use RED files natively in your Adobe Premiere Pro CS6 workflow. Get the most from RED Epic and Scarlet cameras and achieve seamless workflows with REDCINE-X.

I've invited Travis White from our Plug-in Partner NewBlue FX to give us a quick look at their new Titler for Premiere Pro CS6. I've found it incredibly easy to learn and offers some very cool optons for the Premiere Pro user.These guys also offer a ton of other cool effects as well. Make sure to check out their website for more cool Adobe "add-ons" http://newbluefx.com/

In this video you will see how the ProductionLink plug-in for Adobe Premiere Pro CS6 and Adobe After Effects CS6 enables users to publish directly to the Avid Interplay production asset management (PAM) system. Facilities with Avid Interplay can now use Adobe Premiere Pro CS6 and After Effects and easily incorporate Adobe Creative Suite into their workflows.

AJA Video is a leading manufacturer of high-quality, acquisition and digital video interface solutions, for broadcast and post-production. AJA’s support and integration with Adobe Mercury Transmit allows complete scalability, multi-format support, monitoring and output of complex video content.

This movie showcases the drag-and-drop video effects, effect acceleration, and video adjustment layer controls in Adobe Premiere Pro CS6. It also shows the new Mercury Playback Engine's ability to play back effects with no dropped frames. Finally, it goes on to show how to effectively render out playback when needed.

Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.

Get creative with your digital video using the Motion workspace in Photoshop CS5 Extended. Make basic adjustments to color balance, tone, curves, and more. Or experiment with one-of-a-kind video-editing features including lens corrections and the ability to apply stunning, hardware-accelerated effects filters with the Pixel Bender plug-in.

Apply show-stopping effects to your images with the Adobe Pixel Bender Plug-in for Photoshop CS5, an emerging technology available on Adobe Labs. Pixel Bender offers dozens of new hardware-accelerated filters for one-of-a-kind looks and dramatic results.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

Karl Soule demonstrates a couple different ways to work with and create stereoscopic 3D content inside of Adobe After Effects CS5.5.

In this episode, our four presenters take you through the features of Photoshop, Dreamweaver, Premiere Pro, After Effects, Photoshop, Audition and Flash Professional.

In this episode, Jason Levine covers your favorite features from Premiere Pro, After Effects, Photoshop & Audition CS5.5 for video workflows with animations.

Obin and Amariah Olson of DV3 Productions discuss advanced RED and mixed format workflows for film and video featuring Adobe Premiere Pro and After Effects.

Join Adobe evangelist Jason Levine to find out how you can to edit faster with Adobe Premiere Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine—now on workstations and laptops. Work easily with dual-system sound support; enjoy enhanced project exchange with Apple Final Cut Pro and Avid software, as well as direct integration with Adobe Story; and efficiently export with reliable batch background encoding for delivery to smartphones, tablets, and PCs.

David Dessel, owner of Metaphor Pictures, LLC, gives an end to end tour of RED editing, VFX, and color grading workflows powered by Adobe Premiere Pro and After Effects.

The Stereo 3D Glasses effect has been updated in After Effects CS5.5, including better convergence and alignment options for correcting problem footage plus a wider range of stereoscopic viewing options. Color balance workflows are also explored.

Have you ever tried to match color from shots captured on different cameras, or from footage shot on the same camera, but under different lighting conditions? In this episode of Short and Suite, Karl Soule continues to explore Color Finesse workflows inside Adobe After Effects CS5. He shows you how to use the bundled Color Finesse plug-in to neutralize white balance in your shots in order to create a common starting point for creative color grading.

Learn how Jacob Rosenberg and the Bandito Brothers power their Adobe CS5 and Canon 5D Mark II commercial and feature film workflows with HP Z800 workstations and HP DreamColor displays.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

Join the team at JibJab Media for a fast-paced session highlighting their workflows using Adobe tools. A web-based content company, JibJab Media has broken new creative ground with hilarious satirical animations. The team has also pioneered "Starring You" productions, which combine free and paid content models in novel — and successful — ways. Hear how they combine tools from Adobe Creative Suite — including Flash Professional, After Effects, and Photoshop — with the Flex framework and Flash Builder to build robust applications that are available on a wide variety of devices.

At the Adobe MAX conference, thousands of designers, developers and business leaders converge to discover the next wave of opportunities fueled by the explosion of rich content and applications across multiple screens, the merging of digital content and commerce, and workflows that bring design and development together.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

Convert images to black and white, as well as add tonal overlays, edge effects, and film grain textures.

Teaching solid design skills in a rapidly changing educational and technological arena poses challenges for institutions striving to give their graduates a competitive edge in the workplace. Bill Galbreath shows how the students at Full Sail University are using the power of the CS4 Master Collection to streamline workflow and create videos and motion graphic pieces, from concept to delivery in multiple mediums. Using many examples, he shows how the students use Premiere Pro, After Effects and Encore together to give life and meaning to their creative concepts while at the same time learning the professional workflows that can translate directly to their career choice.

Learn how the Avatar post-vis and post-production pipelines used Adobe video tools to save time and facilitate efficient workflows.

The first step in many After Effects workflows is to import footage, whether it's video, still images, or audio. Explore the multiple ways to import files and organize assets in the Project panel.

Learn how to put the new features in After Effects CS5 into action: see how the new Roto Brush, Mocha and and the Mocha Shape plug-in, color LUT support, and more can work in tandem with other CS5 Production Premium tools to transform your podt-production workflows.

Today's video production workflows benefit tremendously from applications that are designed to run natively on 64-bit operating systems. Learn what you can do to optimize your hardware for optimum performance.

Watch as Dave Helmly guides you through the basics of Blu-ray authoring with Adobe Encore. Dave also gives helpful tips on media and burners and much more..

Dave Helmly shows you Premiere Pro’s new support for Native Panasonic AVC-Intra editing. This new 4.2 update allows AVC-Intra users to work directly off their P2 cards or their local hard drive.

Efficiently track, search, and organize assets as they travel between Adobe Production Premium applications.

From Adobe OnLocation to Adobe Premiere Pro and After Effects, learn the ins and outs of capturing and editing video to get the best possible results. Then, we'll explore options for making the most of your video in Flash Professional

Get an update on the progress made by the $10 million Open Screen Project Fund in its first nine months. Watch some of the funded developers demo their applications and talk about their workflows, business results attained and distribution channels.

See how the integration between After Effects and Flash Professional opens up new creative options that enable advanced interactivity, contextual advertising, and more. Learn how to turn After Effects keyframes and markers into cue points and more.

Learn how to move your edited FCP project easily into CS4 Production Premium and learn how to author a Blu-Ray disc in Encore.

Join Dave Helmly as he shows you how to edit your iPhone 3Gs videos with Premiere Pro CS4. Dave covers how to set up your projects for realtime iPhone 3Gs editing, titling, and even using After Effects CS4.

Dave Helmly's newest video shows the new 4.1 features for Premiere Pro CS4. You'll see New RED Camera R3D Workflows, New AVCHD Presets, VOB Editing, and much much more!

Create bone systems to easily create animated hinge effects. Generate complex animations using a bone system. Preview an animation and test a movie.

Control the properties of an animation using the Motion Editor. Adjust the x and y values and property keyframes. Add effects using filters.

Learn how to create content in After Effects for export to Flash in XFL format, allowing native editing in Flash.

Create 3D effects with the 3D Rotation and 3D Translation tools. Use the Perspective Angle property to control the appearance of 3D effects.

Create animation using motion tweens. Create complex effects by creating custom motion paths and adding and editing property keyframes.

Create a seamlessly looping motion menu in After Effects for use in Encore.

Learn to create and optimize FLV files in Adobe Media Encoder, After Effects, and Adobe Premiere Pro.

Learn how to create content in After Effects for export to Flash in XFL format, allowing native editing in Flash.

Animate properties in After Effects CS4. Use the stopwatch, move the current-time indicator, and set values. Create, edit, and delete keyframes.

Exchange data between Adobe Premiere Pro, After Effects, Soundbooth, and Encore using Dynamic Link, without rendering and exporting intermediate files.

Use the selection and painting tools in Photoshop to efficiently rotoscope. Exchange files between Photoshop and After Effects.

Use XMP metadata, layer markers, composition markers, and cue points.

Join Garrett Nantz of Luxurious Animals for an insightful lesson on integrating After Effects CS4 into your Flash CS4 Professional workflows.

Dave Helmly shows off new support for the native Red R3D camera format in PremierePro and AfterEffects CS4. In this workflow video, you’ll also get performance tips and info on 2K and 4K output.

Join Jethro Villegas as he shows us demonstrations of cross-media workflows between print, video, and interactive design using best practices for content migration to Flash CS4 Professional.

Dave Helmly shows the new Quadro CX, designed by nVidia, for the Production Premium CS4 user. Applications like Premiere Pro, After Effects and Photoshop gain extra power from this card.

There's nothing better than Tapeless editing! Dave Helmly shows off the New CS4 Production Premium working with native AVCHD files, as well as some of his other favorite new features.

Exchange data between Adobe Premiere Pro, After Effects, Soundbooth, and Encore using Dynamic Link, without rendering and exporting intermediate files.

Export from After Effects in a format that can be used in Flash, with many kinds of layers and keyframes intact and editable.

Create a seamlessly looping motion menu in After Effects for use in Encore.

Convert After Effects markers to cue points for use in Flash and Flash Player using ActionScript.

Create PSD documents in Photoshop that contain 3D object layers and animate and composite the 3D object layers in After Effects.

Select mobile devices in Adobe Device Central and create After Effects compositions tailored to their video specifications.

Efficiently track, search, and organize assets as they travel between Adobe Production Premium applications

Learn to create and optimize FLV files in Adobe Media Encoder, After Effects, and Adobe Premiere Pro.

Use XMP metadata, layer markers, composition markers, and cue points.

Learn how to create content in After Effects for export to Flash in XFL format, allowing native editing in Flash.

Build an AIR prototype for distribution across multiple desktops and platforms. Add rollover effects, links, and pages. Preview an AIR package.

Learn how to create a motion tween, step by step. Animate symbols and apply special effects unique to motion tweens. Preview Flash animations.

Get an overview of text animation. Employ manual and automated text animation techniques. Adjust the range selector. Add animation properties.

Separate the x, y, and z dimensions of the Position property to gain precise, independent control over animations.

Use the Cartoon effect to turn a live-action movie into a cartoon-like movie.

Use the XML project file format to modify and dynamically update a project without running the After Effects application.

Get an introduction to color correction in After Effects CS4. Use effects to adjust hue and saturation. Adjust color balance.

Sample some of the many effects in After Effects CS4. Use Fractal Noise, Turbulent Noise, and Colorama. Turn the effects visibility on and off.

Use the Puppet tools to animate characters. Apply pins to control movement. Record movements. Preview the Puppet Overlap and Puppet Starch tools.

Tour the Timeline panel. Learn how to add footage from the Project panel to the Timeline. Use keyboard shortcuts to navigate the Timeline.

Create and name compositions. Select NTSC, PAL, and film presets, pixel aspect ratios, and frame rates. Nest multilayer compositions.

Learn the difference between projects and compositions. Create projects. Use multiple methods for opening projects and importing assets.

Get an overview of the After Effects CS4 workflow. Add effects to graphics, animate characters, and make color corrections.

See why After Effects is the industry standard for motion graphics, text animation, compositing, visual effects, and other post-production work.

Matt Kloskowski shows you the special effects options in Lightroom that you can use to add finishing touches to your photos.

See Apple's FCP and ProRes 422 codec workflow in Premiere Pro and After Effects, and Blu-ray authoring in Encore.

Take advantage of an incredible variety of workflows when using Lightroom and Photoshop together. You'll learn what your three basic options are, and how to use them for best results.

Here's After Effects CS3 working with NATIVE Panasonic P2 MFX files. Import P2 files directly into AE and start working immediately no codec conversion needed. Amazing P2 workflow for our video suite.

Learn how to preview animations. Discover the difference between the RAM and spacebar previews. Use the Work Area bar to define preview material.