Adobe Story CC Plus helps you stay on time and on budget with powerful screenwriting, reporting, and scheduling tools. Share projects and collaborate online. Use script metadata to edit video faster in Adobe Premiere Pro CC.

Get precise control of your sound with the Audio Clip Mixer in Adobe Premiere Pro CC. Adjust each clip independently for a perfect mix. Improved multicam editing makes working with multiple video angles easier. Sync entire bins of footage all at once using audio waveforms.

Integration with Adobe Premiere Pro CC and Prelude CC lets you conform scripts to video clips, create searchable metadata, and improve Speech to Text analysis. View and edit your script directly from panels inside Prelude CC and Adobe Premiere Pro CC.

Edit more efficiently with a redesigned Timeline, intuitive track targeting, and dozens of new shortcuts in Adobe Premiere Pro CC. See critical info such as duplicate frames and through edits. With Paste Attributes, you can copy and paste the specific effects you need from one clip to another.

Modern productions are built on hundreds (if not thousands) of clips. It's easy to lose track of files, proxies, and backups saved on multiple drives. Link & Locate in Adobe Premiere Pro CC helps you track down your clips quickly, making media management more efficient.

Professional video editing is faster and more efficient than ever thanks to dozens of brand-new features in Adobe Premiere Pro CC, including a redesigned timeline, improved media management, and streamlined color grading with the Lumetri Deep Color engine.

Discover how to make your productions look their best with Adobe's powerful tools for color correction. Join Adobe Certified Instructor and Master Trainer Maxim Jago as he takes you through the basics.In this session, you'll learn how to:• Interpret the Vectorscope and Waveform monitor for color correction • Do basic color correction in Adobe Premiere Pro• Leverage the tight integration between Adobe Premiere Pro and SpeedGrade to make your productions look amazing• Access the powerful color grading capabilities in Photoshop and SpeedGrade to help you create picture-perfect output for virtually any format

Discover fast editing and advanced post-production skills with Adobe Premiere Pro. Maxim Jago, Adobe Certified Instructor and Master Trainer, filmmaker, and coauthor of the Adobe Premiere Pro Classroom in a Book, brings you techniques that will set you apart as an editor.Take your post-production skills to the next level and learn:• Color correction techniques for creative and industry-standard results• Editing shortcuts to achieve more in less time• How to composite timelines• When to switch applications for more advanced work• Special techniques for multicam editing

Discover how to automatically fix common problems such as tilted horizons as well as converging verticals in buildings using Lightroom’s new Upright controls for perspective correction.

Redesigned Adobe SpeedGrade offers powerful tools for precise color correction and creative look design for colorists, editors, and visual effects artists. In this presentation, Karl Soule, Adobe Business Development Manager, will introduce the new face of SpeedGrade, including the new Shot Matcher, Look manager, and film stock emulations, and demonstrate color grading workflows with Adobe Premiere Pro.

Apply new and enhanced auto functionality in Brightness and Contrast, Levels, and Curves for easy adjustment of your images with terrific results. Intelligence from thousands of hand-retouched images is built in to give you a better starting point for making adjustments.

The Three-Way Color Corrector effect has been redesigned to make color correction easier, especially secondary color correction. In this video you'll see how to make the most of it.

If you are looking for a quick fix to improve your image quality, this lesson is for you. You'll learn about the automatic color correction functions in Photoshop.

In this episode of The Complete Picture, discover the power of making selective adjustments like dodging and burning, color corrections and noise removal using the Graduated Filter and Adjustment Brush in Lightroom 4. Note: although this video was recorded in Lightroom, the same techniques are available in Adobe Camera Raw in Photoshop CS6.

In this tutorial, learn about the wide variety of commenting tools available in both Acrobat and Adobe Reader XI, including the new Text Correction Markup tool.

Discover the basics of working with Levels inside of Adobe Photoshop Touch. This will cover the basic adjustments necessary to correct a dark image. This is a classic problem that can be fixed easily by using these techniques.

Learn some advanced tips and techniques for working with Adaptive Wide Angle inside of Adobe Photoshop CS6. This tutorial will give you a detailed look at the built-in correction tools that help you adjust the lens distortion in your own images. If you are ready to move to the next level in Adaptive Wide Angle then this video is for you.

Learn how to use the Crop and Lens Correction controls to straighten images and correct for perspective.

NAPP Instructor RC Concepcion goes over how easy it is to correct your images with Lens Aware Adjustments in Photoshop CS6. RC will even go into making further corrections in Photoshop's new Adaptive Wide angle filter.

Photoshop CS6 has been vastly improved to speed up your workflow. In improving Auto corrections, your images are now processed faster, giving you more time to experiment and be creative.

One of the new effects included with Audition CS6 is automatic pitch correction. This lesson shows you how to give singers perfect pitch and also introduces the new Spectral Pitch display.

Speedgrade is a professional color correction application that has lots of great benefits and features. Speedgrade is typically used at the beginning and end of of a workflow.

This lesson will guide you through a basic workflow for optimizing the overall tone and color in your digital images.

Adobe Evangelist Jason Levine shows how to use the clip time stretching and real time pitch correction in Audition CS6.

Sr. Product Manager Patrick Palmer shows how to use secondary color correction in SpeedGrade CS6.

Get creative with your digital video using the Motion workspace in Photoshop CS5 Extended. Make basic adjustments to color balance, tone, curves, and more. Or experiment with one-of-a-kind video-editing features including lens corrections and the ability to apply stunning, hardware-accelerated effects filters with the Pixel Bender plug-in.

Dramatically improve the quality of your images by automatically removing lens artifacts such as geometric distortion, chromatic aberration, and vignetting. Photoshop CS5 instantly applies the right correction based on the camera and lens used to shoot the image. Now you can quickly create and deliver the highest quality images, and even get better results with HDR merges and panoramas.

Once again a customer question turns into an episode with the idea of something Colin calls Super Zoom. Colin shows you how to combine a high resolution still image with video so the camera can zoom into macro levels without the image getting pixelated. Using After Effects motion reframes and color correction, this can be achieved to create a seamless blend between video and a still.

This tutorial offers a walkthrough of Catalyst’s built-in support for Illustrator-based workflow. Learn how to go from one program to another to make graphical adjustments and corrections on the fly.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine walks you through some basic techniques for using Secondary Color Correction in Premiere Pro CS5.5, focusing on skin tones, as well as individual color selections for more intricate grading tasks…all played in real-time thanks to the amazing, 64-bit Mercury Playback Engine.

Join Karl Soule as he demonstrates how to use an external control surface to manipulate the controls of Color Finesse inside of Adobe After Effects.

In this episode of Short and Suite, Technical Evangelist Karl Soule demonstrates how to use Color Finesse along with Adobe After Effects' built in masking tools to perform secondary color corrections.

The Stereo 3D Glasses effect has been updated in After Effects CS5.5, including better convergence and alignment options for correcting problem footage plus a wider range of stereoscopic viewing options. Color balance workflows are also explored.

See how Photoshop CS5 uses an image file's EXIF data to make precise adjustments based on the type of camera and lens you used.

Adobe Press and video2brain show you how to apply motion tracking data to an adjustment layer and use rotoscoping on that adjustment layer to selectively perform color correction on a moving object.

In this second installment of a series of Short and Suite episodes focused on Color Finesse - the After Effects plug-in for color correcting which comes with Adobe Creative Suite CS5 Production Premium - Karl Soule dives deeper into the steps involved in performing a primary color correction to change the mood and look of some video footage he was editing in Premiere Pro earlier.

In this episode of Short and Suite, Karl Soule demonstrates how to easily move your Premiere Pro timeline to After Effects for color correction using Synthetic Aperture's Color Finesse 3 plug-in. You'll learn basic techniques to enhance and color correct your footage using this powerful tool.

Learn how Jacob Rosenberg and the Bandito Brothers power their Adobe CS5 and Canon 5D Mark II commercial and feature film workflows with HP Z800 workstations and HP DreamColor displays.

Learn how the Bandito Brothers ensure color accuracy both on location and in the edit suite with their Adobe CS5 and Canon 5D Mark II feature film workflow.

Learn how to use Photoshop CS5 Extended to remove wide angle lens distortion from high definition video footage shot with a DSLR camera.

In this Episode of the Complete Picture Julieanne demonstrates what you can do in Lightroom’s Develop module to enhance your photographs using color and tonality to change the mood and atmosphere of an image . We all know that the goal is to capture the best photograph in camera, but what happens when we aren’t at the right place at the right time? Julieanne will show you how to make subtle changes to increase the photograph’s emotional impact.

This Adobe Premiere Pro CS5 tutorial unlocks the secrets of using the 3-way Color Corrector for secondary color effects. Secondaries only affect one part of an image, leaving the other values alone. Learn how to just affect skin tone in an image, boost saturation for a green field of grass, and much more.

In this Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.

In Adobe Premiere Pro CS5 tutorial, Karl Soule shows how to adjust which areas of the video are affected by each of the 3 wheels, and how to blend the color effects better.

In this video you will learn what color correction is in Photoshop CS5.

Use the Lens Correction controls to manually or automatically correct lens distortions such as bowing and vignetting.

Perfect your images by reducing lens defects like geometric distortion, chromatic aberration, and vignetting. Save time by combining crop, straighten, and perspective correction in one operation.

Learn the best way to make global and local color and tonal corrections to your images and take advantage of new world-class noise reduction capabilities.

After Effects ships with more than 200 effects, including effects for color correction, distortion, and even audio adjustments. Search for an effect and drag and drop it onto a layer in the Timeline panel. Adjust effects in the Effect Controls panel.

Learn how to create a matte by using the Roto Brush tool for selective color correction, without tedious rotoscoping.

Cater to a client’s needs with the ability to make additions or corrections after the design process. Doug shows how to easily incorporate changes into a project without starting from scratch.

Automatically correct lens distortions and fix chromatic aberration and vignetting with Photoshop CS5 and Photoshop CS5 Extended, which use an image file’s EXIF data to make precise adjustments based on the type of camera and lens you used.

In this episode you'll learn how to take advantage of Adobe InDesign CS4's Live Preflight to catch and correct common problems before hitting your deadline.

Wide-angle lenses often introduce distortion into photos. Tall buildings look like they're leaning over, and, depending on how close you are to your subject, some things may look like they're bulging or curved. This tutorial will show how to fix that.

In this tutorial, Aharon Rabinowitz shows you how to change the weather from a sunny day at the beach to a very cloudy day. You'll learn techniques in color correction and compositing.

Jason explains how to produce and comp vocal tracks with pitch correction, reverb, compression and submixing while Karl shows us how to set up a key using Keylight.

Corey recreates a graphic that you will recognize from an upcoming movie by using the 3D options in Photoshop Extended. RC talks about correcting a distorted image using the lens correction options in Photoshop.

The big WOW feature in Camera Raw 5 is the ability to make localized corrections. Join Colin Smith as he shows you what this tool is capable of.

Product Manager Lawson Hancock demonstrates new features such as the Multitrack editor, Automatic Volume Correction, and the ASND file format.

Use the improved Dodge, Burn, and Sponge tools with the Protect Tones setting to achieve subtle and seamless corrections.

Jerry Courvoisier demonstrates how to use the local correction brush and new automask feature in Lightroom 2 to fix and enhance your images. Recorded at Photoshop World Las Vegas, 2008.

In this tutorial, Aharon Rabinowitz shows you how to change the weather from a sunny day at the beach to a very cloudy day. You'll learn techniques in color correction and compositing.

Explore effects beyond color correction and transitions. Add a four-color gradient. Change the blending mode. Save effects as presets and apply them.

Get an overview of the After Effects CS4 workflow. Add effects to graphics, animate characters, and make color corrections.

Get an introduction to color correction in After Effects CS4. Use effects to adjust hue and saturation. Adjust color balance.

Julieanne Kost shows you the power behind the new features in Adobe Camera Raw. Discover how to make non-destructive localized corrections as well as create special effects using the Adjustment Brush, Graduated Filter, and more.

Product Manager Lawson Hancock demonstrates new features such as the Multitrack editor, Automatic Volume Correction, and the ASND file format.

Get an overview of the After Effects CS4 workflow. Add effects to graphics, animate characters, and make color corrections.

Take a tour of the updated Develop module in Lightroom 2.0. Julieanne Kost shows how to make nondestructive localized corrections using the new Adjustment Brush and Graduated filter tools.

Matt Kloskowski shows you how to use the Develop module to do tonal and color corrections, the two types of edits you'll do most often in Lightroom.

Get an up-close look at the Adjustment Brush and other tools used to make localized corrections in Lightroom.

It's possible to transform facial features using Lens Correction and the Marquee tool in Photoshop CS3. Instructor Chris Orwig explores how to use these tools.

Corey, who is flying solo behind the desk this week, has a tutorial on creating a repeating shape pattern to use as a background. RC recorded an interview with Eddie Tapp about his 90 Percent method of color correction.

Jason explains how to produce and comp vocal tracks with pitch correction, reverb, compression and submixing while Karl shows us how to set up a key using Keylight.

Learn the basics of color correction using the Adobe Lightroom Develop Module, in a situation where the color and density of the photograph are wide open to interpretation.

Photoshop CS3 Extended can open up video files. Richard Harrington explains how to utilize this to achieve color correction that is not available in the traditional non-linear editing environment.