Colin takes advantage of the HP Z800’s massive horsepower combined with the raw speed of the 64-bit Adobe Media Encoder 5.5 to show you how you can output different versions of your comps using a combination of After Effects, Dynamic Link and Media Encoder, while working on new composites, without missing a beat.

Premiere Pro CS5.5 improves the speed with which you can render nested sequences. You can literally nest sequences into sequences and you’ll get the benefits of the Mercury Playback Engine using both the CPU and the GPU or Graphics Processing Unit on an Nvidia card with CUDA. Throw the HP Z800 workstation into the mix and you see rendering speeds like you have never seen before.

Colin’s back showing off how fantastic his Z800 workstation performs with the new Adobe 5.5 software. In this episode he shows you how to send a complete Premiere Pro sequence to a multitrack project in the new Adobe Audition 5.5. From there he shows how you can add effects to individual clips, or complete tracks with lots of built-in effects or support for VST and AU plug-ins. Once complete, this project can be send back to Premiere Pro CS5.5 or exported to OMF or Final Cut Pro XML.

Are you looking for the Tasks that you’re used to in Soundbooth when you start using Adobe Audition 5.5? Colin will show you a step by step walkthrough between to the two applications, pointing out where the same operations are in Audition. He’ll also point out that Audition is much more powerful at all the tasks you’re used to using in Soundbooth, including Noise Reduction, Time Stretching, Automatic Click Remover, DeHummer, Looping and more. The fact that he’s demonstrating all this on his “wicked fast” HP Z800 workstation makes Audition all the more powerful.

Learn how an entry-level workstation built with the brand new Intel Xeon E3 processor can give you unprecedented editing performance in Premiere Pro CS5.5 at an unbeatable price.

What are Solid State Drives and how do they impact your workflow? Karl Soule shows you how to get maximum productivity in your video editing and motion graphics workflow by using this exciting new technology.

Premiere Pro CS5.5 and it's faster-than-ever Mercury Playback Engine, provides unprecedented productivity. Learn how a professional-grade workstation with Intel Xeon processors, combined with CS5.5, enables you to work faster and be more creative than ever.

After Effects CS5.5 features some great new features such as Warp Stabilizer and Camera Lens Blur. Learn how a professional-class workstation with Intel Xeon processors can give you blazingly fast previews and rendering to let you get your work done faster than ever before.

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

Work in 10-bit color with Premiere Pro CS5 and Quadro solutions. In this brief video, learn how to improve your workflow by viewing and editing content from a rich, 10-bit color platform.

Learn how Jacob Rosenberg and the Bandito Brothers power their Adobe CS5 and Canon 5D Mark II commercial and feature film workflows with HP Z800 workstations and HP DreamColor displays.

Learn how the Bandito Brothers ensure color accuracy both on location and in the edit suite with their Adobe CS5 and Canon 5D Mark II feature film workflow.

See how Rudy Sarzo, Heavy Metal Rocker-turned Video Editor, harnesses the power of Adobe CS5 Production Premium and HP Mobile Workstations to fuel his creativity.

Speed up production with GPU-Accelerated plug-ins This brief tutorial provides an overview of the benefits of choosing CUDA-enabled plug-ins, that include increased productivity to a more fluid workflow.

Watch this fun HP video, developed by Goodby, Silverstein & Partners. Adobe After Effects and PhotoShop were utilized to create animated characters who interact with the real world.

Watch how photographer Sally Wiener Grotta has taken advantage of "invisible technology" in order to save money, time and better be able to follow her inspirations.

Go behind the scenes on the ambitious new superhero film, Scubaman! See how the new HP Z800 workstation and Adobe CS5 Production Premium made the entire production possible.

Julieanne Kost shows how to use the incredible power of Variables, an often overlooked feature in Photohshop that can save you loads of time.

Julieanne Kost shows you the advantages of working with Smart Objects in Photoshop. Learn how to use this powerful feature to add more flexibility to your workflow.

Julieanne Kost gives an in-depth overview of the Layers Panel in Photoshop CS3 and explains how to use it to composite multiple images together.

Julieanne Kost explains the benefits of working with Raw files and shows you how to use Adobe Camera Raw for maximum quality and flexibility.

Julieanne Kost shows several techniques for cropping and straightening images in Photoshop CS3.

Eddie Tapp shows how to use special blur effects and a soft-edge mask to take a traditional portrait into a new creative look.

Eddie Tapp shows how to add a great soft look to a portrait with the MZ Soft Focus technique and easily keep areas sharp like eyes, lips and hair.

In this tutorial on portrait retouching techniques, Eddie Tapp shows how to fix imperfections in clothing with the Liquify filter in Photoshop.

Eddie Tapp shows how to make eye enhancements, minimize skin wrinkles and take out imperfections in portraits.

Working with a high contrast image, Jim DiVitale shows how the Photoshop Shadow/ Hightlight adjustment tool is used to selectively control the contrast and saturation to enhance the image.

Jim DiVitale shows how to use the Photoshop Lens Blur filter. A photograph is changed to a selective focus image with exact control of what is sharp and what falls out of focus.

Jim DiVitale shows Photoshop's ability to blend a photograph of steam into a coffee cup using a blend mode to quickly merge these very different images into one.

Julieanne Kost demonstrates the push and pull of metadata to allow Lightroom and Bridge to work together seamlessly.

Julieanne Kost covers choosing and setting preferences for rendering files to be used with an external image manipulation program such as Photoshop.

Julieanne Kost walks through the options in the Export dialog box including export destination, file naming, images settings, metadata, and "after export" options.

Learn how to import virtual sets from Cinema 4D into After Effects, and how to use chroma keying, masks, mattes, layers and blend modes for compositing.

Julieanne Kost covers how to rename individual images, batch rename groups of images, and create and save file-naming templates.

Julieanne Kost shows how to best move and work with files, and demonstrates how Lightroom keeps track of images if they're moved.

Julieanne Kost shows several ways of viewing and organizing images including using, moving and creating folders, quick collections and collections.

Julieanne Kost shows several ways to select and compare images in order to edit a series of images, and then stack based on time or custom groupings.

Julieanne Kost shows you everything you know to navigate your images efficiently while in the Grid and Loupe views in the library.

Julieanne Kost covers the additional options when importing files into Lighroom from their current location, shortcuts, and working with a Raw + JPEG workflow.

Julieanne Kost describes how to import files from a media card including options for previewing, file handling and applying develop settings, metadata and keyword information.

Julieanne Kost explains how to set up, save and swap text and/or graphical identity plates, customize the module picker, and create your own custom end panel.

Julieanne Kost discusses the advantages of using the Digital Negative (DNG) file format and provides several different conversions to DNG workflow examples.

Julieanne Kost covers Lightroom's interface including modules, panels, the filmstrip, and tool bar as well as essential keyboard shortcuts to navigate Lightroom more rapidly.

Julieanne Kost covers the advantages of working with a database program including multiple catalog support and customizing preferences for your specific workflow.