Edit audio with extraordinary precision. Easily remove specific audio elements in just a few clicks using the new Sound Remover. With Preview Editor, you can visually compare waveform tweaks, view multiple file sections simultaneously, and more.

Deliver balanced color and distinctive, visually vibrant looks. Shot Matcher lets you work faster by automatically correcting for subtle differences in footage to achieve a consistent feel between clips, within scenes, and across your entire project.

Conform to today's broadcast regulations with a loudness monitor you can reference as you work. The TC Electronic ITU Loudness Radar panel provides visual feedback so you can quickly find and fix audio passages that exceed volume limits.

Adobe Creative Cloud provides all the tools you need to go from script to screen and beyond to create your greatest work. It gives you the very latest versions of the tools and services you love, coupled with more efficient ways to collaborate with your peers and share your work with the creative community. In this video, Adobe Evangelist Jason Levine showcases many of the tools, including Adobe Premiere Pro CC, After Effects CC, SpeedGrade CC, Prelude CC, Story CC Plus, and Adobe Audition CC. You can now access Creative Cloud from the web, from the applications you love, from your desktop, or even from your mobile device.

Professional video editing is faster and more efficient than ever thanks to dozens of brand-new features in Adobe Premiere Pro CC, including a redesigned timeline, improved media management, and streamlined color grading with the Lumetri Deep Color engine.

Scenes from popular 3D modeling and animation software CINEMA 4D can be used directly as footage inside After Effects CC without the need to render first. This eases roundtripping between the programs and opens up numerous creative possibilities.

Modern productions are built on hundreds (if not thousands) of clips. It's easy to lose track of files, proxies, and backups saved on multiple drives. Link & Locate in Adobe Premiere Pro CC helps you track down your clips quickly, making media management more efficient.

Edit more efficiently with a redesigned Timeline, intuitive track targeting, and dozens of new shortcuts in Adobe Premiere Pro CC. See critical info such as duplicate frames and through edits. With Paste Attributes, you can copy and paste the specific effects you need from one clip to another.

Integration with Adobe Premiere Pro CC and Prelude CC lets you conform scripts to video clips, create searchable metadata, and improve Speech to Text analysis. View and edit your script directly from panels inside Prelude CC and Adobe Premiere Pro CC.

A Live 3D Pipeline in After Effects CC brings CINEMA 4D scenes in as layers — without intermediate rendering. Separate complicated elements from backgrounds using the Refine Edge tool. Stabilize specific objects within a scene with Warp Stabilizer VFX.

A major upgrade to the much-loved Warp Stabilizer, VFX adds the ability to choose which objects within a scene get stabilized, reverse a stabilization, and preserve a scene's original scale to fix tricky shots such as aerial fly-throughs.

Quickly apply rich, beautiful, preset color grades in Adobe Premiere Pro CC thanks to the Lumetri Deep Color Engine. With the Looks Browser, preview and add looks from Adobe SpeedGrade CC as easily as adding a dissolve. Also import LUTs from other systems.

Get maximum creative impact from all the tools in your Creative Cloud by discovering the ease and power of its video solutions. Tools like Adobe® Premiere® Pro and Adobe® After Effects® allow you to create simple text animations in five minutes, and using Adobe® Audition to clean up audio or remove sounds. Take Photoshop or Adobe® Illustrator® further by seeing how to easily animate in After Effects — if you've used Puppet Warp in Photoshop, learn how to animate it! Expand your output potential by learning the right way to produce video for tablets and mobile devices.

Adobe is helping video pros and fimmmakers push the boundries of storytelling like never before.

In this movie, Steve Grisetti shows how to add and customize the transitions available in Premiere Elements 11. The application includes dozens of available transitions, and Steve covers how to use them to create a polished movie.

Discover the power of this industry-standard video-compositing, motion-graphics-design and animation tool. Learn how it integrates with the Creative Suite, see how it is used in television and film to create special effects, how to composite scenes with blue/green screen keying, and complete creative tasks like drawing, 3D, and titles.

Review some of the fun new effects available in AE CS6 including the Cycore HD effects and other built in plug-ins. Along the way, you'll discover why updating many of these effects to 32-bit in this version of After Effects is so important.

This movie showcases the drag-and-drop video effects, effect acceleration, and video adjustment layer controls in Adobe Premiere Pro CS6. It also shows the new Mercury Playback Engine's ability to play back effects with no dropped frames. Finally, it goes on to show how to effectively render out playback when needed.

This lesson looks at the effects enhancements in Audition CS6, including updates to the Parametric Equalizer, channel mapping, and new effects like the Graphic Phase Shifter and the Doppler Shifter.

Find out how to use SmartMix to add music and sound effects without overpowering your dialogue or background audio

Learn how to retime your audio in Adobe Audition.

In this video, learn how to repair and heal your audio in Adobe Audition.

In this episode, you'll see how the applications within Production Premium work together including Premiere Pro, After Effects, Media Encoder and Audition.

How to use automation modes in the Adobe Premiere Pro's audio mixer.

This episode is for all the After Effects users who want to easily get their audio from the timeline into Audition for editing and multitrack composition. We’ll start with some on location sound and show you now to create a new multitrack version that includes free sound effects from Resource Central which is built in to Audition.

Paul Trani demonstrates how, using Flash Professional, you can create a simple voice-controlled game that uses data from the microphone of a mobile device to move graphics.

Get an overview of the latest high performance audio tools that give you faster startup, more responsive playback and editing, new effects, multi-core effects processing, and multi-effects application.

Learn the proper workflow for using Audition with After Effects CS5.5 to enhance the sound when audio is already embedded in video sources. Includes a tutorial for using Audition's Dynamics Processing module to improve the loudness of voiceovers.

In this Premiere Pro Basics series we'll cover these two useful and powerful features. Automate to sequence can help you get a jump start on framing out the story or timeline while applying an effect across multiple clips (like a cross dissolve) will speed the editing process along.

Join Dennis as he discusses and shows a workflow that provides flexibility when using Dynamic Link and After Effects. After Effects plus Premiere Pro make for a unique and powerful combination for content creators. This workflow provides flexibility within Premiere Pro to allow users the ability to jump back or rebuild the effect if they find their first attempt wanting.

With Adobe® Captivate® you can make your learning come alive with rich animation effects. You can create object animations within Adobe® Captivate® 5, by choosing from an extensive list predefined effects like straight-line motion, rotation, and glow.

Industry veterans Karl Soulé and Kevin Monahan discuss the powerful audio editing workflow and effects built into Adobe Premiere Pro CS5.

Picking up from the last time, watch Dennis as he takes the Photoshop file created from our picture and bring it into After Effects to give it life, movement and the pursuite of 3D. Learn some basics of animating a still inside of After Effects with this tutorial.

Picking up from the last episode, learn how to take your custom DVD menu designed in Adobe Photoshop into Adobe Encore to author it as part of a DVD. Then jump into Adobe After Effects to create an animated menu open that will make your final product pop.

After Effects makes it simple to use text as an outline for a different layer. Karl Soule’ explains how.

There are 2 different ways to add effects to audio in Premiere Pro. Karl Soule’ walks through both techniques, and when to use each technique.

In part 2 of this 2 part episode of The Complete Picture, Julieanne Kost continues to show you how to create a video file using an image sequence in Adobe CS4 Photoshop Extended. This episode focuses on adding effects and audio.

The first step in many After Effects workflows is to import footage, whether it's video, still images, or audio. Explore the multiple ways to import files and organize assets in the Project panel.

After Effects ships with more than 200 effects, including effects for color correction, distortion, and even audio adjustments. Search for an effect and drag and drop it onto a layer in the Timeline panel. Adjust effects in the Effect Controls panel.

Learn about using Soundbooth CS5 to edit, repair, and enhance audio. Record voiceovers, remove unwanted noises, add effects, and integrate professional sounding audio projects in other Creative Suite applications.

In this final part of our 'Day of Destruction', Dennis winds up his mock 2012 promo. In this episode, you'll see the finishing touches as well as get an insight into an innovative way to work with audio with Soundbooth for an After Effects project.

In this video tutorial, Eran Stern reveals the first text trick in his series and shows how to design an audio waves animation with the After Effects Text Tool.

Looking for something dynamic and new for your After Effects work? In this second of a four part series, Dennis shows the essential techniques to have elements come together in smokey bits again with no third party effects.

Dennis is beginning another series of how to create motion graphics and visual effects inside of After Effects. In this first part, Dennis creates three useful building blocks for a later composition.

In this relatively short episode, Dennis takes our grungy creation and shows you how to easily create a 3D box inside of After Effects with a little help from a free script.

"In My Heart and InDesign" continues as Jason covers bringing Adobe Audition 3 stems into Soundbooth CS4 to make a final mix and Karl reviews making text animate to sounds in After Effects.

Karl shows how new effects in After Effects CS4 are used to create a cartoon look, while Jason creates the "down & dirty" sound used for guitar and drum tracks in Audition 3.

Premiere Pro CS4 has gotten a HUGE number of improvements including some that you probably don’t know about. Join Dennis as he dives into his personal top 10 on this episode of Adobe Beginner Classes.

CS4 is out and ABC has taken a break from the format to dive into Dennis’ top 10 personal favorites of After Effects CS4.

Dennis explores the use of presets in After Effects to make an interesting element that can be used in a variety of situations. Besides, it’s just cool looking!

After a hiatus, Adobe Beginner Classes is back! Join us as we cover a technique for removing silence in Audition 3.0 and the first of two parts on how to create 3D text inside of After Effects with no plugins.

Join Dennis as he does the second part of a tutorial on creating exciting 3D text inside of After Effects with no 3rd party plugins. The final piece is something you'll want to see and learn so you can do the same!

In this tutorial, Dennis will teach you the ABC's of an easy way to use Adobe After Effects to create easy 3D elements with a camera.

In this After Effects tutorial, Karl Soule goes over some of the new features in Adobe After Effects CS4 including enhanced Search functionality and Nested Comps.

In this episode, learn the basics on the ideas of cloning in After Effects: learn how to paint copies of objects on video or remove them.

In My Heart and InDesign, a music video created by the Adobe TV team, showcases new features in CS4 Production Premium.

Karl delves into the advanced Puppet Tool and using nested comps to add video elements to a still, while Jason goes over Multiband Processing & Exporting the Mixdown.

In My Heart and InDesign" continues as Jason covers bringing Adobe Audition 3 stems into Soundbooth CS4 to make a final mix and Karl reviews making text animate to sounds in After Effects.

Jason explains how to produce and comp vocal tracks with pitch correction, reverb, compression and submixing while Karl shows us how to set up a key using Keylight.

Jason explains how to work with Analog Modeled effects to create stereo/mono mixes while Karl covers nested compositions and using plug-ins to achieve the look of the video.

Karl covers the puppet pin tool and motion sketching in After Effects while Jason dazzles us with the Guitar Suite, submixing, and creating big drums.

Karl shows how new effects in After Effects CS4 are used to create a cartoon look, while Jason creates the "down & dirty" sound used for guitar and drum tracks in Audition 3.

In this episode, Aharon continues to explore how audio can be used to control time, but he expands on that by showing you how it can be used to change the look of the footage as well.

Aharon Rabinowitz shows you how to use audio to control time. You'll learn how to make your video automatically move forward in time to the music's beat!

In pt 2 of Photoshop Dreamgirl, Karl continues to go over the new 3D features of CS4 Photoshop Extended and Jason shows how to stylize a 50's audio mix in Audition.

There are some Adobe ones who just can’t stop partying - even at work! Kush talks to D.J. Occlusion about remixing sounds downloaded from Resource Central. He also talks about many ways to watch his show.

Correct contrast and color using effects. Open the Effects panel. Access video and audio effects and transitions. Use Auto Contrast and Change to Color.

Jason explains how to use Audition 3 to automate the mixdown process, while Karl discusses the use of the new CS4 MochaAE planar tracker.

Karl discusses using point trackers and expressions in After Effects CS4, and Jason talks about using MIDI tracks and VSTi in Audition 3.

Karl delves into the advanced Puppet Tool and using nested comps to add video elements to a still, while Jason goes over Multiband Processing & Exporting the Mixdown.

Join Dennis as he shows how to create volumetric light on text inside of After Effects, and teaches how to prevent DVD coasters in Encore.

Dive into the world of Audio with Dennis Radeke as he shows you how to make your audio sound better using Soundbooth and Audition. Also learn about Photoshop's time-saving Actions feature.

Get a few of Dennis' favorite shortcuts in Photoshop, an introduction to text animation presets in After Effects and some crucial tips on how to record a better voice over track. All this and more!

Carl covers the puppet pin tool and motion sketching in After Effects while Jason dazzles us with the Guitar Suite, submixing, and creating big drums.

Get a few of Dennis' favorite shortcuts in Photoshop, an introduction to text animation presets in After Effect's and some crucial tips on how to record a better voice over track.

Jason explains how to work with Analog Modeled effects to create stereo/mono mixes while Karl covers nested compositions and using plug-ins to achieve the "look" of the video.

An overview of compositing elements from Cinema4D into After effects, compiling in Premiere Pro, repairing audio in Soundbooth, and Dynamic Link workflow.

Jason explains how to produce and comp vocal tracks with pitch correction, reverb, compression and submixing while Karl shows us how to set up a key using Keylight.

Karl covers the basics of Rotobezier masking and using Lumakey effects to add a shadow in After Effects CS3 while Jason explains Stereo Processing for guitars and Mastering the Mix in Audition 3.

In his inaugural show, join Dennis Radeke as he reviews the interface of After Effects, teaches sound track creation in Soundbooth and the cool Automate to Timeline feature inside of Premiere Pro.

Karl covers how to use HD footage in an SD project while Jason cleans up a garage recording to turn it into a master.