Modern productions are built on hundreds (if not thousands) of clips. It's easy to lose track of files, proxies, and backups saved on multiple drives. Link & Locate in Adobe Premiere Pro CC helps you track down your clips quickly, making media management more efficient.

In this latest instalment of the Create Now online event series, we take you through the latest exciting developments in our video technologies. With video guru Jon Barrie, we take some sneak peeks at the new technologies within Adobe® Premiere® Pro and get a masterclass in creating amazing video content with Adobe Creative Cloud™ tools.

Adobe Premiere Pro is a powerful NLE connecting all of your media as it flows in and out of post-production. Join Jason Levine to learn how to move your media and your creative decisions between Adobe Premiere Pro, After Effects, Photoshop, Audition and more.

Join Jason Levine as he introduces you to the new, more efficient editing features added to Adobe Premiere Pro Next including a redesigned timeline, improved media management, and streamlined color grading.

The Dalet Xtend module for Adobe Premiere Pro CS6 provides seamless workflow collaboration between the Dalet Media Asset Management (MAM) platform and Adobe Premiere Pro CS6.

See how Adobe Premiere Pro CS6 integrates with the new metadata-rich e-SHUTTLE system from MOG. See how within the Adobe Premiere Pro CS6 application you can control e-SHUTLLE recording functions such as starting and stopping the recording and batch capture.

See how the Strawberry panel from FlavouSys integrates with Adobe Premiere Pro CS6 and enables users to view and organize media.

See a demonstration of how Adobe Premiere Pro CS6 integrates with the Harris NEXIO Server and NewsForce newsroom production solutions.

Learn how an off-the-shelf Digital Asset Management (DAM) application integrates with Adobe Premiere Pro CS6 and enables editors to work entirely within the Adobe Premiere Pro CS6 application.

Learn how Pond5's panel integration with Adobe Premiere Pro CS6 enables quick and easy access to stock media content right within the Adobe Premiere Pro CS6 application.

Learn about Telestream's Episode integration with Adobe Premiere Pro CS6 which enables users to offload encoding tasks to other systems.

Learn how to quickly and easily search for assets on shared storage and pull them into your project, directly from within Adobe Premiere Pro CS6.

Learn how the Octopus Newsroom plug-in module integrates Adobe Premiere Pro CS6 into the OCTOPUS workflow. See how you can access OCTOPUS stories and scripts and simultaneous edit text and video with Octopus Newsroom and Adobe Premiere Pro CS6.

Adobe Story supports multiple script types, including Multi-Column and AV Scripts. Regardless of the format, if there's dialogue in the script, you can share it with Adobe Premiere Pro to improve the accuracy of speech to text analysis. This episode introduces multiple script formats using Story Free, and shows you how to share your script with Adobe Premiere Pro.

Check out new slow- and fast-motion effects, FilmLooks that let you quickly add Hollywood style, simpler ways to adjust and split clips, and more. See how Adobe Premiere Elements 11 gives you more power and greater ease of use.

Take a tour of the new, modern interface in Adobe Premiere Elements 11. See where to find key tools and options in the three-column Organizer, learn your way around Quick and Expert editing workspaces, and see how to add transitions, effects, and other enhancements to your movies. Finally, learn how to share your finished movies to disc, YouTube™, Vimeo, and more.

Is your video footage poorly exposed, or does it have bad color or contrast? Learn easy ways to fix these issues using Adobe Premiere Elements 11. This tutorial shows you how to use the Adjust options in Quick editing mode to apply an automatic fix, or to individually adjust color, lighting, and temperature and tint using sliders and adjustment previews. Also see how to quickly trim clips as you edit them together.

Get a clear overview of Adobe Premiere Elements 11 with this tour of the Organizer and Editor workspaces. See where to import clips, preview them, organize them into albums and folders, add tags and other information, create InstantMovies, and quickly share in a variety of ways. Also see what's included in the Quick and Expert editing workspaces, and get a look at enhancement options including transitions, effects, music, and more.

Adobe Premiere Elements 11 makes it easy to share your videos with family and friends. See how to quickly post clips to YouTube, Facebook and Vimeo.

In this video you will see how you can search and browse the FORK media asset database without leaving Adobe Premiere Pro. Now you can select timelines created in the FORK editor, clips or entire bins, and simply drag and drop them into an Adobe Premiere Pro project, and when the edit is done send the completed sequence, ready for air, direct to FORK or fulfill a placeholder from a newsroom control system.

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

Sean Kilbride from NVIDIA talks about how Adobe Premiere Pro CS6 and NVIDIA GPUs were used in the editing of the Heavy Hand music video.

VPMS is arvato Systems’s MAM system that serves as a cross-funcitonal control unit for broadcasting processes with the infrastructure of video server, editing and graphics. See how VPMS now integrates with Adobe Premiere Pro for an effective and simplified workflow.

The foundation of Harmonic’s solution is the Media Application Server (MAS), a SOA-based platform that hosts and coordinates applications that comprise an enterprise-class content management, preparation and delivery platform. Built in conjunction with MediaSmiths, the Adobe Premiere CS6 content panel allows editors to directly browse & select content managed by their MAS system, pulling the content directly into to an edit session.

In this video you'll get a chance to see how adding an Adobe Partner Panel can add additional features to your Adobe applications. I've selected Pond 5 as a featured partner to show this off. You'll be able to quickly add clips to your Project Bin directly within Premiere Pro CS6. Pond5 is free to sign up and start using. You'll have the option to purchase the HiRes versions of the clips once see how they work in your existing project. It's an excellent workflow and a great way to add clips to any project. Here's the link to get the free plug-in for Premiere Pro CS6: Pond 5 Premiere Plugin

Learn how to use RED files natively in your Adobe Premiere Pro CS6 workflow. Get the most from RED Epic and Scarlet cameras and achieve seamless workflows with REDCINE-X.

In this video you will see how the ProductionLink plug-in for Adobe Premiere Pro CS6 and Adobe After Effects CS6 enables users to publish directly to the Avid Interplay production asset management (PAM) system. Facilities with Avid Interplay can now use Adobe Premiere Pro CS6 and After Effects and easily incorporate Adobe Creative Suite into their workflows.

The IPVLive plug-in enables growing, frame-accurate proxies to be streamed directly into Adobe Premiere Pro CS6 in a multi-user environment across a standard IT network. The IPVLive panel enables the user to stay within the Adobe Premiere Pro CS6 interface and quickly produce highlight packages and promos.

Adobe Premiere Pro CS6 integrates with LiveCut to combine ingest, metadata handling and post-production into a single, streamlined easy-to-use interface. See how LiveCut records all edits being performed as an Edit Decision List (EDL), which is converted into a multicam timeline for immediate and fast post-production.

The Bluenet plugin for Adobe Premiere CS6 enables access to the graphics templates used in news broadcasts and can be directly applied as timeline elements. Learn about Cloud based or local template driven self-service graphics solutions which together with Adobe Premiere Pro CS6, reduce time to air, cost per graphic and facilitate centralization and collaboration.

Adobe Premiere CS6 integrates with the Viz Media Engine, which enables media production and distribution on many platforms. Now through a custom panel within Premiere Pro CS6 users can access and publish assets to the Viz Media Engine, and overlay graphic elements to the timeline.

Users can through the custom panel for MXF Server in Adobe Premiere Pro CS6 utilize the features of MXF Server such as quota management, growing files, rights management, project locking and much more. This video shows how all these features are accessible right within the Adobe Premiere Pro CS6 User interface.

Bluefish444 manufactures the high quality uncompressed SD/HD/2K/4K SDI video cards for professional editors. Its Epoch and Create 3D video cards integrate tightly with Adobe Mercury Transmit for complete monitoring, scaling and support for video output.

Blackmagic Design known for its high-quality, affordable DeckLink capture cards; its groundbreaking USB 3.0 and Thunderbolt technology–based video products; offers complete integration of Adobe Mercury Transmit to provide scalability and multi-format video output.

Matrox offers the only I/O solutions on the market that let you deliver H.264 files up to five times faster than software alone without sacrificing quality. Fully integrated Adobe Mercury Transmit support lets you scale, monitor, and output in any format you need — from analog and HDMI to HD-SDI.

AJA Video is a leading manufacturer of high-quality, acquisition and digital video interface solutions, for broadcast and post-production. AJA’s support and integration with Adobe Mercury Transmit allows complete scalability, multi-format support, monitoring and output of complex video content.

Ted Schilowitz discusses his use of RED with Adobe Premiere Pro. Learn how native editing of RED files speed the post-production process.

One of the most elegant features of Prelude is its ability to integrate directly into Adobe Premiere Pro. This lesson shows you how to instantly share clips, subclips, and Rough Cuts with Adobe Premiere Pro.

Discover Adobe Premiere Pro, an application used by videographers to edit, manipulate, and export their video projects.

This movie showcases the drag-and-drop video effects, effect acceleration, and video adjustment layer controls in Adobe Premiere Pro CS6. It also shows the new Mercury Playback Engine's ability to play back effects with no dropped frames. Finally, it goes on to show how to effectively render out playback when needed.

Join Meagan as she talks to Kenny Mosher, winner of the Red 4k Portrait Challenge, about his project and his experience working with Adobe Premiere Pro & Adobe After after Effects.

www.showdownvisual.com

Product Manager Al Mooney provides an introduction to Adobe Premiere Pro CS6.

Join Karl Soule, Business Development Manager at Adobe, as he unveils and demos the exciting new features in Adobe Premiere Pro CS6. See how Adobe Premiere Pro CS6 combines incredible performance with a sleek revamped UI, and a host of powerful new creative features, including Warp Stabilizer for stabilizing footage, dynamic timeline trimming, expanded multicam editing, adjustment layers, and more for a fluid workflow.

See how nVidia Maximus technology can increase performance in Adobe Premiere Pro for faster, more fluid editing compared to when using the software only mode even while using more layers and real-time effects.

In this episode, Director/Cameraman/Editor David Dessel chronicles his emotional journey switching from Final Cut Pro to Adobe Premiere CS 5.5.

Author Rich Harrington demonstrates how to integrate still images into your Adobe Premiere Work Flow.

In this episode of Short and Suite, Karl Soule shows how to use Cineform Neo3D for the Mac to edit stereoscopic 3D content natively in Adobe Premiere Pro.

Thinking about switching to Adobe Premiere Pro CS5.5? Join Karl Soule as he shares some of the tricks that can make that transition easier as well as a variety of assets which will help you make an informed decision. *Please check the comment section for a list of links used in this video*

See how Adobe CS5.5 Production Premium makes it easier than ever for you to use the right tool for the job. With easy project exchange between Final Cut Pro or Avid editing tools and Adobe Premiere Pro, you can easily integrate Adobe CS5.5 Production Premium into your current workflow.

In this episode you'll learn how to conduct online project reviews in real time from within Adobe Premiere Pro.

Join Adobe evangelist Jason Levine to find out how you can to edit faster with Adobe Premiere Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine—now on workstations and laptops. Work easily with dual-system sound support; enjoy enhanced project exchange with Apple Final Cut Pro and Avid software, as well as direct integration with Adobe Story; and efficiently export with reliable batch background encoding for delivery to smartphones, tablets, and PCs.

David Dessel, owner of Metaphor Pictures, LLC, gives an end to end tour of RED editing, VFX, and color grading workflows powered by Adobe Premiere Pro and After Effects.

Learn the new presets, intuitive context menus, and dramatically enhanced watch folder support in Adobe Media Encoder CS5.5 to make outputting your work for delivery everywhere a simple and intuitive process.

Learn how the Mercury Playback Engine in Adobe Premiere Pro CS5.5 takes performance to the next level, so that you get even faster playback of mixed-format timelines and more GPU-accelerated effects and transitions.

Learn how the new Merge Clips feature in Adobe Premiere Pro CS5.5 can save you hours of editing time by providing dual-system sound support that enables you to quickly match audio and video tracks recorded on separate devices and media. Plus, learn how new user-requested enhancements give you a efficient editing workflow.

In this Adobe Story episode, Jason Levine shows how to streamline your editing workflow when importing your Adobe Story script directly into Adobe Premiere Pro for easy clip editing.

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

Edit in a new dimension – 3D Stereo! Immerse yourself in a true stereoscopic 3D, collaborative visualization experience, and see remarkable detail with NVIDIA® 3D Vision™ Pro solutions, Adobe Premiere Pro and Cineform Neo3D.

See how Al Mooney, Product Manager for Adobe Premiere Pro, integrates script, written or edited in Adobe Story, with Premiere Pro for faster and smoother editing of clips.

Acclaimed cinematographer, Shane Hurlbut, talks about how Adobe Premiere Pro CS5 and the Canon 5D Mark II was used on his film "Act of Valor".

Acclaimed cinematographer, Shane Hurlbut, talks about how and why he uses Adobe Premiere Pro CS5 for editing DSLR footage for his training course, HDSLR Bootcamp.

In this brief video, Worldwide Product Evangelist Jason Levine will explain the basis of transcoding, showcasing the workflow outside of CS5; he''ll then show you what a native workflow is all about in Premiere Pro CS5, and explain some scenarios for staying native or moving to an intermediate codec. This video also points out some of the misconceptions about transcoding, but also highlights some of the round-tripping capabilities of CS5 with FCP and AMC.

Learn the steps of the basic Adobe Premiere Pro workflow, from importing to editing to exporting.

Learn how to export a sequence, or a part of a sequence, into any of a number of formats. This instruction includes the use of the Export Settings dialog box, and Adobe Media Encoder.

Learn about video editing with Adobe Premiere Pro. Import assets, find footage with Speech Search and Face Detection, composite and apply effects with the Mercury Playback Engine, and output through the Adobe Media Encoder.

Breakthrough performance: See how the new Mercury Playback Engine and native tapeless support (including for R3D, DSLR footage, XDCAM, P2 and more) in Adobe Premiere Pro CS5 can take your post-production workflows into a whole new realm of productivity.

Exchange data between Adobe Premiere Pro, After Effects, Soundbooth, and Encore using Dynamic Link, without rendering and exporting intermediate files.

This installment of Atomic Learning's ePortfolio workshop covers how to use Adobe Premiere Elements to prepare video for your PDF portfolio.

Batch encode one sequence to multiple output types with the Adobe Media Encoder.

Add chapter markers to a sequence and send it to Encore. Make changes in Adobe Premiere Pro sequences that appear in the Encore Timeline.

Get an overview of what Premiere Pro is and what it can do. Create video and output it to a wide variety of formats. Import and edit files.

Follow a typical workflow from import of high-definition video, to creation of Photoshop and After Effects files, to batch encoding.

Learn to create and optimize FLV files in Adobe Media Encoder, After Effects, and Adobe Premiere Pro.

Create a sequence-ready Photoshop file, import a layered PSD, play Photoshop video, and use Photoshop rotoscoping, in Adobe Premiere Pro.

Learn how to streamline a DVD project using Creative Suite Production Premium. Save time by using Dynamic Link to move data between Adobe Premiere Pro, Bridge, and Encore.

A surprise appearance by somebody who seems to be Kush's evil rap cousin explains the gear needed to run Adobe Premiere Pro CS3 & shows off his own gear.