Larger than life, Bandito Brothers provides inside look at Navy SEALs’ heroics through Act of Valor,produced using Adobe Creative Suite Production Premium software.
Products covered:
Product Version: CC
Views: 10,345
Added: Feb 24, 2012
Runtime: 00:03:52
Tags:
encoding
,
Adobe Premiere Pro
,
CS5.5
,
DSLR
,
Final Cut Pro
,
Photoshop
,
after effects
,
cs5
,
edit
,
fcp
Karl Soule shows you how easy it is to use this new tool, jointly developed by Adobe and Intel, that automatically specs out a high-performance workstation that fits your workflow. It even shows you how quickly you will recoup your investment!
Find out how to leverage Adobe After Effects to create engaging and rich online advertising campaigns. Learn how PointRoll combines the power of After Effects with Adobe Flash Professional to create compelling and highly interactive rich media that's ready for the multiscreen environment. In this session, you'll also find out how to optimize your video for web deployment, establish best practices, embed metadata/cue point markers for integration with Flash, and use tracking data from mocha for After Effects CS5.5 (included with After Effects) to enable dynamic video.
Products covered:
Product Version: CC
Views: 3,592
Added: Oct 05, 2011
Runtime: 01:01:22
Tags:
adobe
,
CS5.5
,
after effects
,
mocha
,
MAX 2011
Learn the best skills and techniques for editing DSLR video using Adobe Creative Suite 5.5 Production Premium. Thanks to their exceptional image quality, their low-light capabilities, and the ability to shoot using standard 35mm DSLR lenses that give your footage the look of expensive film-based cameras, HDSLR cameras are rapidly finding their way into video production at all levels.
Products covered:
Product Version: CC
Views: 2,402
Added: Oct 04, 2011
Runtime: 01:09:35
Tags:
adobe
,
Film
,
editing
,
hdslr
,
35mm
,
Cameras
,
Creative Suite CS5.5
,
MAX 2011
,
low-light
Mathias Möhl (http://www.mamoworld.com/) has developed an excellent script for AE users: mochaImport. In this video Mathias, teaches how use the script for advanced composite techniques in After Effects.
Mathias Möhl (http://www.mamoworld.com/) has developed an excellent script for AE users: mochaImport. In this video Mathias, teaches how use the script for intermediate composite techniques in After Effects and shows how to recreate an HP commercial look of frozen and unfrozen pictures within a picture frame.
Ben Heusner of Curious Turtle training offers this tutorial covering advanced roto techniques with mocha and After Effects such as procedural matting. Note: tutorial was done with older mocha interface, but work-flow is the same.
Carl Larsen shows how to track and replace a sky horizon with mocha, After Effects and mocha shape plug-in. Note: This tutorial was done using mocha for After Effects v2 interface but workflow is the same.
Mathias Möhl (http://www.mamoworld.com/) has developed an excellent script for AE users: mochaImport. In this great video Mathias, teaches how use the script for advanced composite techniques in After Effects. He inserts mechanics into his arm using only planar tracking techniques available in mocha, and 2D elements in After Effects.
In this episode, you'll see how the applications within Production Premium work together including Premiere Pro, After Effects, Media Encoder and Audition.
Products covered:
Product Version: CC
Views: 7,043
Added: Sep 13, 2011
Runtime: 01:05:50
Tags:
Mercury Playback Engine
,
Premiere Pro
,
Cuda
,
DSLR
,
Warp Stabilizer
,
after effects
,
audio editing
,
audition
,
h.264
,
omf
Developer Evangelist Paul Trani shows how easy it is to manipulate entire sets of layers with a new feature in Flash Professional CS5.5 to duplicate aspects of an animation or create After Effects style compositions.
In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly.
In this episode, our four presenters take you through the features of Photoshop, Dreamweaver, Premiere Pro, After Effects, Photoshop, Audition and Flash Professional.
Products covered:
Product Version: CC
Views: 3,619
Added: Jul 12, 2011
Runtime: 01:03:12
Tags:
Flash
,
Premiere Pro
,
3D Repousse
,
CS5.5
,
CSS3
,
Greg Rewis
,
Jason Levine
,
Media Queries
,
Photoshop
,
Photoshop
In this episode, Jason Levine covers your favorite features from Premiere Pro, After Effects, Photoshop & Audition CS5.5 for video workflows with animations.
Products covered:
Product Version: CC
Views: 3,520
Added: Jul 12, 2011
Runtime: 00:15:42
Tags:
Premiere Pro
,
CS5.5
,
Jason Levine
,
Photoshop
,
after effects
,
animation
,
audition
,
video workflows
Meet a new breed of filmmakers who are changing the rules for film production and distribution. Defying the big, bloated movie budgets of the past, today’s digital rebels are making their films fast and with surprisingly low budgets. But make no mistake, the caliber and quality of these films is right up there with the best of the best. In this video, you’ll meet a few trailblazers from this new generation of filmmakers and learn about the tools they’re using.
Products covered:
Product Version: CC
Views: 8,214
Added: Jun 30, 2011
Runtime: 00:03:32
Tags:
After Effects CS5.5
,
DSLR
,
Premiere Pro CS5.5
,
Production Premium CS5.5
,
digital filmmaking
,
digital mavericks
,
ex3
,
hdslr
,
r3d
In this episode, Jason Levine showcases Camera Lens Blur, Light Falloff and 3D Camera Rig in After Effects CS5.5, along with the amazing new Warp Stabilizer effect, classic Puppet Tool and Dynamic Link workflow.
Products covered:
Product Version: CC
Views: 3,926
Added: Jun 30, 2011
Runtime: 00:17:17
Tags:
3D Camera Rig
,
CS5.5
,
Camera Lens Blur
,
Jason Levine
,
Light Falloff
,
Puppet Tool
,
Warp Stabilizer effect
,
after effects
,
dynamic link
*Best viewed in HD* Last Man Standing: A team of detectives called to investigate a dead body are surprised to find that the body is the caller. ----- This is our entry for the San Francisco 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend! ----- More details at www.48hourfilm.com/sanfrancisco and vimeo.com/25480586
Here's a quick look behind the scenes of our recent stereoscopic 3D movie, "Last Man Standing." Our team wrote, shot and edited a short S3D movie in a single weekend!
Products covered:
Product Version: CC
Views: 1,158
Added: Jun 22, 2011
Runtime: 00:03:47
Tags:
After Effects CS5.5
,
Premiere Pro CS5.5
,
S3D
,
cineform
,
indie
,
sf48hfp
,
stereoscopic 3D
*Best viewed in HD* LAST MAN STANDING: A team of detectives called to investigate a dead body are surprised to find that the body is the caller.
-----
This is a 48 second teaser video of our entry for the SF 48 Hour Film Project. Our team wrote, shot and edited a stereoscopic 3D movie in a single weekend!
-----
More details at www.48hourfilm.com/sanfrancisco
Products covered:
Product Version: CC
Views: 2,414
Added: Jun 20, 2011
Runtime: 00:00:48
Tags:
After Effects CS5.5
,
Cineform Neo3D
,
Premiere Pro CS5.5
,
San Francisco 48 Hour Film Project
,
Team Obidobi
,
sf48hfp
,
stereoscopic 3D
Learn how to deliver cinematic visual effects and sophisticated motion graphics with Adobe After Effects CS5.5 software, now with sophisticated stabilization, new lens and lighting effects, and the most efficient performance ever.
Products covered:
Product Version: CC
Views: 1,476
Added: Apr 12, 2011
Runtime: 00:26:02
Tags:
Jason Levine
,
after effects
,
motion graphics
,
visual effects
In the world of video production, time is money. Karl Soule shows you all you need to know to get maximum performance from the applications in Adobe Production Premium CS5.5. Learn all the hardware-related factors that influence how the software behaves, and see how to properly balance a system with Intel Xeon processors, the right amount of RAM, and high-performance Intel solid state drives.
Products covered:
Product Version: CC
Views: 33,228
Added: Apr 11, 2011
Runtime: 00:11:59
Tags:
Premiere Pro
,
Premiere
,
Professional
,
RAM
,
VFX
,
accelerated
,
after effects
,
aftereffects
,
cache
,
compatible
Apply realistic blurs to perfectly shot footage to create elegant attributes of a soft focus image with the Camera Lens Blur effect in After Effects CS5.5.
Products covered:
Product Version: CC
Views: 34,253
Added: Apr 10, 2011
Runtime: 00:03:53
Tags:
Adobe CS5.5
,
Camera Lens Blur
,
Jason Levine
,
after effects
,
production premium
,
realistic blurs
,
soft focus image
In the real world, light intensity diminishes naturally the further lit objects are from the light source. The Light Falloff feature in After Effects CS5.5 gives you the controls you need to simulate natural illumination falloff in a 3D scene—or create other light intensity effects.
Products covered:
Product Version: CC
Views: 11,358
Added: Apr 10, 2011
Runtime: 00:02:00
Tags:
Adobe CS5.5
,
Jason Levine
,
Light Falloff
,
after effects
,
illumination
,
light intensity
,
production premium
Learn how to stabilize hand-held footage to look as if it had been shot with a complicated, expensive camera rig with the new Warp Stabilizer in After Effects CS5.5
Products covered:
Product Version: CC
Views: 101,684
Added: Apr 10, 2011
Runtime: 00:04:57
Tags:
Adobe CS5.5
,
Jason Levine
,
Warp Stabilizer
,
after effects
,
production premium
,
shaky footage
Premiere Pro CS5.5 improves the speed with which you can render nested sequences. You can literally nest sequences into sequences and you’ll get the benefits of the Mercury Playback Engine using both the CPU and the GPU or Graphics Processing Unit on an Nvidia card with CUDA. Throw the HP Z800 workstation into the mix and you see rendering speeds like you have never seen before.
Products covered:
Product Version: CC
Views: 4,300
Added: Apr 10, 2011
Runtime: 00:04:23
Tags:
Mercury Playback Engine
,
Premiere Pro
,
Cuda
,
HP
,
Premiere
,
Professional
,
RAM
,
VFX
,
Z800
,
accelerated
Colin’s back showing off how fantastic his Z800 workstation performs with the new Adobe 5.5 software. In this episode he shows you how to send a complete Premiere Pro sequence to a multitrack project in the new Adobe Audition 5.5. From there he shows how you can add effects to individual clips, or complete tracks with lots of built-in effects or support for VST and AU plug-ins. Once complete, this project can be send back to Premiere Pro CS5.5 or exported to OMF or Final Cut Pro XML.
Products covered:
Product Version: CC
Views: 9,290
Added: Apr 10, 2011
Runtime: 00:06:53
Tags:
Premiere Pro
,
5.1
,
AU
,
DAW
,
HP
,
Multitrack
,
No Stupid Questions with Colin Smith
,
Premiere
,
Professional
,
RAM
This new effect gives you the ability to create the optical effect of a real camera lens blur. If you need to add depth to a scene, or obscure something in the frame, Camera Lens Blur will do that and make it look completely realistic. You also have complete control parameters like iris shape, blur maps, super whites, gain and threshold.
Products covered:
Product Version: CC
Views: 13,083
Added: Apr 10, 2011
Runtime: 00:04:58
Tags:
Premiere Pro
,
32-bit color
,
HP
,
Premiere
,
Professional
,
RAM
,
VFX
,
Z800
,
accelerated
,
after effects
Learn more about the new Warp Stabilizer's Result and Smoothness settings, Stabilization Method, choices for how to treat the borders of an image, and automatic scaling options.
The Warp Stabilizer's ability to automatically distinguish between foreground and background requires user intervention on some shots, such as a greenscreen stage with tracking dots in the background. Learn how to work around these issues.
Products covered:
Product Version: CC
Views: 13,370
Added: Apr 10, 2011
Runtime: 00:08:25
Tags:
Warp Stabilizer
,
auto
,
background
,
dots
,
foreground
,
greenscreen
,
tracking
,
Adobe After Effects CS5.5
Chris Meyer gives an overview of the significant updates to 3D space inside After Effects CS5.5, and then explores the creative options provided by the new 3D Light Falloff parameters.
Products covered:
Product Version: CC
Views: 14,005
Added: Apr 10, 2011
Runtime: 00:05:20
Tags:
3D space
,
Chris Meyer
,
Light Falloff
,
parameters
,
Adobe After Effects CS5.5
After Effects CS5.5 sports several new tools that automatically sets a 3D camera's depth of field focal plane to align with chosen objects inside your 3D worlds.
Products covered:
Product Version: CC
Views: 8,709
Added: Apr 10, 2011
Runtime: 00:03:57
Tags:
3d
,
align
,
depth of field
,
plane
,
sports
,
Adobe After Effects CS5.5
After Effects CS5.5 makes it easy to create a 3D Orbit Camera Rig, which simplifies circular animations. Chris Meyer expands on this by demonstrating how to perform smooth crane and zoom moves with this rig as well.
Products covered:
Product Version: CC
Views: 13,598
Added: Apr 10, 2011
Runtime: 00:05:23
Tags:
3d
,
Chris Meyer
,
camera rigs
,
circular
,
orbit
,
zoom
,
Adobe After Effects CS5.5
The greatly improved Camera Lens Blur effect in After Effects CS5.5 allows you to add the same advanced iris simulations and highlight enhancements to already-shot 2D footage offered in CS 5.5 by the impressive new 3D camera depth of field.
Products covered:
Product Version: CC
Views: 16,412
Added: Apr 10, 2011
Runtime: 00:04:36
Tags:
2D
,
3d
,
Camera Lens Blur
,
depth of field
,
effect
,
Adobe After Effects CS5.5
The Stereo 3D Glasses effect has been updated in After Effects CS5.5, including better convergence and alignment options for correcting problem footage plus a wider range of stereoscopic viewing options. Color balance workflows are also explored.
Products covered:
Product Version: CC
Views: 11,269
Added: Apr 10, 2011
Runtime: 00:04:28
Tags:
3D Glasses
,
Stereoscopic
,
color balance
,
correction
,
effect
,
footage
,
problems
,
Adobe After Effects CS5.5
After Effects CS5.5 includes the long-requested ability to save a project file back to the prior version. Chris Meyer demonstrates how this interacts with the new features added in CS5.5, including the ability to remember CS5.5-specific effects.
Products covered:
Product Version: CC
Views: 6,206
Added: Apr 10, 2011
Runtime: 00:03:38
Tags:
Chris Meyer
,
Save
,
effects
,
project
,
Adobe After Effects CS5.5
An oft-overlooked issue in stereoscopic production is how the point of convergence relates to the viewing plane. Chris Meyer demonstrates adding 3D depth of field blur to the equation to create more realistic, easier-to-view scenes.
Products covered:
Product Version: CC
Views: 5,535
Added: Apr 10, 2011
Runtime: 00:07:39
Tags:
3D focus
,
Depth
,
Stereoscopic
,
blur
,
convergence
,
conversions
,
production
,
Adobe After Effects CS5.5
See how to quickly apply the new Warp Stabilizer to footage for instant gratification, including setting the Smoothness amount as well as choosing between Smooth Motion and No Motion.
Explore the new Warp Stabilizer's advanced settings, including its innovative Synthesize Edges option. In the process, you will learn how to make custom adjustments to compensate for problem footage.
Explore the greatly enhanced 3D Camera Depth of Field options in After Effects CS5.5, including realistic iris simulations as well as the ability to enhance specular highlights.
Products covered:
Product Version: CC
Views: 13,965
Added: Apr 10, 2011
Runtime: 00:05:15
Tags:
3d
,
Camera
,
depth of field
,
realistic
,
specular highlights
,
Adobe After Effects CS5.5
See how After Effects CS5.5 greatly eases the creation and control of stereoscopic camera rigs for 3D layers. Chris Meyer explains the resulting chain of compositions, including how to preview, where to add stereo footage, and what to render.
Products covered:
Product Version: CC
Views: 9,596
Added: Apr 10, 2011
Runtime: 00:05:20
Tags:
3d
,
Camera
,
Chris Meyer
,
Stereoscopic
,
composition
,
footage
,
rig
,
Adobe After Effects CS5.5
Learn how the new stereoscopic 3D camera rig plus resulting chain of compositions in After Effects CS5.5 are manipulated by the Stereo 3D Controls effect, including setting camera separation (inter-axial distance) and the convergence options.
Products covered:
Product Version: CC
Views: 7,618
Added: Apr 10, 2011
Runtime: 00:03:35
Tags:
3d
,
Camera
,
Stereoscopic
,
compositions
,
control effects
,
separation
,
Adobe After Effects CS5.5
Chris Meyer shows how a visually oriented person can take advantage of the Favorites and Presets in Audition to improve their After Effects soundtracks, from utilities such as Repair DC Offset to creative possibilities such as lo-fi simulations.
Products covered:
Product Version: CC
Views: 6,257
Added: Apr 10, 2011
Runtime: 00:06:23
Tags:
Chris Meyer
,
DC Offset
,
Simulations
,
audition
,
creative
,
lo-fi
,
repair
,
soundtracks
,
Adobe After Effects CS5.5
Learn the proper workflow for using Audition with After Effects CS5.5 to enhance the sound when audio is already embedded in video sources. Includes a tutorial for using Audition's Dynamics Processing module to improve the loudness of voiceovers.
Chris Meyer reviews existing methods to work on one portion of a chain of compositions while viewing the final result in another, then introduces a new feature in After Effects CS5.5 that simplifies opening a second viewer for side-by-side work.
Products covered:
Product Version: CC
Views: 4,813
Added: Apr 10, 2011
Runtime: 00:02:10
Tags:
Chris Meyer
,
compositions
,
edit
,
look
,
side-by-side
,
viewer
,
viewing
,
Adobe After Effects CS5.5
Review recent enhancements for finding sources, effects, and parameters that may be buried deep inside an After Effects project, including the new-in-CS5.5 "Most Recently Used" search terms - plus the power of "and" versus "or" searches.
Products covered:
Product Version: CC
Views: 1,685
Added: Apr 10, 2011
Runtime: 00:04:05
Tags:
most recently used
,
new
,
parameters
,
searches
,
searching
,
sorting
,
Adobe After Effects CS5.5
As an extension of Adobe's recent focus on metadata and being able to track information throughout a production, After Effects CS5.5 now has the ability to access the Media Start and End times as well as "tape" names for assets that include them.
Products covered:
Product Version: CC
Views: 6,205
Added: Apr 10, 2011
Runtime: 00:04:01
Tags:
Source
,
Timecode
,
end
,
media
,
metadata
,
start
,
Adobe After Effects CS5.5
Gain a better understanding of how After Effects takes advantage of both RAM and disk caching for both individual layers and entire compositions to improve performance and reduce rendering times.
Products covered:
Product Version: CC
Views: 3,457
Added: Apr 10, 2011
Runtime: 00:04:58
Tags:
Caching
,
Enhanced
,
RAM
,
disk
,
layers
,
performance
,
render
,
Adobe After Effects CS5.5
Chris Meyer demonstrates the new 3D Point Control for expressions, plus the ability to tie together effects with complex arbitrary controls. He also lists the additions and enhancements to both expressions and scripting in After Effects CS5.5.
Products covered:
Product Version: CC
Views: 3,949
Added: Apr 10, 2011
Runtime: 00:04:25
Tags:
3d
,
Chris Meyer
,
Expression
,
Point
,
control
,
enhance
,
Adobe After Effects CS5.5
Learn how an entry-level workstation built with the brand new Intel Xeon E3 processor can give you unprecedented editing performance in Premiere Pro CS5.5 at an unbeatable price.
Products covered:
Product Version: CC
Views: 3,711
Added: Apr 10, 2011
Runtime: 00:04:49
Tags:
Premiere Pro
,
Premiere
,
Professional
,
RAM
,
VFX
,
accelerated
,
after effects
,
aftereffects
,
cache
,
compatible
Premiere Pro CS5.5 and it's faster-than-ever Mercury Playback Engine, provides unprecedented productivity. Learn how a professional-grade workstation with Intel Xeon processors, combined with CS5.5, enables you to work faster and be more creative than ever.
Products covered:
Product Version: CC
Views: 5,573
Added: Apr 10, 2011
Runtime: 00:13:04
Tags:
Premiere Pro
,
Premiere
,
Professional
,
RAM
,
VFX
,
accelerated
,
after effects
,
aftereffects
,
cache
,
compatible
After Effects CS5.5 features some great new features such as Warp Stabilizer and Camera Lens Blur. Learn how a professional-class workstation with Intel Xeon processors can give you blazingly fast previews and rendering to let you get your work done faster than ever before.
Products covered:
Product Version: CC
Views: 4,631
Added: Apr 10, 2011
Runtime: 00:12:10
Tags:
Premiere Pro
,
Premiere
,
Professional
,
RAM
,
VFX
,
accelerated
,
after effects
,
aftereffects
,
cache
,
compatible
What are Solid State Drives and how do they impact your workflow? Karl Soule shows you how to get maximum productivity in your video editing and motion graphics workflow by using this exciting new technology.
Products covered:
Product Version: CC
Views: 7,909
Added: Apr 10, 2011
Runtime: 00:03:42
Tags:
Premiere Pro
,
Premiere
,
Professional
,
RAM
,
VFX
,
accelerated
,
after effects
,
aftereffects
,
cache
,
compatible
Before diving in to the details, you'll want to get a big-picture view of After Effects. In this video, you'll see how the pieces fit together and learn the basic terms that will be used throughout this training.
Products covered:
Product Version: CC
Views: 16,390
Added: Jan 25, 2011
Runtime: 00:06:48
Tags:
Learn By Video
,
workflow
,
Adobe Press
,
After Effects CS5
,
Interface
,
Peachpit
,
animation
,
composition
,
effects
,
export
Join Jason Levine as he explores the tapeless, native workflow for DSLR video in Creative Suite 5 Production Premium, which includes Adobe Premiere Pro, Photoshop, After Effects, and Soundbooth. HDSLR cameras are finding their way into video productions.
Learn the best creation and encoding techniques for HD video and audio distribution for the web using the tools found in Adobe Creative Suite 5 Production Premium.
Showcasing new features of Adobe Creative Suite 5 Production Premium to prepare students for future success. CS5 is the industry-standard software that teaches video production skills and enhances activities in school programs.
Products covered:
Product Version: CC
Views: 457
Added: Jun 29, 2010
Tags:
K12 Education
,
Robert McDaniels
,
video production
,
cs5 production premium
In this episode I'll show you my Top 5 Favorite features of the New Adobe Creative Suite 5 Production Premium. See what I absolutely love about Premiere Pro CS5 and After Effects CS5.
Views: 12,229
Added: Jun 14, 2010
Runtime: 00:10:54
Tags:
Favorite features
,
Top Feature
,
new features
,
terry white
,
cs5 production premium
Learn how to create and prepare artwork in Illustrator for use in After Effects. Learn how to maximize the quality and flexibility of vector graphics in After Effects.
Learn the advantages of a 64-bit After Effects application, including longer RAM previews and the ability to render larger frames. See how to allocate memory to After Effects and other applications for optimum performance.
Products covered:
Product Version: CC
Views: 27,825
Added: Apr 30, 2010
Runtime: 00:03:17
Tags:
intermediate
,
tutorial
,
Advanced
,
Mark Christiansen
,
after effects
,
cs5
,
production premium
Render and export a composition as a playable movie file. Change output module settings in the Render Queue panel to choose output format and file destination.
Products covered:
Product Version: CC
Views: 37,588
Added: Apr 30, 2010
Runtime: 00:02:36
Tags:
tutorial
,
after effects
,
beginner
,
cs5
,
production premium
,
Chad Perkins
Adobe Evangelist Jason Levine shows off cool new CS5 features for video production pros, including the powerful tools in Adobe Premiere Pro CS5, After Effects CS5, and more.