Join Corey Rich, one of the most recognized adventure and outdoor lifestyle visual storytellers, as he shares his experiences capturing photographs and video for commercial and editorial clients. Having made the transition from photography to videography, Rich will detail all that goes into developing and delivering a final video edit and a corresponding set of photographs for a commercial client. He'll also give an inside look into what drives his interest in visual storytelling.In this inspirational session, you'll learn:• How to transfer photography skills to video• How to develop your own vision using a DSLR camera• What goes into making some of the most difficult images in the world

Discover why Adobe Photoshop is an essential daily production tool and a fantastic complement to Adobe Premiere Pro. Join Abba Shapiro, Adobe Certified Instructor and Master Trainer, as he covers the basics of Photoshop and explains key functionality for use with Adobe Premiere Pro.In this session, you’ll learn how to:• Repair still images and process camera raw photos for video output• Take images back and forth between Adobe Premiere Pro and Photoshop• Use and benefit from the Photoshop ability to work with native video files

Learn how to capture, organize, and edit footage shot from your DSLR camera using a post-production powerhouse of tools including Adobe Premiere Pro, Photoshop, and Lightroom. MAX Master Jason Levine will teach you how to better use Adobe tools to:• Organize your images and video using the powerful Lightroom• Fix problem video footage using DSLR features in Photoshop• Stabilize shaky footage and fix audio problems with Adobe Premiere Pro• Edit DSLR images and video and transform them into beautiful productions• Share your video using easy-to-define presets

The act of taking a picture or shooting a video can be easy and fun, however, moving beyond the camera’s auto-settings can produce better looking images and video. In this tutorial, you will learn how manually adjusting your camera’s focus, color balance, and exposure can significantly improve the look of your images and video.

Whether you are shooting still images or video, the way you handle the camera can have an impact on your visual story. This tutorial covers the guidelines around camera handling so that your visual story has a greater impact on the viewer. Be creative and follow these guidelines to make your stories more dynamic.

In our group we experienced what students have on teachers and how it reflects the students' performance and motivation in the class. Students should be more aware of their attitude towards their education. We chose to make a youth video about expressing the relationship between the student and the teachers. To portray the message, we interviewed teachers as well as students about one's feeling about the other individual. In the beginning of the video we introduced the topic in the terms of the student's point of view in a school scene. We started with students’ opinions on general school questions, in order to obtain the students' attention on the video's subject. Afterwards we obtained information on teachers' reflections on how important their job and their relationship with each other. In the program we used transitions; we also filmed the hallway scene on a hand held device for an aspect from a student. As a group we wanted it to be cartoonish so it would look flamboyant. The beginning and the end stand out in our film the most. We want others to see that they are a part of it. And we want to see improvement in students. The audience should feel that they should change for the benefit of the teachers, their peers, and most importantly themselves. We all learned how to use the Adobe Premiere program, how to use a camera, and how to interview people. Relating to our topic we learned how students affect the teachers. We have learned the appreciation of filmmaking. One negative thing we can include is that the program repeatedly shut down, it made it difficult for the project to prosper in a way that we planned.

In this episode of The Complete Picture, Julieanne demonstrates how to use Hue, Saturation, Luminance and the Adjustment Brush to selectively control color in Lighrroom Note: although this video was recorded in Lightroom, the same techniques are available in Adobe Camera Raw in Photoshop CS6.

Kappa Studios switches from Avid to an all Adobe workflow for the production of Cartoon Network's new hit show Annoying Orange. This animated series originated online and when viewership broke a billion views it was time to take the production to broadcast. With the demand for extremely quick turn around Kappa Studios knew only Adobe video tools could meet their needs for complicated animation and accelerated post workflows to make the production a success.

The limitation on the number of camera angles in a multicamera sequence has been removed in Premiere Pro CS6. In this video you'll see just how easy it is to create a new multicamera sequence and switch between camera angles.

The Warp Stabilizer effect is very useful for removing unwanted camera movement from footage, especially wobbly handheld shots. You'll get a demonstration of this amazing new feature in this video.

In this video you'll see how easy it is to repair rolling shutter artifacts, which are common in footage from DSLRs and mobile phone cameras, using the new Rolling Shutter Repair effect.

In this episode of The Complete Picture Julieanne explains the best way to add a color tone to an image using the Split Tone and Tone Curve panels and shows how to save presets to increase your productivity. Click here to download the presets discussed in the video. Note: although this video was recorded in Lightroom, the same techniques are available in Adobe Camera Raw in Photoshop CS6.

In this episode of The Complete Picture Julieanne demonstrates the best way to convert images to Black and White as well as how to save presets to increase your productivity. Click here to download the presets discussed in the video. Note: although this video was recorded in Lightroom, the same techniques are available in Adobe Camera Raw in Photoshop CS6.

In this episode of The Complete Picture, discover the power of making selective adjustments like dodging and burning, color corrections and noise removal using the Graduated Filter and Adjustment Brush in Lightroom 4. Note: although this video was recorded in Lightroom, the same techniques are available in Adobe Camera Raw in Photoshop CS6.

In this movie, author Jan Kabili explains how to import photos from your camera's memory card or your card reader into Photoshop Elements 11. Jan also discusses how to best organize and name your photos when importing them.

The new 3D Camera Tracker can give you some amazing results in analyzing 2D footage and creating a true 3D camera to work with. But there are times when the tracker gets “fooled”. In this episode, Colin uses real-world footage that includes a camera pan, moving subject and an escalator and shows what to do when the tracker gets confused by all that motion.

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

On June 30th at the X Games in Los Angeles, CA, Team Hot Wheels made history with one of the most daring stunts in the world: the Hot Wheels Double Loop Dare. Video editor Jeff Tober, a long time Avid and Final Cut Pro editor, and the team at Bandito Brothers filmed the stunt with a total of 36 RED EPIC, Canon DSLR, and Go Pro cameras and then edited the footage in Adobe Premiere Pro on an HPZ820 RED Edition workstation in less than three hours for posting on the Mattel website and YouTube. Watch this video to learn more about how the Hot Wheels stunt film was created and how the crew overcame the tight timeline and other challenges in this shoot.

To watch the full stunt, go to www.hotwheels.com

Order HP Z820 RED Edition Workstation from TEKSERVE or PROMAX

Download a trial of Adobe CS6 Production Premium

In this video tutorial Julieanne explains one of the great mysteries of Lightroom and Bridge – why Lightroom (or Bridge) displays a photograph one way and then changes the way it looks a moment later. It will all become clear with just a little information about how digital camera files are captured and displayed by different applications.

In this video you'll get a chance to see how adding an Adobe Partner Panel can add additional features to your Adobe applications. I've selected Pond 5 as a featured partner to show this off. You'll be able to quickly add clips to your Project Bin directly within Premiere Pro CS6. Pond5 is free to sign up and start using. You'll have the option to purchase the HiRes versions of the clips once see how they work in your existing project. It's an excellent workflow and a great way to add clips to any project. Here's the link to get the free plug-in for Premiere Pro CS6: Pond 5 Premiere Plugin

Stop motion is a great technique for beginners and advanced media makers. There is lots of room for experimentation and creativity and it can work in pretty much any environment with a camera and computer. This video introduces helpful concepts and techniques required to tell exciting stories using stop motion.

Shooting video can be simple and fun if you know the basics. Not every camera is made alike, so you’ll need to spend some time with your own gear to get to know its functionality. This video explores important steps to take before, during, and after a video shoot to help create a high quality project with an efficient workflow.

In this episode, join Senior Digital Imaging Evangelist Julieanne Kost as she shows off some of the new features of Adobe Photoshop CS6 Extended, part of the new Adobe Creative Cloud. See the blazingly fast performance of the new Mercury Graphics Engine. Learn about the new improved processing and enhanced controls in Adobe Camera Raw 7, the new photographic blur effects, how to straighten objects using the new Adaptive Wide Angle, and more. Explore many of the timesaving and user-inspired enhancements including new type styles, re-engineered Shape layers, and the all-new Crop tool. Also explore the intuitive video editing capabilities of Photoshop CS6 and 3D capabilities of Photoshop CS6 Extended.

This movie shows how the multi-cam editing process has been expanded to include more camera angles and a dynamic multi-cam source monitor. It also shares some computer considerations to keep in mind when editing multi-cam footage.

Make real time adjustments powered by the Adobe Mercury Graphics Engine.

Place and track 3D elements on 2D footage for precise visual effects and motion graphics. The 3D camera tracker automatically analyzes 2D footage in the background and places elements on that footage, with complete control over depth of field, shadows, and reflections.

Take a quick look at Julieanne's favorite 6 features in Photoshop CS6 including improved processing in Adobe Camera Raw, the intuitive new Blur Gallery, time-saving type styles, re-engineered Shape layers, powerful video editing tools, and the redesigned Crop tool, and auto-select interpolation.

Download Photoshop CS6 Beta from Adobe Labs to try it out.

Here's a quick look at some Thunderbolt solutions I've been testing in my lab. In this video, you'll see an Apple MacBook Air 13" running Windows 7 64bit via Boot Camp with an activeThunderbolt port connected to Sonnet Chassis with a RED Rocket installed delivering full 4K playback on Ultra Lightweight notebook. **Note** the Mac OS does extremely well in this test as well. I only show Windows7 to help expand Thunderbolt across both platforms. The more users, the more devices.

Once again a customer question turns into an episode with the idea of something Colin calls Super Zoom. Colin shows you how to combine a high resolution still image with video so the camera can zoom into macro levels without the image getting pixelated. Using After Effects motion reframes and color correction, this can be achieved to create a seamless blend between video and a still.

As you can see nothing can stop Colin Smith from getting those power tips your way! New season coming soon so stay tuned!

In this video, Nicholas Bryan shows you a sneak peek of a potential new feature for video editing software that synchronizes video clips taken with different cameras and different vantage points into a single, immersive video.

In this video demo, Jue Wang will show you a sneak peek of a potential new feature that allows users to remove blurriness from digital photos caused by camera shake while the pictures were being taken.

Learn the best skills and techniques for editing DSLR video using Adobe Creative Suite 5.5 Production Premium. Thanks to their exceptional image quality, their low-light capabilities, and the ability to shoot using standard 35mm DSLR lenses that give your footage the look of expensive film-based cameras, HDSLR cameras are rapidly finding their way into video production at all levels.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine demonstrates how to detect, analyze and repair digitally clipped samples and distortions caused by AGC on your DSLR and other video cameras and audio-capture devices. Adobe Audition CS5.5's incredible tools for audio analysis and repair continue the application's legacy of fast, transparent, high-quality restoration.

Video Highlights: Watch how to import from a wide variety of popular devices, from compact camcorders such as Flip cameras to DSLR still cameras. Then see how to experience fluid responsiveness and high performance when editing video, even HD.

In this tutorial, Principal Worldwide Evangelist for Adobe, Jason Levine will take you 'from the camera to the timeline', showcasing a complete Ingest-Edit-Export workflow when working with DSLR video media, or really any tapeless, file-based format in Premiere Pro CS5.5. Along the way, he'll describe many of the benefits of working natively with Photoshop and After Effects as well. And, if you're coming from Final Cut Pro or Avid Media Composer, this short tutorial will have you editing and exporting your DSLR footage very quickly.

Find out why Australia's Fragile Films migrated to Premiere Pro and After Effects to edit RED footage for the feature film 'The Stolen'.

How can you take advantage of the camera integrated in most mobile devices?  Paul Trani shows you how to create an app that uses the native camera application.

This new effect gives you the ability to create the optical effect of a real camera lens blur. If you need to add depth to a scene, or obscure something in the frame, Camera Lens Blur will do that and make it look completely realistic. You also have complete control parameters like iris shape, blur maps, super whites, gain and threshold.

After Effects CS5.5 features some great new features such as Warp Stabilizer and Camera Lens Blur. Learn how a professional-class workstation with Intel Xeon processors can give you blazingly fast previews and rendering to let you get your work done faster than ever before.

In this video, Scott Fegette explains how developers can create mobile applications that take advantage of features such as multitouch, camera, and location services using the new jQuery Mobile Framework in a future version of Dreamweaver.

Check out Adobe’s video impression of Flash in The Can Amsterdam (FITC), one of Europe’s largest Flash community events. Adobe evangelist Serge Jespers and his camera crew were there to give you an overview.

This week, the Flash Pro team brings you a video sneak preview of app debugging and testing directly on devices. Check out how this will enable you to see if native capabilities, like the accelerometer, GPS or camera, are providing the right results for apps.

It's SO easy to shoot a batch of images, import them into Lightroom, prepare them, and export them ready to email to others. We'll get an overview of the process in this jump-start.

There are lots of cameras available today and each one offers different features and benefits. In this video tutorial series, you'll learn to select the appropriate camera, become familiar with the basic operations, and explore popular shooting techniques.

Every time you head out to shoot video, many challenges can come up. Whether you're creating a documentary, narrative, or personal story, to get the most out of your shoot, you should strive to be very organized before, during and after the filming. This video explores best practices for youth video shoots and provides many guidelines that will help yield smooth productions.

There are lots of cameras available today and each one offers different features and benefits. In this video tutorial series, you'll learn to select the appropriate camera, become familiar with the basic operations, and explore popular shooting techniques.

There are lots of cameras available today and each one offers different features and benefits. In this video tutorial series, you'll learn to select the appropriate camera, become familiar with the basic operations, and explore popular shooting techniques.

Learn how to use Photoshop CS5 Extended to remove wide angle lens distortion from high definition video footage shot with a DSLR camera.

In this episode, Total Training shows you how to capture media from a DV camera in Adobe Premiere Elements 8.

Join Jason Levine as he explores the tapeless, native workflow for DSLR video in Creative Suite 5 Production Premium, which includes Adobe Premiere Pro, Photoshop, After Effects, and Soundbooth. HDSLR cameras are finding their way into video productions.

Join Richard Weinberg of the USC School of Cinematic Arts to explore high-resolution motion picture optical microscopy. Weinberg developed a system for shooting movies with a RED One camera through a microscope and created a ten-minute movie, "MicrOrganisms," in 4K resolution that premiered in December 2009 at the CineGrid conference. This session reviews the image capture, editing, and visual effects process and how Weinberg used this system to stream live HD microscopy from Los Angeles to Yokohama, Japan, for an interactive presentation at SIGGRAPH Asia.

Learn how to setup your camera correctly for the appropriate white balance, color quality, and recording format. You’ll also discover how to get better focus and create more stable shots when shooting video with your DSLR camera. Find out how to review clips, drop clips into the timeline, and adjust levels, saturation or color in Adobe Premiere Pro.

Learn how to shoot better quality video by recording better audio in the field. Discover which microphones, tools, and techniques are best for shooting events or interview footage with your DSLR camera. Find out how to synch your audio and video in Adobe Premiere Pro as well as edit or remove background noise.

Learn the essential settings for lighting and exposure when shooting with DSLR cameras. Find out which lighting tools are available and the benefits of three-point lighting, filters and reflectors. You’ll also discover how to fix lighting problems in DSLR footage using Adobe Premiere Pro.

In this multi-part series, Jason Levine will cover the step-by-step process of working with DSLR video in Premiere Pro CS5, from the Camera to the Timeline to the Web and beyond. If you're a photographer looking to get into DSLR video, or maybe you're already shooting video but just don't know how to get started, Jason will cover all the basics, including tips for adding images, music, text, PSD files and more, all the way through exporting to popular sites like YouTube and Vimeo.

Learn how to use the Organizer to download images from your digital camera and import them into your catalog in one efficient step.

One of the questions Terry White gets all the time is "How do I open up a JPG file in Camera RAW?" Learn how to take advantage of Adobe Camera RAW's ease of use and non-destructive workflow in this episode of the Adobe Creative Suite Video Podcast.

Join Dave Helmly as he walks you through a complete workflow for 3D Stereoscopic editing in PremierePro CS5. In this 60 minute tour , Dave will cover various rigs, 3D viewing options, Realtime editing, and export.

Learn how to create, set up, and manipulate 3D cameras with the improved camera tools.

See how to get all the benefits of real-time, on-set logging even when working with tapeless cameras with OnLocation CS5.

With a video camera in their hands, young people can realize the power of their own voice and recognize the clarity of their own vision. Video lets them tell their own stories, express their own views and opinions, and interpret the world.

In this episode of Short and Suite, Jason Levine shows you how to create a multicam video using a variety of different cameras so that the frame rates, frame sizes and aspect ratios all match up perfectly.

Most Photographers want to know if there is a difference between using Lightroom to make adjustments as opposed to using camera raw controls when opening into Photoshop through Bridge? Is it the same camera raw technology? Julieanne Kost answers this frequently asked question while Kush thinks about ways to edit his pictures of the ocean front of Trieste Italy.

Gabriel Powell introduces you to the Camera Raw feature. This tutorial is taken from Adobe Photoshop CS4 Learn by Video - the official training for the Adobe Certified Associate exam: www.peachpit.com/learnbyvideo.

Watch as Dave Helmly walks you through Premiere Pro’s new support for Native editing with the Flip HD camera and other "Pocket USB" video cameras. Many of these newer video cameras now offer HD in 720p and 1080p modes.

Get photos from a camera or card reader into your computer and indexed in Elements. See why it's best to import from a USB card reader. Use with either Photoshop Elements version 7 or 8.

In this tutorial, Dennis will teach you the ABC's of an easy way to use Adobe After Effects to create easy 3D elements with a camera.

This video provides an overview of using footage from the RED ONE camera inside of CS4 Production Premium.

Learn how the new DNG camera profiles in Adobe Photoshop CS4 and Lightroom 2 can easily adjust the look and feel of your images. Julieanne Kost walks you through the entire process.

Join Dave Helmly as he shows you how to edit your iPhone 3Gs videos with Premiere Pro CS4. Dave covers how to set up your projects for realtime iPhone 3Gs editing, titling, and even using After Effects CS4.

Dave Helmly's newest video shows the new 4.1 features for Premiere Pro CS4. You'll see New RED Camera R3D Workflows, New AVCHD Presets, VOB Editing, and much much more!

Apply color and tonal adjustments to areas of a photo, like traditional dodging and burning, with the Adjustment Brush and Graduated Filter.

Develop raw photographs using Adobe Camera Raw. Navigate the Raw panels. Adjust the Temperature and Tint sliders. Use the White Balance tool.

Video Evangelist Karl Soulé shows you how DV and HDV camera owners can save time and money today by taking advantage of Tapeless Workflows using Adobe OnLocation CS4.

Join Karl Miller as he shows us how anyone with a digital video camera or webcam can create a podcast channel and join the ranks of the thousands of podcasters in the world.

Dave Helmly shows off new support for the native Red R3D camera format in PremierePro and AfterEffects CS4. In this workflow video, you’ll also get performance tips and info on 2K and 4K output.

Thiss video takes a quick look at the FCP importer for PremierePro 4.01. Even Windows users can now import FCP Projects! Also new in 4.01 is OMF Export.

Dave Helmly shows the new Quadro CX, designed by nVidia, for the Production Premium CS4 user. Applications like Premiere Pro, After Effects and Photoshop gain extra power from this card.

There's nothing better than Tapeless editing! Dave Helmly shows off the New CS4 Production Premium working with native AVCHD files, as well as some of his other favorite new features.

Dave Helmly shows you the Rimage Disc Publishing system working with Adobe Encore and Blu-ray. See how easy it is to go from Encore to the Rimage system for fully automated disc publishing.

Use the Photo Downloader Utility included with Photoshop. Retrieve images from a digital camera. Organize photos on a hard drive. Name images.

Use the Photo Downloader Utility included with Photoshop. Retrieve images from a digital camera. Organize photos on a hard drive. Name images.

This video shows off Premiere Pro's multi video format support. See Sony XDCAM EX, Panasonic P2, HDV, and DV all on the same timeline in their native formats and working cross platform. Just Edit!

Watch Premiere Pro 3.2 and Sony's XDCAM EX editing in action. Check out cross-platform editing and learn how to use Photoshop for making quick lower thirds from frames of HD video.

See Apple's FCP and ProRes 422 codec workflow in Premiere Pro and After Effects, and Blu-ray authoring in Encore.

Check out our new NATIVE support for Panasonic's P2 line of cameras. Ingest, Edit, and Export Native P2 MXF files with no Codec conversion. You can even share projects between Win and Intel OSX.

Here's After Effects CS3 working with NATIVE Panasonic P2 MFX files. Import P2 files directly into AE and start working immediately no codec conversion needed. Amazing P2 workflow for our video suite.