Join Adobe evangelist Jason Levine to find out how you can to edit faster with Adobe Premiere Pro CS5.5 software, which offers cross-platform, native file–based workflows as well as GPU-accelerated filters and effects with the enhanced Adobe Mercury Playback Engine—now on workstations and laptops. Work easily with dual-system sound support; enjoy enhanced project exchange with Apple Final Cut Pro and Avid software, as well as direct integration with Adobe Story; and efficiently export with reliable batch background encoding for delivery to smartphones, tablets, and PCs.

Learn the proper workflow for using Audition with After Effects CS5.5 to enhance the sound when audio is already embedded in video sources. Includes a tutorial for using Audition's Dynamics Processing module to improve the loudness of voiceovers.

In this tutorial, Sr. Worldwide Evangelist Jason Levine takes you through the process of setting up the Adobe Audition for Mac beta to record in the multitrack environment. You'll be taken step-by-step through the process of selecting the correct sound device, adjusting session properties, basic tracking, adding track & clip effects, creating busses, and performing a final mixdown.

Download the Audition for Mac beta

This piece uses photography and sound effects to illustrate a playful story about a missing lunchbox.

Learn about using Soundbooth CS5 to edit, repair, and enhance audio. Record voiceovers, remove unwanted noises, add effects, and integrate professional sounding audio projects in other Creative Suite applications.

Kick-start your soundtrack with royalty-free content: Soundbooth CS5 comes with over 9,000 sound effects and over 100 customizable Soundbooth Scores.

Join Jason Levine as he uses Adobe Premiere Pro and Magic Bullet to create the ‘look’ of his finalized video. He also shows you how to use Dynamic Link to modify a logo in After Effects.

Premiere Elements gives you your own recording studio to play with. This Premiere Elements CS4 tutorial gets into specifics on how to mix sound tracks and sound effects.

Adobe Beginner Classes takes you from nothing to a finished broadcast slate in 24 minutes? Yes. Along the way, you'll learn about compound blur, shape layers, repeaters and more. Sounds like fun right? Then come on down!

Karl shows how new effects in After Effects CS4 are used to create a cartoon look, while Jason creates the "down & dirty" sound used for guitar and drum tracks in Audition 3.

"In My Heart and InDesign" continues as Jason covers bringing Adobe Audition 3 stems into Soundbooth CS4 to make a final mix and Karl reviews making text animate to sounds in After Effects.

Premiere Pro CS4 has gotten a HUGE number of improvements including some that you probably don’t know about. Join Dennis as he dives into his personal top 10 on this episode of Adobe Beginner Classes.

In My Heart and InDesign" continues as Jason covers bringing Adobe Audition 3 stems into Soundbooth CS4 to make a final mix and Karl reviews making text animate to sounds in After Effects.

In this video tutorial, Creative Cow Leader Aharon Rabinowitz shows you how to create a customized, sound-reactive waveform using a stroke, a distortion effect, and an expression.

Creative Cow Leader Aharon Rabinowitz shows you how to improve the look of the customized waveform and talks about how to get real control of your audio keyframes.

Karl covers the puppet pin tool and motion sketching in After Effects while Jason dazzles us with the Guitar Suite, submixing, and creating big drums.

Karl shows how new effects in After Effects CS4 are used to create a cartoon look, while Jason creates the "down & dirty" sound used for guitar and drum tracks in Audition 3.

Creative Cow Leader Aharon Rabinowitz shows you how to improve the look of the customized waveform and talks about how to get real control of your audio keyframes.

In this video tutorial, Creative Cow Leader Aharon Rabinowitz shows you how to create a customized, sound-reactive waveform using a stroke, a distortion effect, and an expression.

Continuing with the Victor Vector project, putting the various animation and graphical components together and introducing sound. How to use Movie Clip filters, blends, and alter the speed of a motion tween with custom ease in/ease out.

There are some Adobe ones who just can’t stop partying - even at work! Kush talks to D.J. Occlusion about remixing sounds downloaded from Resource Central. He also talks about many ways to watch his show.

Learn to add cue points to files in Soundbooth, import sounds into Flash, and perform round-trip editing between Flash with Soundbooth.

Jason explains how to use Audition 3 to automate the mixdown process, while Karl discusses the use of the new CS4 MochaAE planar tracker.

Karl discusses using point trackers and expressions in After Effects CS4, and Jason talks about using MIDI tracks and VSTi in Audition 3.

Karl delves into the advanced Puppet Tool and using nested comps to add video elements to a still, while Jason goes over Multiband Processing & Exporting the Mixdown.

Dive into the world of Audio with Dennis Radeke as he shows you how to make your audio sound better using Soundbooth and Audition. Also learn about Photoshop's time-saving Actions feature.

Carl covers the puppet pin tool and motion sketching in After Effects while Jason dazzles us with the Guitar Suite, submixing, and creating big drums.

Jason explains how to work with Analog Modeled effects to create stereo/mono mixes while Karl covers nested compositions and using plug-ins to achieve the "look" of the video.

In response to an email question, Kush wanted to find out ways to fake a 3D reflection on a flat plane in Adobe After effects. Now he is left only with a set of clues in the form of what sounds like a poem.

Jason explains how to produce and comp vocal tracks with pitch correction, reverb, compression and submixing while Karl shows us how to set up a key using Keylight.

Karl covers the basics of Rotobezier masking and using Lumakey effects to add a shadow in After Effects CS3 while Jason explains Stereo Processing for guitars and Mastering the Mix in Audition 3.

In his inaugural show, join Dennis Radeke as he reviews the interface of After Effects, teaches sound track creation in Soundbooth and the cool Automate to Timeline feature inside of Premiere Pro.

Karl covers how to use HD footage in an SD project while Jason cleans up a garage recording to turn it into a master.